Since the beginning of his career in the 1950s, Russian artist Erik Bulatov (born 1933) has investigated the potential of painting as social commentary. A founder of the school of Moscow Conceptualism alongside Ilya Kabakov, Collective Actions and Komar & Melamid, among others, Bulatov developed what has been described as conceptual painting, using text and image to explore spatial preoccupations that mirror his understanding of social relations. This volume follows the making of the artist's largest work to date: a 30-foot-high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s.
Introducing an innovative assessment of Bulatov's oeuvre, this richly illustrated book includes an essay by Snejana Krasteva exploring his use of monumental scale, an interview by Hans Ulrich Obrist and several texts by the artist which are translated to English for the first time.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Erik Bulatov (b.1933) lives and works in Moscow and Paris. Garage Museum of Contemporary Art's New Work series examines in depth the making of a large-scale commission, focusing on methods of research and production to provide new perspectives on the practice of a mid-career or established artist whose work resonates across cultures.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Very Good. No jacket. Artguide, 2015. Paperback, sq4to, 99pp, illust. A good copy. 9785905110726/0.5cz . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading). N° de réf. du vendeur 370894
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Paperback. Etat : New. Since the beginning of his career in the 1960s, Russian artist Erik Bulatov has investigated the potential of painting as social commentary. A founder of the school of Moscow Conceptualism-alongside Ilya Kabakov, Collective Actions, and Komar and Melamid among others-Bulatov developed what has been described as conceptual painting, using text and image to explore spatial preoccupations that mirror his understanding of social relations. This book follows the making of the artist's largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s. Introducing an innovative assessment of Bulatov's oeuvre, this richly illustrated publication includes an essay by Garage curator Snejana Krasteva exploring his use of monumental scale, an interview with the artist by Hans Ulrich Obrist, and several of Bulatov's texts spanning the period 1978-2006, which are translated into English for the first time. N° de réf. du vendeur LU-9785905110726
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Paperback. Etat : New. Since the beginning of his career in the 1960s, Russian artist Erik Bulatov has investigated the potential of painting as social commentary. A founder of the school of Moscow Conceptualism-alongside Ilya Kabakov, Collective Actions, and Komar and Melamid among others-Bulatov developed what has been described as conceptual painting, using text and image to explore spatial preoccupations that mirror his understanding of social relations. This book follows the making of the artist's largest work to date: a thirty-two-feet high monumental diptych made in his trademark graphic style, reminiscent of the poet Vladimir Mayakovsky's advertising posters from the 1920s. Introducing an innovative assessment of Bulatov's oeuvre, this richly illustrated publication includes an essay by Garage curator Snejana Krasteva exploring his use of monumental scale, an interview with the artist by Hans Ulrich Obrist, and several of Bulatov's texts spanning the period 1978-2006, which are translated into English for the first time. N° de réf. du vendeur LU-9785905110726
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