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Synopsis
This is the first monograph on the Polish composer Ignacy Jan Paderewski (1860-1941). It aspires to be part of the process of restoring his compositional legacy to European musical culture. Reinterpreting the legend surrounding the great Pole, the study is based on Paderewskis works that are listed in the Paderewski catalogue, but also includes sketches, unfinished pieces and student exercises. Raba's analysis and interpretation of the composer's work is carried out in formal-structural, stylistic-critical and aesthetic contexts, revising the image of the composer, that has been distorted in the historical reception of his oeuvre.
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- ÉditeurPeter Lang AG
- Date d'édition2015
- ISBN 10 3631662157
- ISBN 13 9783631662151
- ReliureRelié
- Nombre de pages317
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Between romanticism and modernism : Ignacy Jan Paderewskis Compositional Å"uvre. Transl. by John Comber / Eastern European studies in musicology ; Vol. 5
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Frankfurt, M. : PL Acad. Research, 2015
ISBN 10 : 3631662157
ISBN 13 : 9783631662151
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Pp. Etat : Wie neu. 317 S. : Ill., Noten ; 22 cm Tadellos. - Table of Contents -- Chapter 1 -- Work and Oeuvre 13 -- Between romanticism and modernism 14 -- Style 17 -- The social-national dimension of creative output 17 -- Character of the sources 19 -- State of research 20 -- Periodisation of the oeuvre 25 -- Chapter 2: Early Romantic Output (i): Between -- Historicism and Folklorism (1876-84) 31 -- 2.1 The compositional interpretation of Romantic historicism 31 -- 2.2 From salon convention to personal lyric - the early -- instrumental miniature 40 -- 2.3 Folklore in the national spirit: Danses polonaises, -- Op. 5 and Op. 9 45 -- Chapter 3: Early Romantic Output (ii): in the Shackles -- of Berlin Academicism and the National -- Tradition (1882-84) 53 -- 3.1 In the sphere of the Chopin-Moniuszko tradition - -- VierLieder, Op. 7 and 'Maienblume' 53 -- 3.2 Around a Romantic topic - between Schumannian -- Charakterstuck and Lisztian programme 64 -- 3.3 The idea of syncretic form - the Variations et -- fugue in A minor, Op. 11 75 -- 3.4 Source folklore in the national spirit or salon-style -- musique orientale? The Tatra Album, Op. 12 79 -- 3.5 Berlin academicism and national style - chamber -- and orchestral works 97 -- Chapter 4: Mature Romantic Output (1884-96) 105 -- 4.1 Relative historicism: stile antico - stile moderno - -- Humoresques de concert.Op. 14 105 -- 4.2 A synthesis of the lyrical and the narrative in a cyclic form, -- Miscellanea. Sirie de morceaux pour piano, Op. 16; Canzone. 113 Ligende in A flat major, Ligende in A major 114 -- Melodie in G flat major, Nocturne in B flat major, -- Canzone 118 -- Thtme varie, Op. 16 No. 3 122 -- Un moment musical in A flat major, Minuet in A major 124 -- 4.3 Between the national and the universal in a large cyclic work 125 -- Thematic virtuosity - the Sonata in A minor, Op. 13 126 -- Piano Concerto in A minor, Op. 17 - a -- Schumannesque pendant? 129 -- Violin Concerto in G minor (sketches) 135 -- An apology of Polish folklore - the Fantaisie polonaise sur -- des thimes originaux pour piano et orchestre, Op. 19 139 -- 4.4 Romantic inspirations of the modernist watershed 146 -- Six Songs for voice and piano, Op. 18 146 -- Dans le desert. Tableau musical en forme d'une toccata, Op. 15 155 -- Chapter 5: Stylistic Polarisation in the Face of -- Modernist Trends (1893-1909) 161 -- 5.1 Manru. Lyrisches Drama, Op. 20 - eclecticism or syncretism? 161 -- From Manolo to Manru - genesis 162 -- The literary original and Alfred Nossigs libretto: -- structure and ideas 165 -- The symbolic drama and the 'Wagner method' 174 -- Synthetism, eclecticism or stylistic disintegration? 179 -- The conception of Manru in the light of foreign poetics 182 -- Manru as a parallel of the composer's identity? 185 -- 5.2 On the threshold of a modernist stylistic polarisation: the -- Sonata in E flat minor, Op. 21 and Variations etfugue in -- E flat minor, Op. 23 187 -- 5.3 Chansons & lafrangaise or a creative dialogue with -- French symbolism: the Douze Melodies, Op. 22 and -- 'Dans la forSt' to words by Thfophile Gautier 199 -- 'Dans la foret' - the Romantic roots of symbolism 199 -- Douze Melodies, Op. 22 'the marriage of love and death' 203 -- 5.4 In memoriam sursum corda: The 'Polonia' Symphony -- in B minor, Op. 24 223 -- Specifics of musical narrative 229 -- The symbolism of the semantic code 230 -- Opposition to tyranny and a declaration of unity - -- a critique of style 238 ISBN 9783631662151 Sprache: Englisch Gewicht in Gramm: 472. N° de réf. du vendeur 1076629
