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Description du livre Etat : new. N° de réf. du vendeur 48128d65cf3237a122fbdae66d549a77
Description du livre HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur HU-9783869301099
Description du livre HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur HU-9783869301099
Description du livre Hardcover. Etat : Brand New. illustrated edition. 107 pages. French language. 9.50x12.50x0.75 inches. In Stock. N° de réf. du vendeur __3869301090
Description du livre Hardcover. Etat : new. Hardcover. The New York curator Marvin Heiferman characterized Lewis Baltz's landscape photography as a "topography of the emptiness of random, damaged, remote places". The images in his 1989 series Candlestick Point show Californian fallow land, where piles of rubble and waste accumulate in the middle of the prairie. Traces of technical land development - drainage channels and water dams - are visible, becoming a typically American theme: the development of a territory in the almost infinite prairie. Baltz's photographic record of the development at Candlestick Point combines sociological and analytical rigour and is strongly oriented towards the tradition of Land Art, and retrospectively pays tribute to its crucial influence on conceptual art since the 1970s. Candlestick Point was first published in 1989 and has been unavailable for decades, other than as an expensive collectible on the secondary photobook market. Lewis Baltz's works have been the subject of over fifty one person exhibitions. Seventeen monographs have been published on his work. He came to prominence as a part of the 'New Topography' movement of the 1970s. Baltz studied at the San Francisco Art Institute and received a Master of Fine Arts from Claremont Graduate School in 1971. He is currently based in Paris and Venice. The New York curator Marvin Heiferman characterized Lewis Baltzs landscape photography as a topography of the emptiness of random, damaged, remote places. This title features his images that combines sociological and analytical rigour and is strongly oriented towards the tradition of Land Art. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9783869301099
Description du livre Etat : new. N° de réf. du vendeur FrontCover3869301090
Description du livre Etat : New. The New York curator Marvin Heiferman characterized Lewis Baltzs landscape photography as a topography of the emptiness of random, damaged, remote places. This title features his images that combines sociological and analytical rigour and is strongly oriented towards the tradition of Land Art. Num Pages: 148 pages, chiefly Illustrations (some col., some folded). BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 331 x 251 x 18. Weight in Grams: 1470. . 2011. Hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9783869301099
Description du livre Hardcover. Etat : new. Hardcover. The New York curator Marvin Heiferman characterized Lewis Baltz's landscape photography as a "topography of the emptiness of random, damaged, remote places". The images in his 1989 series Candlestick Point show Californian fallow land, where piles of rubble and waste accumulate in the middle of the prairie. Traces of technical land development - drainage channels and water dams - are visible, becoming a typically American theme: the development of a territory in the almost infinite prairie. Baltz's photographic record of the development at Candlestick Point combines sociological and analytical rigour and is strongly oriented towards the tradition of Land Art, and retrospectively pays tribute to its crucial influence on conceptual art since the 1970s. Candlestick Point was first published in 1989 and has been unavailable for decades, other than as an expensive collectible on the secondary photobook market. Lewis Baltz's works have been the subject of over fifty one person exhibitions. Seventeen monographs have been published on his work. He came to prominence as a part of the 'New Topography' movement of the 1970s. Baltz studied at the San Francisco Art Institute and received a Master of Fine Arts from Claremont Graduate School in 1971. He is currently based in Paris and Venice. The New York curator Marvin Heiferman characterized Lewis Baltzs landscape photography as a topography of the emptiness of random, damaged, remote places. This title features his images that combines sociological and analytical rigour and is strongly oriented towards the tradition of Land Art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9783869301099
Description du livre Hardcover. Etat : new. New. Fast Shipping and good customer service. N° de réf. du vendeur Holz_New_3869301090
Description du livre Etat : New. The New York curator Marvin Heiferman characterized Lewis Baltzs landscape photography as a topography of the emptiness of random, damaged, remote places. This title features his images that combines sociological and analytical rigour and is strongly oriented towards the tradition of Land Art. Num Pages: 148 pages, chiefly Illustrations (some col., some folded). BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 331 x 251 x 18. Weight in Grams: 1470. . 2011. Hardcover. . . . . N° de réf. du vendeur V9783869301099