The Self-Aware Image: An Insight into Early Modern Metapainting

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9781909400115: The Self-Aware Image: An Insight into Early Modern Metapainting
Présentation de l'éditeur :

Victor Stoichita challenges the received ideas about the linear progression of Western painting, from the Renaissance, through Mannerism to the Baroque. Eschewing questions of style, he focuses instead on the painting as a framed, transportable, and marketable object that is a specifically modern artistic medium. Arguing that panel painting, from its origins in the Early Renaissance, was a 'self-aware image', Stoichita demonstrates that the artist and his art was often the theme of the painting. He also examines the mirror effect and other 'splitting' strategies such as the mise en abîme and intertextual play. By analysing these modalities of self-reflection, Stoichita offers a new and unexpected view of a period and the art it produced once considered to have been definitively classified.

Revue de presse :

'Only the rarest of books manages to think freshly about issues of art-making within a historical framework … The Self-Aware Image is such a book … this is a book to be sipped, not gulped. It richly deserves to be pondered and applied by specialists and generalists alike.' The Art Book

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Victor I. Stoichita,Lorenzo Pericolo
Edité par Harvey Miller Publishers 2015-08-31 (2015)
ISBN 10 : 1909400114 ISBN 13 : 9781909400115
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Description du livre Harvey Miller Publishers 2015-08-31, 2015. Hardcover. État : New. N° de réf. du libraire NU-MAR-00051418

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Victor I Stoichita
Edité par Brepols N.V., Belgium (2015)
ISBN 10 : 1909400114 ISBN 13 : 9781909400115
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Description du livre Brepols N.V., Belgium, 2015. Hardback. État : New. New, Updated. 287 x 226 mm. Language: English . Brand New Book. The notion of the painting as an art object is a relatively recent invention. The Self-Aware Image offers an impressive and complex account of the origins and development of this invention from the late Renaissance through the end of the baroque age. In comparison to the old image characterized by its preeminently liturgical function and its display in a predetermined space, the painting as the new image is increasingly autonomous and movable. As a modern art object, the painting becomes the focus of an aesthetic contemplation through its insertion into a gallery or a collection. As a result of the Protestant iconoclasm and the advancement of scientific knowledge, the essence and role of the image is put into question and thematized not only by theologians and scholars, but especially by artists. The painting thus becomes a field of visual experimentation in which art reflects on itself, its potential, its limits, its truth, and its nothingness. The representation of windows, doors, niches, mirrors, and paintings enable artists to embed the image within the image, to frame the fictiveness of the image in order to deceive, puzzle, and challenge the beholder. The pictorial devices through which artists introduce their authorial self into the image and stage the making of the image itself form the foundation of a new poetics: the poetics of metapainting. First published in French in 1993, Victor Stoichita s Self-Aware Image has become a classic of the history of art. This new, updated, and improved English edition marks the twentieth anniversary of a work that radically changed the perception of seventeenth-century art and that constitutes an ever-valid reference for contemporary scholarship. An introduction by Lorenzo Pericolo illustrates the great importance of the book for our comprehension of baroque painting. N° de réf. du libraire AAJ9781909400115

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Victor I Stoichita
Edité par Brepols N.V., Belgium (2015)
ISBN 10 : 1909400114 ISBN 13 : 9781909400115
Neuf(s) Couverture rigide Quantité : 10
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The Book Depository
(London, Royaume-Uni)
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Description du livre Brepols N.V., Belgium, 2015. Hardback. État : New. New, Updated. 287 x 226 mm. Language: English . Brand New Book. The notion of the painting as an art object is a relatively recent invention. The Self-Aware Image offers an impressive and complex account of the origins and development of this invention from the late Renaissance through the end of the baroque age. In comparison to the old image characterized by its preeminently liturgical function and its display in a predetermined space, the painting as the new image is increasingly autonomous and movable. As a modern art object, the painting becomes the focus of an aesthetic contemplation through its insertion into a gallery or a collection. As a result of the Protestant iconoclasm and the advancement of scientific knowledge, the essence and role of the image is put into question and thematized not only by theologians and scholars, but especially by artists. The painting thus becomes a field of visual experimentation in which art reflects on itself, its potential, its limits, its truth, and its nothingness. The representation of windows, doors, niches, mirrors, and paintings enable artists to embed the image within the image, to frame the fictiveness of the image in order to deceive, puzzle, and challenge the beholder. The pictorial devices through which artists introduce their authorial self into the image and stage the making of the image itself form the foundation of a new poetics: the poetics of metapainting. First published in French in 1993, Victor Stoichita s Self-Aware Image has become a classic of the history of art. This new, updated, and improved English edition marks the twentieth anniversary of a work that radically changed the perception of seventeenth-century art and that constitutes an ever-valid reference for contemporary scholarship. An introduction by Lorenzo Pericolo illustrates the great importance of the book for our comprehension of baroque painting. N° de réf. du libraire AAJ9781909400115

