Ich male gerne schlechten Geschmack. Die Arbeiten von Chen Fei (geb. 1983 in Shanxi, China, lebt und arbeitet in Peking) gehen in eine neue Richtung der zeitgenössischen chinesischen Kunst, die sich erheblich von den Themen und der Ästhetik der Avantgarde-Generation der 1980er und 1990er Jahre unterscheidet. Seine Bilder sind unbewusst von zahlreichen Filmen beeinflusst, die er seit seiner Kindheit gesehen hat vom Meisterwerk über den Kultfilm bis zum B-Movie. So begann er ein Studium an der Beijing Film Academy und malte 202 Bösewichte mit ihren Kostümen und Requisiten aus 197 Filmen. Von Clockwork Orange bis Ichi the Killer , von Shining bis Kill Bill , von Hard Candy bis Chucky und seine Braut . Der gleiche schwarze Humor findet sich auch in Chen Feis neueren Gemälden wieder. Unter seinem Pinsel werden Szenen über die menschliche Anatomie oder den Tod zu harmlosen Witzen. Was ihn wirklich beeindruckt, sind die Schurken, nicht die anständigen Leute, sagt Chen Fei. Das sei in der Malerei das Gleiche, Schönheit und Gesundheit langweilten ihn nur.
The work of Chen Fei (b. Shanxi, China, 1983; lives and works in Beijing)
is part of a new trend in contemporary Chinese art that represents a clear
thematic as well as aesthetic departure from the avant-garde art of the 1980s
and 1990s. His pictures evince the unconscious influence of the many
movies
he has seen since he was a child—masterworks and cult classics
as well as B movies. He actually enrolled at the Beijing Film Academy; a series
of paintings shows 202 villains, with their characteristic costumes and
accessories,
from 197 movies ranging from "Clockwork Orange" to "Ichi
the Killer," from "The Shining" to "Kill Bill," from "Hard Candy" to "Bride of
Chucky." The same morbid sense of humor is evident in Chen’s more recent
paintings. His brush transmutes scenes of human anatomy or death into
harmless jokes. What truly impresses him, Chen Fei says, are the rogues, not
the upstanding citizens, and the same goes for painting: beauty and good
health leave him bored.
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Buch. Etat : Neu. Neuware -'I Like to Paint Bad Taste.' Chen FeiThe work of Chen Fei (b. Shanxi, 1983; lives and works in Beijing) is part of a new trend in contemporary Chinese art that represents a clear thematic as well as aesthetic departure from the avant-garde art of the 1980s and 1990s. His pictures evince the unconscious influence of the many movies he has seen since he was a child-masterworks and cult classics as well as B movies. A onetime student at the Beijing Film Academy, he created portraits of 202 villains, complete with their characteristic costumes and accessories, from 197 movies ranging from 'A Clockwork Orange' to 'Ichi the Killer,' from 'The Shining' to 'Kill Bill,' from 'Hard Candy' to 'Bride of Chucky'; the tableau, titled 'To Remember Our Comrades By' (2008), makes a spectacular appearance in the book in the form of a six-page panorama foldout. He also wrote a book, 'Biographies of the World Movie Villains,' in which he describes these evil and bloodthirsty characters with artless sarcasm, as though he were inventorying his family's valuable possessions.The same morbid sense of humor is evident in Chen's more recent paintings. His brush transmutes scenes of human anatomy or death into harmless jokes. What truly impresses him, Chen Fei says, are the rogues, not the upstanding citizens, and the same goes for painting: beauty and good health leave him bored.With an essay by Sun Dongdong. 120 pp. Englisch. N° de réf. du vendeur 9783954761074
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Buch. Etat : Neu. Neuware -'I Like to Paint Bad Taste.' Chen FeiThe work of Chen Fei (b. Shanxi, 1983; lives and works in Beijing) is part of a new trend in contemporary Chinese art that represents a clear thematic as well as aesthetic departure from the avant-garde art of the 1980s and 1990s. His pictures evince the unconscious influence of the many movies he has seen since he was a child-masterworks and cult classics as well as B movies. A onetime student at the Beijing Film Academy, he created portraits of 202 villains, complete with their characteristic costumes and accessories, from 197 movies ranging from 'A Clockwork Orange' to 'Ichi the Killer,' from 'The Shining' to 'Kill Bill,' from 'Hard Candy' to 'Bride of Chucky'; the tableau, titled 'To Remember Our Comrades By' (2008), makes a spectacular appearance in the book in the form of a six-page panorama foldout. He also wrote a book, 'Biographies of the World Movie Villains,' in which he describes these evil and bloodthirsty characters with artless sarcasm, as though he were inventorying his family's valuable possessions.The same morbid sense of humor is evident in Chen's more recent paintings. His brush transmutes scenes of human anatomy or death into harmless jokes. What truly impresses him, Chen Fei says, are the rogues, not the upstanding citizens, and the same goes for painting: beauty and good health leave him bored.With an essay by Sun Dongdong. 120 pp. Englisch. N° de réf. du vendeur 9783954761074
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Buch. Etat : Neu. Neuware - 'I Like to Paint Bad Taste.' Chen FeiThe work of Chen Fei (b. Shanxi, 1983; lives and works in Beijing) is part of a new trend in contemporary Chinese art that represents a clear thematic as well as aesthetic departure from the avant-garde art of the 1980s and 1990s. His pictures evince the unconscious influence of the many movies he has seen since he was a child-masterworks and cult classics as well as B movies. A onetime student at the Beijing Film Academy, he created portraits of 202 villains, complete with their characteristic costumes and accessories, from 197 movies ranging from 'A Clockwork Orange' to 'Ichi the Killer,' from 'The Shining' to 'Kill Bill,' from 'Hard Candy' to 'Bride of Chucky'; the tableau, titled 'To Remember Our Comrades By' (2008), makes a spectacular appearance in the book in the form of a six-page panorama foldout. He also wrote a book, 'Biographies of the World Movie Villains,' in which he describes these evil and bloodthirsty characters with artless sarcasm, as though he were inventorying his family's valuable possessions.The same morbid sense of humor is evident in Chen's more recent paintings. His brush transmutes scenes of human anatomy or death into harmless jokes. What truly impresses him, Chen Fei says, are the rogues, not the upstanding citizens, and the same goes for painting: beauty and good health leave him bored.With an essay by Sun Dongdong. N° de réf. du vendeur 9783954761074
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