L'édition de cet ISBN n'est malheureusement plus disponible.
Afficher les exemplaires de cette édition ISBN
Frais de port :
EUR 8
De Italie vers Etats-Unis
Description du livre Etat : new. N° de réf. du vendeur a36d5331290f839b8782ee63ea970345
Description du livre Etat : New. In. N° de réf. du vendeur ria9783958292659_new
Description du livre Etat : New. 2021. 01st Edition. Hardcover. . . . . . N° de réf. du vendeur V9783958292659
Description du livre Hardcover. Etat : new. New. N° de réf. du vendeur Wizard3958292658
Description du livre Etat : new. N° de réf. du vendeur FrontCover3958292658
Description du livre Hardcover. Etat : new. Hardcover. The publication of William Eggleston's Chromes by Steidl in 2011 marked the beginning of the examination of the entire prolific output of this extraordinary artist in a range of books including Los Alamos Revisited (2012) and the ten-volume The Democratic Forest (2015). The three volumes of The Outlands are drawn from the same source, the photographs Eggleston made on color transparency film from 1969 to 1974 that formed the basis for the Chromes volumes and for John Szarkowski's seminal exhibition of Eggleston's work at the Museum of Modern Art in New York in 1976 with the accompanying book William Eggleston's Guide. However, with the exception of a couple of alternate versions, none of the photographs in The Outlands has been published previously.The result is revelatory. Starting at almost the exact point on the same street in suburban Memphis where Eggleston famously photographed the tricycle, the work follows a route through the back roads to old Mississippi where he was raised. What is disclosed is a sublime use of pure color hovering in semi-detachment from the forms he records. At the time, Eggleston was photographing a world that was already vanishing. Today, this final instalment of his color work offers a view of a great American artist discovering the range of his visual language and an unforgettable document of the Deep South in transition.Eggleston does not make judgments. He neither praises nor condemns the bright American promise. But to say that he merely observes it is not right either. An element of deep feeling-a kind of permanent expression painted on his face-emerges unseen in his sidewalks and night tables and billboard stanchions. - Alexander Nemerov Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9783958292659
Description du livre Hardcover. Etat : New. N° de réf. du vendeur 6666-HCE-9783958292659
Description du livre HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur HU-9783958292659
Description du livre Hardcover. Etat : new. Hardcover. The publication of William Eggleston's Chromes by Steidl in 2011 marked the beginning of the examination of the entire prolific output of this extraordinary artist in a range of books including Los Alamos Revisited (2012) and the ten-volume The Democratic Forest (2015). The three volumes of The Outlands are drawn from the same source, the photographs Eggleston made on color transparency film from 1969 to 1974 that formed the basis for the Chromes volumes and for John Szarkowski's seminal exhibition of Eggleston's work at the Museum of Modern Art in New York in 1976 with the accompanying book William Eggleston's Guide. However, with the exception of a couple of alternate versions, none of the photographs in The Outlands has been published previously.The result is revelatory. Starting at almost the exact point on the same street in suburban Memphis where Eggleston famously photographed the tricycle, the work follows a route through the back roads to old Mississippi where he was raised. What is disclosed is a sublime use of pure color hovering in semi-detachment from the forms he records. At the time, Eggleston was photographing a world that was already vanishing. Today, this final instalment of his color work offers a view of a great American artist discovering the range of his visual language and an unforgettable document of the Deep South in transition.Eggleston does not make judgments. He neither praises nor condemns the bright American promise. But to say that he merely observes it is not right either. An element of deep feeling-a kind of permanent expression painted on his face-emerges unseen in his sidewalks and night tables and billboard stanchions. - Alexander Nemerov Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783958292659
Description du livre Hardcover. Etat : Brand New. slp edition. 700 pages. French language. 13.25x12.50x4.00 inches. In Stock. N° de réf. du vendeur __3958292658