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Victor I Stoichita
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ISBN 10 : 1909400114 ISBN 13 : 9781909400115
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Description du livre Brepols N.V. 2015-08-31, New York, 2015. hardback. État : New. N° de réf. du libraire 9781909400115

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Victor I Stoichita
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Description du livre Brepols N.V., 2015. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire CA-9781909400115

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Victor I Stoichita
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Description du livre État : New. 250. N° de réf. du libraire 375021002

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Stoichita, Victor I.
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Description du livre Brepols Publishers, 2015. Hardcover. État : New. 1909400114. N° de réf. du libraire 50465H

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Stoichita, Victor I.
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Description du livre Harvey Miller Pub, 2015. Hardcover. État : Brand New. new upd edition. 337 pages. 11.00x9.00x1.25 inches. In Stock. N° de réf. du libraire __1909400114

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V. I. Stoichita
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Description du livre Harvey Miller Publishers, London, 2015. Couverture rigide. État : Neuf. Etat de la jaquette : Neuf. Edition originale. 220 X280 mm-. Harvey Miller Studies in Baroque Art(HMSBA 4) V. I. Stoichita The Self-Aware Image. A Revised and Updated Edition An Insight Into Early Modern Meta-Painting Add to basket -> VI+337 p., 138 colour ill., 220 x 280 mm, 2015 ISBN: 978-1-909400-11-5 Languages: English Hardback The publication is available. Retail price: EUR 150,00 V. I. Stoichita The Self-Aware Image. A Revised and Updated Edition An Insight Into Early Modern Meta-Painting The notion of the painting as an art object is a relatively recent invention. The Self-Aware Image offers an impressive and complex account of the origins and development of this invention from the late Renaissance through the end of the baroque age. In comparison to the "old" image characterized by its preeminently liturgical function and its display in a predetermined space, the painting as the "new" image is increasingly autonomous and movable. As a modern art object, the painting becomes the focus of an aesthetic contemplation through its insertion into a gallery or a collection. As a result of the Protestant iconoclasm and the advancement of scientific knowledge, the essence and role of the image is put into question and thematized not only by theologians and scholars, but especially by artists. The painting thus becomes a field of visual experimentation in which art reflects on itself, its potential, its limits, its truth, and its nothingness. The representation of windows, doors, niches, mirrors, and paintings enable artists to embed the image within the image, to "frame" the fictiveness of the image in order to deceive, puzzle, and challenge the beholder. The pictorial devices through which artists introduce their authorial self into the image and stage the making of the image itself form the foundation of a new poetics: the poetics of metapainting. First published in French in 1993, Victor Stoichita¿s Self-Aware Image has become a classic of the history of art. This new, updated, and improved English edition marks the twentieth anniversary of a work that radically changed the perception of seventeenth-century art and that constitutes an ever-valid reference for contemporary scholarship. An introduction by Lorenzo Pericolo illustrates the great importance of the book for our comprehension of baroque painting. N° de réf. du libraire 008487

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Stoichita, Victor I.
Edité par Brepols Publishers (2014)
ISBN 10 : 1909400114 ISBN 13 : 9781909400115
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Description du livre Brepols Publishers, 2014. Hardcover. État : New. book. N° de réf. du libraire 1909400114

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