Kunst monographisch Jean Starobinski Garache

ISBN 13 : 9782080120854

Garache

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9782080120854: Garache

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1.

Jean Starobinski
Edité par Flammarion (1988)
ISBN 10 : 2080120859 ISBN 13 : 9782080120854
Ancien(s) ou d'occasion Couverture rigide Quantité : 1
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Powell's Books
(Portland, OR, Etats-Unis)
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Description du livre Flammarion, 1988. Hardcover. État : Good. HARDCOVER Legendary independent bookstore online since 1994. Reliable customer service and no-hassle return policy. Arts and Entertainment>Art>Artists. Book: USED, Good. Bookseller Inventory # 01978208012085400. N° de réf. du libraire 01978208012085400

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2.

Jean Starobinski
ISBN 10 : 2080120859 ISBN 13 : 9782080120854
Ancien(s) ou d'occasion Couverture rigide Quantité : 1
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Lis tes ratures
(Lorient, France)
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Description du livre Jan 01, 1988. État : D'occasion - Bon état. Présence d'un accroc au bas du premier plat. Complet de sa jaquette. N° de réf. du libraire 399. regzgrdgrkehgergggrefgezrge

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3.

jean starobinski
Edité par galerie lelong (1988)
ISBN 10 : 2080120859 ISBN 13 : 9782080120854
Ancien(s) ou d'occasion Couverture rigide Edition originale Quantité : 5
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mip
(Berlin, Allemagne)
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Description du livre galerie lelong, 1988. Hardcover. État : Gut bis sehr gut. Etat de la jaquette : Gut bis sehr gut. 1. Auflage. 166 seiten, sehr viele abbildungen, buch und schutzumschlag guter zustand, buchgröße 25,5 x 31,5 cm Claude Garache lives and works in Paris. An artist’s artist, Garache was first recommended to Aimé Maeght. Although Garache’s subject is exclusively the female body, the Surrealist Raoul Ubac and the Post-War School of Paris abstract-artist Pierre Courtin have written prefaces to Garache’s exhibition catalogues. An art historian’s artist, Garache has been the subject of analyses by Marc Fumaroli (Italian Renaissance art), Jacques Thuillier (books on Georges de la Tour and Nicolas Poussin), and Dora Vallier (Georges Braques). A poet’s artist, Garache has frequently collaborated with and/or been the subject of essays or poetry by the poets Yves Bonnefoy, Jean Frémon, Grand Prix national de la poésie winner Edmund Jabès, Philippe Jacottet, Nobel Prize-winner Claude Simon, and Alain Veinstein. Garache appeals as well to intellectual historians like Georges Duby (medieval culture) and Jean Starobinski (Montaigne, France in the Eighteenth Century and the French Revolution) and to literary critics like Richard Stamelman (contemporary poetry, Yves Bonnefoy), Judith Miller (contemporary avant-garde and feminist French theater), and Peter Schofer (Nineteenth-Century French Poetry).Living and working in Paris, Claude Garache (b. 1929) has achieved that balance of surprise and inevitability (the blending of an individual talent and a viable tradition) that marks the works of Degas and Matisse, Derain and Giacometti. As a painter, Garache is a perfectionist, layering on wash after wash of color, building up depth and intensity, establishing both a ground and an almost 3-dimensional shape looming out of that ground. Garache is an established master of the aquatint, whose graphics are regularly included in the Bibliothèque Nationale’s five-year surveys of the most important work in prints and were similarly included in shows at the Museum of Modern Art in New York, the Fifth European Print Bienniale, and have been featured in one-person shows at museums and galleries in the U.S., Belgium, England, France, Germany, and Spain. He is also a superb lithographer, whose sense of color and texture produces fascinating and compelling studies of the human figure, his only subject. Garache’s image remains the female nude. As Garache, whom Dora Vallier has called the first post-abstract master of the nude, said in an interview with critic Jacob Stockinger, With the publication in 1988 of Jean Starobinski’s important book, Garache (published by Flammarion) with texts in both French and English, Garache’s work has become more accessible to English-speaking audiences, and there have been a number of shows in New York, San Francisco, and Seattle galleries. Infos: Internet; Spaightwood Galleries Upton MA. N° de réf. du libraire ABE-10746358161

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4.

