Book by Carroll Lewis
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From Chapter IV: The Rabbit Sends in a Little Bill
It was the White Rabbit, trotting slowly back again, and looking anxiously about as it went, as if it had lost something; and she heard it muttering to itself, “The Duchess! The Duchess! Oh my dear paws! Oh my fur and whiskers! She’ll get me executed, as sure as ferrets are ferrets! Where can I have dropped them, I wonder?” Alice guessed in a
moment that it was looking for the fan and the pair of white kidgloves, and she very good-naturedly began hunting about for them, but they were nowhere to be seen—everything seemed to have changed since her swim in the pool; and the great hall, with the glass table and the little door, had vanished completely.
Very soon the Rabbit noticed Alice, as she went hunting about, and called out to her, in an angry tone, “Why, Mary Ann, what are you doing out here? Run home this moment, and fetch me a pair of gloves and a fan! Quick, now!” And Alice was so much frightened that she ran o at once in the direction it pointed to, without trying to explain the mistake that it had made.
“He took me for his housemaid,” she said to herself as she ran. “How surprised he’ll be when he finds out who I am! But I’d better take him his fan and gloves—that is, if I can find them.” As she said this, she came upon a neat little house, on the door of which was a bright brass plate with the name “W. RABBIT ” engraved upon it. She went in without knocking, and hurried upstairs, in great fear lest she should meet the real Mary Ann, and be turned out of the house before she had found the fan and gloves.
“How queer it seems,” Alice said to herself, “to be going messages for a rabbit! I suppose Dinah’ll be sending me on messages next!” And she began fancying the sort of thing that would happen: “‘Miss Alice! Come here directly, and get ready for your walk!’ ‘Coming in a minute,’ nurse! But I’ve got to watch this mouse-hole till Dinah comes back, and see that the mouse doesn’t get out.’ Only I don’t think,” Alice went on, “that they’d let Dinah stop in the house if it began ordering people about like that!”
By this time she had found her way into a tidy little room with a table in the window, and on it (as she had hoped) a fan and two or three pairs of tiny white kid-gloves: she took up the fan and a pair of the gloves, and was just going to leave the room, when her eye fell upon a little bottle that stood near the looking-glass. There was no label this time with the words “DRINK ME,” but nevertheless she uncorked it and put it to her lips. “I know something interesting is sure to happen,” she said to herself, “whenever I eat or drink anything: so I’ll just see what this bottle does. I do hope it’ll make me grow large again, for really I’m quite tired of being such a tiny little thing!”
It did so indeed, and much sooner than she had expected: before she had drunk half the bottle, she found her head pressing against the ceiling, and had to stoop to save her neck from being broken. She hastily put down the bottle, saying to herself “That’s quite enough—I hope I sha’n’t grow any more—As it is, I ca’n’t get out at the door—I do wish I hadn’t drunk quite so much!”
Alas! It was too late to wish that! She went on growing, and growing, and very soon had to kneel down on the floor: in another minute there was not even room for this, and she tried the effect of lying down with one elbow against the door, and the other arm curled round her head. Still she went on growing, and, as a last resource, she put one arm out of the window, and one foot up the chimney, and said to herself “Now I can do no more, whatever happens. What will become of me?”
“This year, that curious, hallucinating heroine Alice, friend of Cheshire cats and untimely rabbits, is turning 150 years old...And what a perfect match, in tone and whimsy, found in Rifle Paper Co.’s Anna Bond.”—Vanity Fair
“Publishers are having a creative field day with stunningly beautiful new covers—and lovely insides, too, in the case of Puffin’s whimsical Alice’s Adventures in Wonderland, illustrated by Rifle Paper Co.’s Anna Bond.”—Entertainment Weekly
“Chic...The pretty face of Anna Bond’s Alice looks continually astonished, and even in the scene where her neck grows freakishly serpentine, the heroine remains comely. Elegant and unthreatening, Ms. Bond’s pictures abound with so many flowers and curling vines that Wonderland seems a much nicer place than perhaps we remembered.”—Wall Street Journal
“150 years after Alice in Wonderland was published, Anna Bond, the creative director of stationer Rifle Paper Co., draws a whole new tea party in this deluxe hardcover edition.”—New York Magazine’s The Cut
“In this beautiful, oversized, hardcover anniversary edition—with the complete, unabridged text—readers will fall in love all over again with the classic tale of the girl who fell down the rabbit hole. Illustrator Anna Bond, of gift and stationery brand Rifle Paper Co., applies her stylish, whimsical touch and distinctive color palette to Alice and her friends, from the inviting jacket and the case-cover art beneath it to the original endpapers and the superb full-color interior illustrations, large and small.” —Shelf Awareness
“This year marks the 150th anniversary of Lewis Carroll’s beloved classic, Alice’s Adventures in Wonderland. Commemorate the occasion with a deluxe hardcover edition of the tale from Puffin Books, available Oct. 27. The new book is re-illustrated with vibrant, whimsical designs by Anna Bond of Rifle Paper Co., for a one-of-a-kind look at Alice’s imaginative journey.”—American Profile
From the Hardcover edition.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good (-). Ghiuselev, Iassen (illustrateur). 1st. (CAD) 1st edition. Owner's name to conrer of end paper, no other markings, Near Fine in unclipped Very Good (-) dust jacket with a 1/5" closed tear to the lower front flap fold DJ is in mylar sleeve. Illus. boards with burgundy cloth spine, illus end papers, [119}pp, olour and monochrome illustrations by Ghiuselev, an illustrator born in Sofia and who resides in Italy. He was awarded the Best Book of the Year by the Buchkunst Foundation in 1997. He worked on the illustration for this book for 6 years, creating large format paintings in gouache on wood. Each painting tells one of Alice's adventures, and are composed somewhat like Escher's etchings, which defy the logic of space and time. Alice in Wonderland must be an extremely difficult book to illustrate as Tenniel nailed the original illustrations so well to begin with and his work still overshadows. The dust jacket describes this book as a Limited edition but there is no indication of copy number. (3.5 JM LVR 204/0 Size: Folio - over 12" - 15" tall. N° de réf. du vendeur 07877
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Hardcover. Etat : Very Good. No Jacket. Ghiuselev, Iassen (illustrateur). Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1. N° de réf. du vendeur G1894965000I4N10
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Hardcover. Etat : Good. No Jacket. Ghiuselev, Iassen (illustrateur). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1. N° de réf. du vendeur G1894965000I3N00
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Etat : good. Ghiuselev, Iassen (illustrateur). Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. N° de réf. du vendeur ZBV.1894965000.G
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hardcover. Etat : fine. Etat de la jaquette : fine. Ghiuselev, Iassen (illustrateur). First. Beautifully illustrated by Iassen Ghiuselev. 119 pages. Folio, burgundy cloth-backed pictorial boards, d.w. Vancouver: Simply Read Books, (2003). First edition thus. A fine copy in a fine dust wrapper. Signed by Ghiuselev on the title page. N° de réf. du vendeur 324718
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