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Description du livre HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur CX-9783631619032
Description du livre Etat : new. N° de réf. du vendeur 4b34788e49e2dcd8c004408eabc4f578
Description du livre HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur CX-9783631619032
Description du livre Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Is a common European Holocaust memory possible The author approaches this question by analyzing Polish and German cinema after 1989, and the public debates on the past that have surrounded the filmic narratives. Of all media, cinema has exerted the broadest impact in the formation of collective memory regarding the Holocaust. Despite the distance in time, and especially since the fall of communism, this traumatic chapter in European history has come into ever sharper focus. Film makers have refracted evolving public awareness and in turn projected the dramas and images that inculcate mass opinion. This work examines these dynamic trends with regard to selected Polish and German feature films. The author shows how cinema opened hitherto taboo aspects to discussion. She reveals both a deep divide between the two countries, as well as significant similar trends in the memory of events. 194 pp. Englisch. N° de réf. du vendeur 9783631619032
Description du livre Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Is a common European Holocaust memory possible The author approaches this question by analyzing Polish and German cinema after 1989, and the public debates on the past that have surrounded the filmic narratives. Of all media, cinema has exerted the broadest impact in the formation of collective memory regarding the Holocaust. Despite the distance in time, and especially since the fall of communism, this traumatic chapter in European history has come into ever sharper focus. Film makers have refracted evolving public awareness and in turn projected the dramas and images that inculcate mass opinion. This work examines these dynamic trends with regard to selected Polish and German feature films. The author shows how cinema opened hitherto taboo aspects to discussion. She reveals both a deep divide between the two countries, as well as significant similar trends in the memory of events. N° de réf. du vendeur 9783631619032