Robert Frank: In America

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9783869307350: Robert Frank: In America

Because of the importance of Robert Frank's The Americans; because he turned to filmmaking in 1959, the same year the book appeared in the United States; and because he made very different kinds of pictures when he returned to still photography in the 1970s, most of Frank's American work of the 1950s is poorly known. This book, based on the important Frank collection at the Cantor Arts Center at Stanford University, is the first to focus on that work. Its careful sequence of 131 plates integrates 22 photographs from The Americans with more than 100 unknown or unfamiliar images to chart the major themes and pictorial strategies of Frank's work in the United States in the 1950s. Peter Galassi's text presents a thorough reconsideration of Frank's first photographic career and examines in detail how he used the full range of photography's vital 35mm vocabulary to reclaim the medium's artistic tradition from the hegemony of the magazines.

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Review :

Robert Frank: In America brings together twenty-two of the images from The Americans with more than one hundred other images made between 1947 and the early 1960s... Where The Americans,/i> placed Frank on the outside looking in, Robert Frank: In America puts him right in the midst of it all. (Ellyn Kail Feature Shoot)

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Edité par Steidl 2014-10-13, Göttingen (2014)
ISBN 10 : 3869307358 ISBN 13 : 9783869307350
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Description du livre Steidl 2014-10-13, Göttingen, 2014. hardback. État : New. N° de réf. du libraire 9783869307350

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Description du livre Steidl, 2014. État : New. Most of Robert Frank's American work of the 1950s is poorly known. Based on the Frank collection at the Cantor Arts Center at Stanford University, this book examines how he used the full range of photography's vital 35mm vocabulary to reclaim the mediums artistic tradition from the hegemony of the magazines. Num Pages: 196 pages, illustrations. BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 252 x 238 x 25. Weight in Grams: 1218. . 2014. Hardcover. . . . . . N° de réf. du libraire V9783869307350

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Description du livre Steidl. État : New. Most of Robert Frank's American work of the 1950s is poorly known. Based on the Frank collection at the Cantor Arts Center at Stanford University, this book examines how he used the full range of photography's vital 35mm vocabulary to reclaim the mediums artistic tradition from the hegemony of the magazines. Num Pages: 196 pages, illustrations. BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 252 x 238 x 25. Weight in Grams: 1218. . 2014. Hardcover. . . . . Books ship from the US and Ireland. N° de réf. du libraire V9783869307350

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Description du livre Steidl Publishers, 2014. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire GB-9783869307350

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Description du livre Hardback. État : New. Not Signed; Because of the importance of Robert Frank's The Americans; because he turned to filmmaking in 1959, the same year the book appeared in the United States; and because he made very different kinds of pictures when he returned to still photography in the 1970s, most of Frank's American work of the 1950. book. N° de réf. du libraire ria9783869307350_rkm

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Description du livre État : New. Bookseller Inventory # ST3869307358. N° de réf. du libraire ST3869307358

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Description du livre Steidl Dap. Hardcover. État : New. Hardcover. 200 pages. Dimensions: 0.0in. x 0.0in. x 0.0in.Because of the importance of Robert Franks The Americans; because he turned to filmmaking in 1959, the same year the book appeared in the United States; and because he made very different kinds of pictures when he returned to still photography in the 1970s, most of Franks American work of the 1950s is poorly known. This book, based on the important Frank collection at the Cantor Arts Center at Stanford University, is the first to focus on that work. Its careful sequence of 131 plates integrates 22 photographs from The Americans with more than 100 unknown or unfamiliar images to chart the major themes and pictorial strategies of Franks work in the United States in the 1950s. Peter Galassis text presents a thorough reconsideration of Franks first photographic career and examines in detail how he used the full range of photographys vital 35mm vocabulary to reclaim the mediums artistic tradition from the hegemony of the magazines. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. N° de réf. du libraire 9783869307350

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Description du livre Steidl Gerhard Verlag Apr 2014, 2014. Buch. État : Neu. Neuware - Because of the importance of Robert Frank's The Americans; because he turned to filmmaking in 1959, the same year the book appeared in the United States; and because he made very different kinds of pictures when he returned to still photography in the 1970s, most of Frank s American work of the 1950s is poorly known. This book, based on the important Frank collection at the Cantor Arts Center at Stanford University, is the first to focus on that work. Its careful sequence of 131 plates integrates 22 photographs from The Americans with more than 100 unknown or unfamiliar images to chart the major themes and pictorial strategies of Frank s work in the United States in the 1950s. Peter Galassi's text presents a thorough reconsideration of Frank s first photographic career and examines in detail how he used the full range of photography s vital 35mm vocabulary to reclaim the medium s artistic tradition from the hegemony of the magazines. 196 pp. Englisch. N° de réf. du libraire 9783869307350

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Description du livre Steidl Publishers. Hardback. État : new. BRAND NEW, Robert Frank: In America, Peter Galassi, Because of the importance of Robert Frank's The Americans; because he turned to filmmaking in 1959, the same year the book appeared in the United States; and because he made very different kinds of pictures when he returned to still photography in the 1970s, most of Frank's American work of the 1950s is poorly known. This book, based on the important Frank collection at the Cantor Arts Center at Stanford University, is the first to focus on that work. Its careful sequence of 131 plates integrates twenty-two photographs from The Americans with more than 100 unknown or unfamiliar images to chart the major themes and pictorial strategies of Frank's work in the United States in the 1950s. Peter Galois' text presents a thorough reconsideration of Frank's first photographic career and examines in detail how he used the full range of photography's vital 35mm vocabulary to reclaim the mediums artistic tradition from the hegemony of the magazines. N° de réf. du libraire B9783869307350

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