The World Is an Apple: The Still Lifes of Paul Cezanne

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9781907804281: The World Is an Apple: The Still Lifes of Paul Cezanne

This ground-breaking volume offers a reappraisal of Paul Cézanne's achievement in the genre of still life. It examines his paintings within the context of his artistic development and professional self-fashioning, and probes the shifting scientific and critical discourses that shaped both his practice and the reception of his pictures.

A prolific artist who synthesized formal problems through a close study of objects, Cézanne's lifelong engagement with still life painting yielded what is arguably the single most innovative body of work in the genre of any artist in the Western canon. In their often radical coloring and skewed perspective-and abetted by his highly demonstrative paint application-Cézanne's still lifes unmoored objects and their meanings from conventional representation, effectively recasting the physical and perceptual relations between people and things. Apples, skulls or crockery now evoked more than merely abundance, vanity, or notions of the rustic, participating instead in a poetics of suggestiveness and allusion.

Ultimately, Cézanne set still life painting on a new course, one that completely altered its traditionally low position in the academic hierarchy of French painting and prefigured the later essays of masters from Pablo Picasso to Andy Warhol.

Treating over twenty of Cézanne's key still lifes borrowed from European and American museums and private collections, and featuring four essays by acclaimed Cézanne specialists in addition to a foreword by Philippe Cézanne, great grandson of the artist, this is a major contribution to our understanding of Cézanne's art.

Accompanies a major exhibition, at the following venues: The Barnes Foundation, PA, USA, June 22–September 22, 2014, travelling to the Art Gallery of Hamilton, Ontario, Canada, November 1, 2014 – January 31, 2015.


Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

About the Author :

Benedict Leca, Director of Curatorial Affairs at the Art Gallery of Hamilton, the book’s editor and exhibit’s curator, and the editor of Monet in Giverny: Landscapes of Reflection (2012); Paul Smith, Professor in History of Art at the University of Warwick, and the author of Interpreting Cézanne (1996); Richard Shiff, Effie Marie Cain Regents Chair in Art at the University of Texas at Austin, and the author of numerous books including the seminal volume Cézanne and the End of Impressionism (1984); Nina Kallmyer, Professor and Chair, Department of Art History, University of Delaware, author of Cézanne and Provence: The Painter in His Culture (2003); Denis Coutagne, President of Société Paul Cézanne;

Review :

"Allows one to scrutinize the artist's still lifes in illuminating isolation from the work of his peers, and to appreciate how the artist's powerful, painterly sensations could trump even the most traditional subjects he depicted" Mary Tompkins Lewes, The Wall Street Journal

"Rigorous and thoughtful" Michael Pepi, The New Criterion

"Manages to explore the full gamut of Cézanne’s adventures with still life" Ann Landi, ARTNews

"A beautiful tome" Judith Dobrynski, Real Clear Arts blog

"Invaluable to serious practitioners, collectors, and viewers of art" Maine Antique Digest


"Allows one to scrutinize the artist's still lifes in illuminating isolation from the work of his peers, and to appreciate how the artist's powerful, painterly sensations could trump even the most traditional subjects he depicted"―Mary Tompkins Lewes, The Wall Street Journal

"Rigorous and thoughtful"―Michael Pepi, The New Criterion

"Manages to explore the full gamut of Cézanne’s adventures with still life"― Ann Landi, ARTNews

"A beautiful tome"–Judith Dobrynski, Real Clear Arts blog

"Invaluable to serious practitioners, collectors, and viewers of art"–Maine Antique Digest

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

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Nina Kallmyer and Paul Smith, Denis Coutagne, Contributions by Richard Shiff, Benedict Leca
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Benedict Leca (editor), Paul Smith (contributions), Richard Shiff (contributions), Nina Kallmyer (contributions), Denis Coutagne (contributions)
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Benedict Leca
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Description du livre D Giles Ltd, United Kingdom, 2014. Hardback. État : New. Language: English . Brand New Book. There is a real lack of published material on Paul Cezanne s still lifes; this groundbreaking new volume offers a complete, thematic reappraisal of Cezanne s still life paintings, looking at them both within the broader context of his complex artistic and psychological development and within the wider history of the development of still life in France and early twentieth-century modernism. Cezanne set still life painting on a new course, one that completely altered its traditionally low position within the hierarchy of French academic painting. For Cezanne, still life became the means by which he processed his perception of things, in which he viewed shapes and objects as units that might interpenetrate one another . Presenting twenty-two key still lifes by Cezanne, this is a major contribution to our understanding of Cezanne s life and work. Contents: Director s Foreword; Introduction/Acknowledgement by Curator Benedict Leca; Foreword by Philippe Cezanne Cezanne/Still Life ; Introduction: Denis Coutagne, The Apple: Motif cosmogram ; Essay 1: Benedict Leca, Ph.D., The Painter of Apples: Cezanne, Still Life and Self-Fashioning ; Essay 2: Paul Smith, Cezanne s Colour Lab ; Essay 3: Richard Shiff, Morality, Materiality, Apples ; Essay 5: Nina Athanassoglou-Kallmyer, Cezanne in the studio . Contributors to the volume include professor Richard Shiff; Effie Marie Cain, Regents Chair in Art at the University of Texas at Austin; Benedict Leca, director of curatorial affairs at the Art Gallery of Hamilton, the book s editor and exhibit s curator; Denis Coutagne, president of Societe Paul Cezanne; Nina Kallmyer, professor and chair, Department of Art History, University of Delaware; and Paul Smith, professor in History of Art at the University of Warwick. N° de réf. du libraire AAZ9781907804281

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Benedict Leca
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ISBN 10 : 1907804285 ISBN 13 : 9781907804281
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Description du livre D Giles Ltd, United Kingdom, 2014. Hardback. État : New. Language: English . Brand New Book. There is a real lack of published material on Paul Cezanne s still lifes; this groundbreaking new volume offers a complete, thematic reappraisal of Cezanne s still life paintings, looking at them both within the broader context of his complex artistic and psychological development and within the wider history of the development of still life in France and early twentieth-century modernism. Cezanne set still life painting on a new course, one that completely altered its traditionally low position within the hierarchy of French academic painting. For Cezanne, still life became the means by which he processed his perception of things, in which he viewed shapes and objects as units that might interpenetrate one another . Presenting twenty-two key still lifes by Cezanne, this is a major contribution to our understanding of Cezanne s life and work. Contents: Director s Foreword; Introduction/Acknowledgement by Curator Benedict Leca; Foreword by Philippe Cezanne Cezanne/Still Life ; Introduction: Denis Coutagne, The Apple: Motif cosmogram ; Essay 1: Benedict Leca, Ph.D., The Painter of Apples: Cezanne, Still Life and Self-Fashioning ; Essay 2: Paul Smith, Cezanne s Colour Lab ; Essay 3: Richard Shiff, Morality, Materiality, Apples ; Essay 5: Nina Athanassoglou-Kallmyer, Cezanne in the studio . Contributors to the volume include professor Richard Shiff; Effie Marie Cain, Regents Chair in Art at the University of Texas at Austin; Benedict Leca, director of curatorial affairs at the Art Gallery of Hamilton, the book s editor and exhibit s curator; Denis Coutagne, president of Societe Paul Cezanne; Nina Kallmyer, professor and chair, Department of Art History, University of Delaware; and Paul Smith, professor in History of Art at the University of Warwick. N° de réf. du libraire AAZ9781907804281

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