El artista japonés Yutaka Takanashi siempre ha fotografiado la ciudad –de cerca, de lejos, aun de muy lejos, desde un coche en movimiento–, en algunas ocasiones al acecho de una imagen cargada de poesía, en otras recogiendo un pedazo de realidad. Como constantemente lo ha repetido, estos dos enfoques se confrontan entre sí en su obra: poesía/realismo, espejo/ventana, visible/invisible. Lo importante para él es hacerse camino por el terreno, caminar en tierra firme a fin de hacer fotografías anónimas.
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Description du livre Éditorial RM and Toluca Éditions, México City and Paris, 2012. Hardcover. État : New. 1st Edition. First edition, first printing. Hardcover. Laminated photographically illustrated paper-covered boards; no dust jacket as issued. Photographs by Yutaka Takanashi, from his three major bodies of work: Toshi-e (Towards the City), Machi (City) and Golden-gai Bars. Designed by Olivier Andreotti. 192 pp., with 73 four-color and 67 black-and-white plates. 10-3/4 x 7 inches. Published to accompany an exhibition at the Fondation Henri Cartier-Bresson, Paris. Out of print. Scarce. New in publisher's shrink-wrap. From the publisher: "Yutaka Takanashi has always photographed the city--from close up, from far away, even very far away, from a moving car--sometimes on the lookout for an image charged with poetry, sometimes 'picking up' a scrap of reality. As he has often repeated, these two approaches confront each other in his work: poetry/realism, mirror/window, visible/invisible. The important thing for him is to make his way over the terrain, to 'walk on the ground' in order to take 'anonymous pictures.' Takanashi was a founding member of the well-known collective Provoke in 1968--the group briefly published a photography magazine of the same name--but he did not yield to the somewhat romantic indulgence of the offbeat blurry image. The provocative aspect of this short-lived phenomenon concealed a profound reaction against the photography establishment. In this sense, Provoke was in tune with the protest movements which inflamed the world in the late 1960s. This group of photographs offers a different vision, a new photographic vocabulary proper to Takanashi, who readily speaks of the text of the images, of the connections between them. He has always taken great care with the making of his books, which remain the expression of a unique, singular voice committed to giving meaning: 'For me, my concern was to give meaning.'". N° de réf. du libraire 109770