Jean Starobinski
Edité par Flammarion / Galerie Lelong (1988)
ISBN 10 : 2080120859 ISBN 13 : 9782080120854
Ancien(s) ou d'occasion Couverture rigide Quantité : 1
Vendeur
Librairie de l'Avenue - Veyrier
(Saint-Ouen, FR, France)
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Description du livre Flammarion / Galerie Lelong, 1988. Couverture rigide. État : Bon état. In-4 cart. éditeur sous jaquette illustrée, 166pp. Jaquette fendillée en tête. in-4°. N° de réf. du libraire 64055

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5.

Starobinski (Jean)
Edité par Flammarion / Galerie Lelong (1988)
ISBN 10 : 2080120859 ISBN 13 : 9782080120854
Ancien(s) ou d'occasion Couverture rigide Quantité : 1
Vendeur
Librairie de l'Avenue - Veyrier
(Saint-Ouen, FR, France)
Evaluation vendeur
[?]

Description du livre Flammarion / Galerie Lelong, 1988. Couverture rigide. État : Bon état. In-4 cart. éditeur sous jaquette illustrée sous étui cartonné. 166pp. in-4°. N° de réf. du libraire 29270

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6.

jean starobinski
Edité par flammarion galerie lelong 1988 (1988)
ISBN 10 : 2080120859 ISBN 13 : 9782080120854
Ancien(s) ou d'occasion Couverture rigide Edition originale Signé Quantité : 1
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mip
(Berlin, Allemagne)
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Description du livre flammarion galerie lelong 1988, 1988. Hardcover. État : Sehr gut. Etat de la jaquette : Sehr gut. 1. Auflage. Claude Garache Monographie Vorzugsausgabe in leinenschuber exemplar 48/ 50 mit signierter und nummerierter lithografie signiert und nummeriert Auflage: 50 in sehr gutem Zustand Blattgröße: 32,0 x 25,5 cm Motivgröße: 25,0 x 18,0 cm Claude Garache lives and works in Paris. An artist’s artist, Garache was first recommended to Aimé Maeght. Although Garache’s subject is exclusively the female body, the Surrealist Raoul Ubac and the Post-War School of Paris abstract-artist Pierre Courtin have written prefaces to Garache’s exhibition catalogues. An art historian’s artist, Garache has been the subject of analyses by Marc Fumaroli (Italian Renaissance art), Jacques Thuillier (books on Georges de la Tour and Nicolas Poussin), and Dora Vallier (Georges Braques). A poet’s artist, Garache has frequently collaborated with and/or been the subject of essays or poetry by the poets Yves Bonnefoy, Jean Frémon, Grand Prix national de la poésie winner Edmund Jabès, Philippe Jacottet, Nobel Prize-winner Claude Simon, and Alain Veinstein. Garache appeals as well to intellectual historians like Georges Duby (medieval culture) and Jean Starobinski (Montaigne, France in the Eighteenth Century and the French Revolution) and to literary critics like Richard Stamelman (contemporary poetry, Yves Bonnefoy), Judith Miller (contemporary avant-garde and feminist French theater), and Peter Schofer (Nineteenth-Century French Poetry).Living and working in Paris, Claude Garache (b. 1929) has achieved that balance of surprise and inevitability (the blending of an individual talent and a viable tradition) that marks the works of Degas and Matisse, Derain and Giacometti. As a painter, Garache is a perfectionist, layering on wash after wash of color, building up depth and intensity, establishing both a ground and an almost 3-dimensional shape looming out of that ground. Garache is an established master of the aquatint, whose graphics are regularly included in the Bibliothèque Nationale’s five-year surveys of the most important work in prints and were similarly included in shows at the Museum of Modern Art in New York, the Fifth European Print Bienniale, and have been featured in one-person shows at museums and galleries in the U.S., Belgium, England, France, Germany, and Spain. He is also a superb lithographer, whose sense of color and texture produces fascinating and compelling studies of the human figure, his only subject. Garache’s image remains the female nude. As Garache, whom Dora Vallier has called the first post-abstract master of the nude, said in an interview with critic Jacob Stockinger, With the publication in 1988 of Jean Starobinski’s important book, Garache (published by Flammarion) with texts in both French and English, Garache’s work has become more accessible to English-speaking audiences, and there have been a number of shows in New York, San Francisco, and Seattle galleries. Infos: Internet; Spaightwood Galleries Upton MA. Signatur des Illustrators. N° de réf. du libraire ABE-14303912401

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