There is a story.—I cannot tell it.—I have no words. The story is almost forgotten but sometimes I remember. The story concerns three men in a house in a street. If I could say the words I would sing the story. I would whisper it into the ears of women, of mothers. I would run through the streets saying it over and over. My tongue would be torn loose—it would rattle against my teeth. The three men are in a room in the house. One is young and dandified. He continually laughs. There is a second man who has a long white beard. He is consumed with doubt but occasionally his doubt leaves him and he sleeps. A third man there is who has wicked eyes and who moves nervously about the room rubbing his hands together. The three men are waiting— waiting. Upstairs in the house there is a woman standing with her back to a wall, in half darkness by a window. That is the foundation of my story and everything I will ever know is distilled in it. I remember that a fourth man came to the house, a white silent man. Everything was as silent as the sea at night. His feet on the stone floor of the room where the three men were made no sound.
Born: September 13, 1876 Camden, Ohio, United States Died: March 8, 1941 (aged 64) Colón, Panama Occupation: Author Notable works: Winesburg, Ohio Spouse: Cornelia Pratt Lane (1904–1916) Tennessee Claflin Mitchell (1916–1924) Elizabeth Prall (1924–1932) Eleanor Copenhaver (1933–1941) Sherwood Anderson was an American novelist and short story writer, known for subjective and self-revealing works. Self-educated, he rose to become a successful copywriter and business owner in Cleveland and Elyria, Ohio. In 1912, Anderson had a nervous breakdown that led him to abandon his business and family to become a writer. At the time, he moved to Chicago and was eventually married three more times. His most enduring work is the short-story sequence Winesburg, Ohio,[1] which launched his career. Throughout the 1920s, Anderson published several short story collections, novels, memoirs, books of essays, and a book of poetry. Though his books sold reasonably well, Dark Laughter (1925), a novel inspired by Anderson's time in New Orleans during the 1920s, was the only bestseller of his career.
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