Words for Art: Criticism, History, Theory, Practice - Couverture souple

Schwabsky, Barry

Couverture souple

ISBN 10 : 3956790022 ISBN 13 : 9783956790027

Editeur : Sternberg Press, 2013

Synopsis

Barry Schwabsky - Words for Art Criticism, History, Theory, Practice The 20 book reviews and essays in this new title from Barry Schwabsky, longtime

A propos du livre

Présentation de l'éditeur :

In this volume of short essays, Barry Schwabsky reveals himself to be a critic of uncommon range and erudition. Walter Benjamin's views on color, E. H. Gombrich's theory of perception, Mel Bochner's and Liz Kotz's narratives of Conceptualism, and Sarah Thornton's peregrinations in the art world are but a few of the topics explored in this volume. In an era of hyper-specialization and rigid academic protocols, Schwabsky revives a form of criticism one imagined barely existed a criticism of varied interests and passionate opinions.--James Meyer, author of ''Minimalism: Art and Polemics in the Sixties''------------By weaving together evocative and often uncharted episodes from art history, literature, and philosophy, a critical poetic emerges, and an offense of interference and reworked perspectives surfaces from Schwabsky's essays. Unconcerned with categorical methodologies or totalizing approaches to criticism, Schwabsky writes with nonsequential energy that obliges both artists and critics to complexity, curiosity, and courage.--Michelle Grabner, artist and professor, School of the Art Institute of Chicago-----------Like many of the best critics, Schwabsky has the ability to describe things so precisely that no explicit evaluation is necessary. Every time an idea is introduced, it is allowed to hold the reader's attention for the time it takes to ground a judgment, and no longer. This gentle rhythm gives the essays an unillusioned clarity and undogmatic authority rarely found in writing about art.---Malcolm Bull, author of ''Anti-Nietzsche'' and University Lecturer in Fine Art at Oxford University----------------Design by Quemadura

Revue de presse :

By weaving together evocative and often uncharted episodes from art history, literature, and philosophy, a critical poetic emerges, and an offense of interference and reworked perspectives surfaces from Schwabsky s essays. Unconcerned with categorical methodologies or totalizing approaches to criticism, Schwabsky writes with nonsequential energy that obliges both artists and critics to complexity, curiosity, and courage. --Michelle Grabner, artist and professor, School of the Art Institute of Chicago

Like many of the best critics, Schwabsky has the ability to describe things so precisely that no explicit evaluation is necessary. Every time an idea is introduced, it is allowed to hold the reader s attention for the time it takes to ground a judgment, and no longer. This gentle rhythm gives the essays an unillusioned clarity and undogmatic authority rarely found in writing about art. --Malcolm Bull, author of Anti-Nietzsche and University Lecturer in Fine Art at Oxford University

À propos de cette édition

• Éditeur: Sternberg Press
• Date d'édition: 2013
• ISBN 10: 3956790022
• ISBN 13: 9783956790027
• Reliure: Broché
• Nombre de pages: 248