In 1960, photographer William Claxton and noted German musicologist Joachim Berendt traveled the United States hot on the trail of jazz music. The result of their collaboration was an amazing collection of photographs and recordings of legendary artists as well as unknown street musicians.
About the photographer:
William Claxton began his career shooting jazz record cover art. His iconic images of Chet Baker, Charlie Parker, Duke Ellington, Dizzy Gillespie, Billie Holiday and many others reflect his preeminence among photographers of jazz music. Claxton worked for many of the biggest publishers including Life, Paris Match, and Vogue magazines. His work has been shown in galleries around the world, and his photographic prints
The book Jazzlife, the original fruit of their labors, has become a collector`s item that is highly treasured among jazz and photography fans. In 2003, TASCHEN began reassembling this important collection of material along with many never-before-seen color images from those trips. They are brought together in this updated volume, which includes a foreword by William Claxton tracing his travels with Berendt and his love affair with jazz music in general. Jazz fans will be delighted to be able to take a jazz-trip through time, seeing the music as Claxton and Berendt originally experienced it.
Featuring photographs of Charlie Parker, Count Basie, Duke Ellington, Muddy Waters, Gabor Szabo, Dave Brubeck, Stan Getz, Billie Holiday, Ella Fitzgerald, Miles Davis, Charlie Mingus, Thelonious Monk, John Coltrane, and many more.
In Germany, Joachim E. Berendt was called the "jazz pope", and indeed he was the most influential non-musician in the German jazz scene for more than 50 years. He was founding member of South West German Radio (Südwestfunk) and produced more than 250 records, including many issued on the MPS-SABA label. In 1953, he first published The Jazzbuch, which became the most successful history book on jazz worldwide. His collection of records, books and jazz documents became the basis for the Jazzinstitut Darmstadt before he died in an accident in 2000. His contributions to jazz are internationally recognized to this day.Review :
"Jazzlife is surely the most thorough and imaginative visual record of American jazz at mid-century that we'll ever see." - Newsweek, New York"
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Description du livre TASCHEN America Llc, 2008. Hardcover. État : New. N° de réf. du libraire P113836508680
Description du livre TASCHEN America Llc, 2008. Hardcover. État : New. N° de réf. du libraire SONG3836508680