More than any of their contemporaries, Swiss architects Jacques Herzog and Pierre de Meuron are challenging the boundaries between architecture and art. Natural History explores that challenge, examining how the work of this formidable pair has drawn upon the art of both past and present, and brought architecture into dialogue with the art of our time. Echoing an encyclopedia, this publication reflects the natural history museum structure of the exhibition which it accompanies, organized by the Canadian Centre for Architecture. Models and projects by Herzog & de Meuron, as well as by other artists, are structured around six thematic portfolios that suggest an evolutionary history of the architects' work: Appropriation & Reconstruction, Transformation & Alienation, Stacking & Compression, Imprints & Moulds, Interlocking Spaces, and Beauty & Atmosphere. Each section is introduced with a statement from Herzog, and more than 20 artists, scholars, and architects have contributed essays, including Carrie Asman, Georges Didi-Huberman, Kurt W. Forster, Boris Groys, Ulrike Meyer Stump, Peggy Phelan, Thomas Ruff, Rebecca Schneider, Adolf Max Vogt, and Jeff Wall.
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Jacques Herzog and Pierre de Meuron have had nearly parallel careers. They were born in 1950, in Basel, Switzerland, attended the same schools, and formed a partnership in 1978. Recipients of the 2001 Pritzker Architecture Prize, their highest profile project to date is the Tate Modern, for which they transformed the giant Bankside power station in London into a suite of new galleries. They are currently at work on an extension to the Walker Art Center in Minneapolis and the New de Young Museum in San Francisco.
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Description du livre Lars Müller Publishers, 2003. Soft cover. État : New. 1st Edition. N° de réf. du libraire ABE-1492363593161
Description du livre Lars Müller Publishers, 2003. Paperback. État : New. Never used!. N° de réf. du libraire P113037780495