Extrait :
I was a college kid on a cold Connecticut night in 1964 when I first heard Mary’s angelic alto. On that night in New Haven and on so many nights over the next five decades, in so many places all over the world, Peter, Paul and Mary’s music asked more of us than to simply sing along. “The hammer of justice” and “the bell of freedom!” These are more than just lyrics; they were then, and they remain, a call to conscience, and as Peter especially has always reminded me, when something pulls at your conscience, you need to act.
As Peter, Paul and Mary journeyed from coffeehouses and campuses to the Billboard Top 40, there could be no doubt that we were all living in turbulent times. But in their harmonies was a magic and message more powerful than a decade of discord and exhilaration.
That is why, after all these years, we return to the music. That is why when we turn the pages of this incredible book, we are questioned, liberated, and challenged once again.
I know my experience with Peter, Paul and Mary is one that I shared with so many in those years of challenge and transformation. Their music became an anchor: “Blowin’ in the Wind” as the war in Vietnam escalated. “Leavin’ on a Jet Plane” as I left to join the war. “Puff, the Magic Dragon” as I patrolled the Mekong Delta. Their songs became the soundtrack of my life and of a generation.
They changed the cultural fabric of this nation forever. Peter, Paul and Mary brought folk music from the shadows of the McCarthy blacklist era to the living rooms and radio stations of every town in America. They gave the world its first listen to young songwriting talents from Bob Dylan to John Denver, Gordon Lightfoot to Laura Nyro.
And though their music might stop and the band would break up for years, they never stopped marching. They marched for peace, for racial justice, for workers’ rights. They marched against gun violence, homelessness, and world hunger. They marched for clean air and clean water, against apartheid and nuclear proliferation.
Through both their songs and their struggle, they helped propel our nation on its greatest journey, on the march toward greater equality. With their passion and persistence, Peter, Paul and Mary helped widen the circle of our democracy.
It was at Dr. King’s March on Washington, that Peter, Paul and Mary first performed “Blowin’ in the Wind.” On that day and for decades thereafter, they made it clear that it was up to all of us to reach for the answer by reaching out to one another and to the world. Their message was not defined by protest but by taking responsibility—taking the risks that peace, the most powerful answer of all, always requires.
-John F. Kerry, US Secretary of State
Revue de presse :
Celebrating 50 Years of Peter, Paul and Mary — Give or Take
Peter, Paul and Mary, the trio that became stars of the 1960s folk music boom, and had enduring hits with their covers of Bob Dylan’s “Blowin’ in the Wind,” Pete Seeger’s “Where Have All the Flowers Gone” and songs of their own like “Puff the Magic Dragon,” have assembled a three-pronged celebration of their 50th anniversary – or at least, what the surviving members, Noel Paul Stookey and Peter Yarrow (Mary Travers died in 2009) are calling their 50th anniversary.
A new album, “Discovered: Live in Concert,” will include 13 songs the group performed in concert but never recorded in the studio. The recordings were made at a handful of concerts in the 1980s, and rediscovered when the group was compiling “Carry It On,” its 2004 career overview. Only one of the songs, “Mi Caballo Blanco,” was included in that set. The remaining 12 – among them, “Midnight Special,” “You Can Tell the World” and “Cactus in a Coffee Can” – are previously unissued. Rhino will release the set on Nov. 17.
Also due in November is a coffee table book, “Peter, Paul and Mary: 50 Years in Life and Song” (Imagine/Charlesbridge). And on Dec. 1, PBS will air a documentary, “50 Years With Peter, Paul and Mary,” which promises to include archival footage from the group’s appearances at Civil Rights and antiwar demonstrations.
Exactly why this fall should be regarded as the group’s 50th anniversary, however, is a mystery. The trio was formed in 1961, and released its first album, “Peter, Paul and Mary,” in 1962. That would make it closer to 54 years.
“Yeah, it’s kind of an inside joke,” Mr. Stookey explained in an email. “Do you remember the PP&M album called ‘Late Again’? We have a reputation for taking longer than expected because we’re meticulous and sensitive to each other’s reservations. We never did a thing as a trio that all three of us didn’t agree on. We finally agreed on this book – Mary in absentia, mostly, though much of her writings contributed to the text, as well as our recollections of conversations and attitudes.”
- The New York Times, October 21, 2014
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