Revue de presse :
"Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic...Buehlman...doesn't scrimp on earthy horror and lyrical writing in the face of unspeakable horrors...an author to watch."—Kirkus Reviews
Praise for Those Across the River
“One of the best first novels I’ve ever read.”—Charlaine Harris, #1 New York Times bestselling author
“What a treat. As much F. Scott Fitzgerald as Dean Koontz. A graceful, horrific read.”—Patricia Briggs, #1 New York Times bestselling author
“Beautifully written...with a cast of Southern characters so real you can almost see the sweat roll down the page. The ending is exceedingly clever.”—Boston Herald
“Wonderfully eerie from start to finish—a novel sure to enthrall readers of all stripes.”—Grant Blackwood, New York Times bestselling author
“An unsettling brew of growing menace spiked with flashes of genuine terror—do not miss this chilling debut.”—F. Paul Wilson, New York Times bestselling author of Fatal Error
“Lures you into a different era, seduces you with eloquent prose and sensual period details, then clamps down on your jugular...an outstanding debut.”—Hank Schwaeble, Bram Stoker Award–winning author of Diabolical
“Buehlman’s lyrical prose vividly captures a landscape made familiar by William Faulkner and Flannery O’Connor. A delightfully genre-bending juxtaposition of supernatural horror and gothic drama.”—California Literary Review
“A horror story that manages just the right balance between building dread and suspense and delivering action.”—The A.V. Club
Présentation de l'éditeur :
His extraordinary debut, Those Across the River, was hailed as “genre-bending Southern horror” ( California Literary Review), “graceful [and] horrific” (Patricia Briggs). Now Christopher Buehlman invites readers into an even darker age—one of temptation and corruption, of war in heaven, and of hell on earth…
And Lucifer said: “ Let us rise against Him now in all our numbers, and pull the walls of heaven down…”
The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm—that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict.
Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon. There, she tells Thomas, she will fulfill her mission: to confront the evil that has devastated the earth, and to restore to this betrayed, murderous knight the nobility and hope of salvation he long abandoned.
As hell unleashes its wrath, and as the true nature of the girl is revealed, Thomas will find himself on a macabre battleground of angels and demons, saints, and the risen dead, and in the midst of a desperate struggle for nothing less than the soul of man.
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