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Description du livre paperback. Etat : New. 1st. N° de réf. du vendeur 575251
Description du livre Soft Cover. Etat : new. N° de réf. du vendeur 9783374028948
Description du livre Etat : New. N° de réf. du vendeur V9783374028948
Description du livre Etat : New. N° de réf. du vendeur V9783374028948
Description du livre Etat : New. N° de réf. du vendeur 18297400-n
Description du livre Etat : New. Book is in NEW condition. 0.88. N° de réf. du vendeur 3374028942-2-1
Description du livre Paperback. Etat : new. Paperback. In the course of modern European cultural history, music has gained its own autonomous status. Sacred music is no longer representative. But is there still religious potential in the autonomous music since the 19th century? There is indeed - if we understand religion in a larger context. The contributions to this volume, which result from several years of fruitful collaboration of theologians and musicologists at the Evangelische Akademie Hofgeismar, translate Friedrich Schleiermacher's formula that religion is "an intuition of the universe" into the sphere of listening. The possibility of a similar perception with regard to music is first discussed in two theoretical essays. 13 analyses of specific masterworks of European music history extending from Schubert to Schnebel attempt to provide concrete applications of this position. The book is accompanied by a DVD containing all the pieces discussed, some of which are not easily accessible elsewhere. English summary: In the course of modern European cultural history, music has gained its own autonomous status. Sacred music is no longer representative. But is there still religious potential in the autonomous music since the 19th century? There is indeed - if we understand religion in a larger context. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9783374028948