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Description du livre Soft Cover. Etat : new. N° de réf. du vendeur 9781938922169
Description du livre Etat : New. Brand New. N° de réf. du vendeur 9781938922169
Description du livre Paperback. Etat : Brand New. 104 pages. 9.75x8.00x0.50 inches. In Stock. N° de réf. du vendeur zk1938922166
Description du livre Etat : New. N° de réf. du vendeur 19995384-n
Description du livre Etat : New. 2014. Illustrated. Paperback. . . . . . N° de réf. du vendeur V9781938922169
Description du livre Etat : New. 2014. Illustrated. Paperback. . . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781938922169
Description du livre Paperback. Etat : new. Paperback. This volume will be the first monograph on the work of Chicago-based artist William J. OBrien (born 1975), produced to accompany his first large-scale, solo exhibition opening at the Museum of Contemporary Art Chicago in January 2014. The show demonstrates the broad range of OBriens work--from sculpture and ceramics to drawing, textiles and painting--and his guiding interest in physicality and the handmade. The catalogue expands the dominant narratives around his practice, which generally focus on his ceramics, to more accurately reflect his diverse, prolific practice as a whole. Exhibition curator Naomi Beckwith and contributing author and curator Trevor Smith contextualize the artists work in light of recent modes in contemporary art history--linforme, the handmade and semiotic play. Critic Jason Foumberg contributes a creative text inspired by the artists working process. Together, the contributing essays make a strong contextual case for OBriens work that counters canonical themes of media-specificity and traditional art materials, producing a catalogue as expansive as the breadth of OBriens practice itself. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781938922169
Description du livre Paperback. Etat : new. Paperback. This volume will be the first monograph on the work of Chicago-based artist William J. OBrien (born 1975), produced to accompany his first large-scale, solo exhibition opening at the Museum of Contemporary Art Chicago in January 2014. The show demonstrates the broad range of OBriens work--from sculpture and ceramics to drawing, textiles and painting--and his guiding interest in physicality and the handmade. The catalogue expands the dominant narratives around his practice, which generally focus on his ceramics, to more accurately reflect his diverse, prolific practice as a whole. Exhibition curator Naomi Beckwith and contributing author and curator Trevor Smith contextualize the artists work in light of recent modes in contemporary art history--linforme, the handmade and semiotic play. Critic Jason Foumberg contributes a creative text inspired by the artists working process. Together, the contributing essays make a strong contextual case for OBriens work that counters canonical themes of media-specificity and traditional art materials, producing a catalogue as expansive as the breadth of OBriens practice itself. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781938922169
Description du livre Etat : New. New. In shrink wrap. Looks like an interesting title! 0.9. N° de réf. du vendeur Q-1938922166