HEECH: (A Nothing That Is) Sculpted In Poem by Parviz Tanavoli, Iranian Sculpture

 
9783659229688: HEECH: (A Nothing That Is) Sculpted In Poem by Parviz Tanavoli, Iranian Sculpture

Born in Tehran in 1937, Tanavoli benefited from Reza Shah Pahlavi’s quest for modernization/westernization. After Western-style art education had been introduced to Iran, Tanavoli graduated as the first student from the new sculpture programme at the Tehran School of Arts in 1956. Subsequently he went to Italy in order to study under the well-known sculptor Marino Marini (1901–1980). Marini’s awareness of the past traditions of his native country, and their incorporation into his contemporary work, led Tanavoli to explore his own cultural heritage and to search for a style suitable to express Persia’s past achievements in a modern way. Recurring themes in Tanavoli’s sculpture consistently contain references to the human Figure, evident both in the upright sculptural forms and their titles. Tanavoli progressively replaces any descriptive Figurative features with cultural symbols. This fusion of human and cultural emblems is an enduring characteristic of Tanavoli’s powerful sculptural statements. Each work imbues special meaning like Persian poetry, which is more concerned with subjective interpretation of reality than with its external manifestations.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

About the Author :

Professor of Department of Architecture, Mahshahr Branch, Islamic Azad University, Mahshahr, Iran

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

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Description du livre État : New. Publisher/Verlag: LAP Lambert Academic Publishing | (A Nothing That Is) Sculpted In Poem by Parviz Tanavoli, Iranian Sculpture | Born in Tehran in 1937, Tanavoli benefited from Reza Shah Pahlavi s quest for modernization/westernization. After Western-style art education had been introduced to Iran, Tanavoli graduated as the first student from the new sculpture programme at the Tehran School of Arts in 1956. Subsequently he went to Italy in order to study under the well-known sculptor Marino Marini (1901 1980). Marini s awareness of the past traditions of his native country, and their incorporation into his contemporary work, led Tanavoli to explore his own cultural heritage and to search for a style suitable to express Persia s past achievements in a modern way. Recurring themes in Tanavoli s sculpture consistently contain references to the human Figure, evident both in the upright sculptural forms and their titles. Tanavoli progressively replaces any descriptive Figurative features with cultural symbols. This fusion of human and cultural emblems is an enduring characteristic of Tanavoli s powerful sculptural statements. Each work imbues special meaning like Persian poetry, which is more concerned with subjective interpretation of reality than with its external manifestations. | Format: Paperback | Language/Sprache: english | 86 gr | 220x150x3 mm | 52 pp. N° de réf. du libraire K9783659229688

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Description du livre LAP Lambert Academic Publishing Sep 2012, 2012. Taschenbuch. État : Neu. Neuware - Born in Tehran in 1937, Tanavoli benefited from Reza Shah Pahlavi s quest for modernization/westernization. After Western-style art education had been introduced to Iran, Tanavoli graduated as the first student from the new sculpture programme at the Tehran School of Arts in 1956. Subsequently he went to Italy in order to study under the well-known sculptor Marino Marini (1901 1980). Marini s awareness of the past traditions of his native country, and their incorporation into his contemporary work, led Tanavoli to explore his own cultural heritage and to search for a style suitable to express Persia s past achievements in a modern way. Recurring themes in Tanavoli s sculpture consistently contain references to the human Figure, evident both in the upright sculptural forms and their titles. Tanavoli progressively replaces any descriptive Figurative features with cultural symbols. This fusion of human and cultural emblems is an enduring characteristic of Tanavoli s powerful sculptural statements. Each work imbues special meaning like Persian poetry, which is more concerned with subjective interpretation of reality than with its external manifestations. 52 pp. Englisch. N° de réf. du libraire 9783659229688

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Description du livre LAP Lambert Academic Publishing Sep 2012, 2012. Taschenbuch. État : Neu. Neuware - Born in Tehran in 1937, Tanavoli benefited from Reza Shah Pahlavi s quest for modernization/westernization. After Western-style art education had been introduced to Iran, Tanavoli graduated as the first student from the new sculpture programme at the Tehran School of Arts in 1956. Subsequently he went to Italy in order to study under the well-known sculptor Marino Marini (1901 1980). Marini s awareness of the past traditions of his native country, and their incorporation into his contemporary work, led Tanavoli to explore his own cultural heritage and to search for a style suitable to express Persia s past achievements in a modern way. Recurring themes in Tanavoli s sculpture consistently contain references to the human Figure, evident both in the upright sculptural forms and their titles. Tanavoli progressively replaces any descriptive Figurative features with cultural symbols. This fusion of human and cultural emblems is an enduring characteristic of Tanavoli s powerful sculptural statements. Each work imbues special meaning like Persian poetry, which is more concerned with subjective interpretation of reality than with its external manifestations. 52 pp. Englisch. N° de réf. du libraire 9783659229688

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Description du livre LAP Lambert Academic Publishing, Germany, 2012. Paperback. État : New. Aufl.. Language: English . Brand New Book ***** Print on Demand *****.Born in Tehran in 1937, Tanavoli benefited from Reza Shah Pahlavi s quest for modernization/westernization. After Western-style art education had been introduced to Iran, Tanavoli graduated as the first student from the new sculpture programme at the Tehran School of Arts in 1956. Subsequently he went to Italy in order to study under the well-known sculptor Marino Marini (1901-1980). Marini s awareness of the past traditions of his native country, and their incorporation into his contemporary work, led Tanavoli to explore his own cultural heritage and to search for a style suitable to express Persia s past achievements in a modern way. Recurring themes in Tanavoli s sculpture consistently contain references to the human Figure, evident both in the upright sculptural forms and their titles. Tanavoli progressively replaces any descriptive Figurative features with cultural symbols. This fusion of human and cultural emblems is an enduring characteristic of Tanavoli s powerful sculptural statements. Each work imbues special meaning like Persian poetry, which is more concerned with subjective interpretation of reality than with its external manifestations. N° de réf. du libraire AAV9783659229688

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