L'édition de cet ISBN n'est malheureusement plus disponible.
Afficher les exemplaires de cette édition ISBNDatant des années 70 et mettant en scène sa famille, ces photos sont parmi les premières images de la photographe néerlandaise et portent en germe ses travaux actuels. On y voit ses enfants évoluer dans l'intimité familiale avec la grande liberté qui prévalait à cette époque.
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Description du livre Mack, 2013. Etat : Neuf. N° de réf. du vendeur A5-075P-LGSE
Description du livre Mack. Hardcover. Etat : New. 1907946462 All our listings are Brand New copies held on shelves and ready to be dispatched right away. Super-fast delivery. Excellent value for money with 100% money-back guarantee. Buy with confidence. DS-(3). N° de réf. du vendeur SKU1006117
Description du livre Mack. Etat : New. 2013. First edition, first printing. Hardcover. Dust Jacket is New. In publisher's shrinkwrap. New. N° de réf. du vendeur BR31764
Description du livre Mack, 2013. Hardcover. Etat : New. 1st Edition. 1ST EDITION, MINT CONDITION, in publisher's shrinkwrap. This title is in English. N° de réf. du vendeur 2D-V8Q7-KEJG
Description du livre Mack. Hardcover. Etat : Brand New. In Stock. N° de réf. du vendeur zk1907946462
Description du livre Mack, 2013. Soft cover. Etat : New. Etat de la jaquette : Fine. 1st Edition. Bertien van Manen's blissful images of family holidays in den Eikenhorst (literally meaning Nest of Oak Trees) from the 1970s are the subject of her latest publication, Easter and Oak Trees. It was her son, one of the primary subjects in the series, who recently reminded van Manen of the archive. Lightness dominates these black and white images, and the obvious pleasure, family warmth and security of her children and family in the less politically correct '70s. Children pose, play and run but ultimately the photographs communicate the intimate comfort that comes with family, uninhibited in their expression and exposure to the camera. Easter and Oak Trees offers an enticing invitation to share a small part of this familial idyll. The images raise the question, could a photographer still do this in 2013? Could she photograph her children naked, footloose and carefree, acting up to the camera with fake cigarettes and a bottle of beer? Or is this spontaneity, this innocence, lost thanks to rancid affairs and small-minded moralism? Whilst this work is some of the earliest made by van Manen, it has all the qualities found in her mature work. "One recognizes the lyrical looseness, the sensuality and the melancholy but also a striving for balance and composition. Her photographs look like free, insouciant improvisations on themes, that later, in 'a Hundred Summers a Hundred Winters' or in 'East Wind West Wind' have taken shape in a more outspoken way". Hripsimé Visser. N° de réf. du vendeur ABE-1552241122895