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Description du livre hardback. Etat : New. Language: ENG. N° de réf. du vendeur 9783869303109
Description du livre Hardcover. Etat : new. Hardcover. This book is a reproduction of an artwork, bearing the same title, by Santu Mofokeng. The work, which is as much a research project as it is a work of art, is comprised of private photographs collected, scanned, and retouched over a number of years by the artist. Each of the original images were commissioned by urban black working and middle-class families in South Africa between 1890 and 1950, a time when the government was entrenching its infamous policies towards those designated as "natives." Painterly in style, the images evoke the artifices of Victorian photography and reveal something about how the people captured within the frame imagined themselves, asking meditative questions on the meaning of African imagery: "Who were these people?," "What were their aspirations?," "Are these images evidence of mental colonization or did they serve to challenge prevailing images of 'The African' in the western world?" In this work Mofokeng thus analyses the sensibilities, aspirations and self-image of the urban black population in South Africa and its desire for representation and social recognition in times of colonial rule and suppression. This book contains the complete sequence of slides with reproduced photographs and Mofokeng's own texts. The Black Photo Album / Look at Me: 1890-1950 also features selections from Mofokeng's field notes and the original, unretouched photographs, published for the first time. Analyses the sensibilities, aspirations and self-image of the urban black population in South Africa and its desire for representation and social recognition in times of colonial rule and suppression. This book contains the complete sequence of slides with reproduced photographs and Mofokeng's own texts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783869303109
Description du livre Etat : new. N° de réf. du vendeur 6a68c93669a10665e106181091ff7e92
Description du livre Hardcover. Etat : Brand New. illustrated edition. 100 pages. 10.87x7.44x0.98 inches. In Stock. N° de réf. du vendeur __3869303107
Description du livre Etat : New. 2013. Hardcover. Analyses the sensibilities, aspirations and self-image of the urban black population in South Africa and its desire for representation and social recognition in times of colonial rule and suppression. This book contains the complete sequence of slides with reproduced photographs and Mofokeng's own texts. Num Pages: 152 pages, Illustrations. BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 184 x 260 x 24. Weight in Grams: 776. . . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9783869303109
Description du livre Etat : New. 2013. Hardcover. Analyses the sensibilities, aspirations and self-image of the urban black population in South Africa and its desire for representation and social recognition in times of colonial rule and suppression. This book contains the complete sequence of slides with reproduced photographs and Mofokeng's own texts. Num Pages: 152 pages, Illustrations. BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 184 x 260 x 24. Weight in Grams: 776. . . . . . N° de réf. du vendeur V9783869303109
Description du livre Hardcover. Etat : new. Hardcover. This book is a reproduction of an artwork, bearing the same title, by Santu Mofokeng. The work, which is as much a research project as it is a work of art, is comprised of private photographs collected, scanned, and retouched over a number of years by the artist. Each of the original images were commissioned by urban black working and middle-class families in South Africa between 1890 and 1950, a time when the government was entrenching its infamous policies towards those designated as "natives." Painterly in style, the images evoke the artifices of Victorian photography and reveal something about how the people captured within the frame imagined themselves, asking meditative questions on the meaning of African imagery: "Who were these people?," "What were their aspirations?," "Are these images evidence of mental colonization or did they serve to challenge prevailing images of 'The African' in the western world?" In this work Mofokeng thus analyses the sensibilities, aspirations and self-image of the urban black population in South Africa and its desire for representation and social recognition in times of colonial rule and suppression. This book contains the complete sequence of slides with reproduced photographs and Mofokeng's own texts. The Black Photo Album / Look at Me: 1890-1950 also features selections from Mofokeng's field notes and the original, unretouched photographs, published for the first time. Analyses the sensibilities, aspirations and self-image of the urban black population in South Africa and its desire for representation and social recognition in times of colonial rule and suppression. This book contains the complete sequence of slides with reproduced photographs and Mofokeng's own texts. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9783869303109
Description du livre Hardcover. Etat : new. Hardcover. This book is a reproduction of an artwork, bearing the same title, by Santu Mofokeng. The work, which is as much a research project as it is a work of art, is comprised of private photographs collected, scanned, and retouched over a number of years by the artist. Each of the original images were commissioned by urban black working and middle-class families in South Africa between 1890 and 1950, a time when the government was entrenching its infamous policies towards those designated as "natives." Painterly in style, the images evoke the artifices of Victorian photography and reveal something about how the people captured within the frame imagined themselves, asking meditative questions on the meaning of African imagery: "Who were these people?," "What were their aspirations?," "Are these images evidence of mental colonization or did they serve to challenge prevailing images of 'The African' in the western world?" In this work Mofokeng thus analyses the sensibilities, aspirations and self-image of the urban black population in South Africa and its desire for representation and social recognition in times of colonial rule and suppression. This book contains the complete sequence of slides with reproduced photographs and Mofokeng's own texts. The Black Photo Album / Look at Me: 1890-1950 also features selections from Mofokeng's field notes and the original, unretouched photographs, published for the first time. Analyses the sensibilities, aspirations and self-image of the urban black population in South Africa and its desire for representation and social recognition in times of colonial rule and suppression. This book contains the complete sequence of slides with reproduced photographs and Mofokeng's own texts. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9783869303109
Description du livre Etat : new. N° de réf. du vendeur FrontCover3869303107
Description du livre Hardcover. Etat : new. New. N° de réf. du vendeur Wizard3869303107