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Between Romanticism and Modernism: Ignacy Jan Paderewski's Compositional ?uvre (Eastern European Studies in Musicology)
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Between Romanticism and Modernism Ignacy Jan Paderewski's Compositional uvre 5 Eastern European Studies in Musicology
Edité par
Peter Lang Group AG, 2015
ISBN 10 : 3631662157
ISBN 13 : 9783631662151
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Between Romanticism and Modernism: Ignacy Jan Paderewski's Compositional ?uvre (Eastern European Studies in Musicology)
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Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2015
ISBN 10 : 3631662157
ISBN 13 : 9783631662151
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Between Romanticism and Modernism : Ignacy Jan Paderewski's Compositional Å'uvre
Edité par
Peter Lang Gmbh, Internationaler Verlag Der Wissen, 2015
ISBN 10 : 3631662157
ISBN 13 : 9783631662151
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Between Romanticism and Modernism Ignacy Jan Paderewski's Compositional uvre 5 Eastern European Studies in Musicology
Edité par
Peter Lang Group AG, 2015
ISBN 10 : 3631662157
ISBN 13 : 9783631662151
Neuf
Couverture rigide
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Between Romanticism and Modernism: Ignacy Jan Paderewski's Compositional ?uvre (Eastern European Studies in Musicology)
Edité par
Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2015
ISBN 10 : 3631662157
ISBN 13 : 9783631662151
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Between Romanticism and Modernism
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Peter Lang Mrz 2015, 2015
ISBN 10 : 3631662157
ISBN 13 : 9783631662151
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This is the first monograph on the Polish composer Ignacy Jan Paderewski (1860-1941). It aspires to be part of the process of restoring his compositional legacy to European musical culture. Reinterpreting the legend surrounding the great Pole, the study is based on Paderewskis works that are listed in the Paderewski catalogue, but also includes sketches, unfinished pieces and student exercises. Raba's analysis and interpretation of the composer's work is carried out in formal-structural, stylistic-critical and aesthetic contexts, revising the image of the composer, that has been distorted in the historical reception of his oeuvre. 318 pp. Englisch. N° de réf. du vendeur 9783631662151
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Between Romanticism and Modernism : Ignacy Jan Paderewski¿s Compositional ¿uvre
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Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This is the first monograph on the Polish composer Ignacy Jan Paderewski (1860-1941). It aspires to be part of the process of restoring his compositional legacy to European musical culture. Reinterpreting the legend surrounding the great Pole, the study is based on Paderewskis works that are listed in the Paderewski catalogue, but also includes sketches, unfinished pieces and student exercises. Raba's analysis and interpretation of the composer's work is carried out in formal-structural, stylistic-critical and aesthetic contexts, revising the image of the composer, that has been distorted in the historical reception of his oeuvre. N° de réf. du vendeur 9783631662151
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Between Romanticism and Modernism
Edité par
Peter Lang Ltd. International Academic Publishers, 2015
ISBN 10 : 3631662157
ISBN 13 : 9783631662151
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book is the first monograph on Ignacy Jan Paderewski as composer. It reveals the evolution of his style and aesthetics in context of European music culture of the second half of 19th and first decades of 20th-century.Eastern European Studies in Mus. N° de réf. du vendeur 112349388
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