This volume offers a reconstruction of the court culture of the taifa kings of al-Andalus (11th century A.D.), using both visual and textual evidence. A focus of particular attention is the court of the Banū Hūd at Zaragoza, and that dynasty's palace, the Aljafería. Principle written sources are not histories and chronicles, but the untranslated poetic anthologies of al-ḥimyarī and al-Fatḥ ibn Khāqān.
The first part of the book addresses taifa visual and literary languages, with especial emphasis on connections between the literary and visual aspects of taifa aesthetics. The sections on the Aljafería's ornamental program will be of particular interest, not only to historians of Islamic art, but to students of all visual traditions with strong non-figural components.
In addition, Part One also proposes that taifa court culture has been considered as a culture of "courtly love," and this argument also forms the point of departure for Part Two. The second part of the study uses luxury objects of Islamic and Limousine production as a point of departure for a detailed comparison of the thematics of taifa poetry in classical Arabic on the themes of courtly love and pleasures with those of the better-known Provençal tradition.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Cynthia Robinson, Ph.D. (1995) in Art History, University of Pennsylvania, is Assistant Professor of Islamic and Medieval Art at the University of New Mexico. She has published on Andalusī art and literature, and together with Oleg Grabar, Islamic Art and Literature (Markus Wiener Press, 2001).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Zubal-Books, Since 1961, Cleveland, OH, Etats-Unis
Etat : Very Good. 422 pp., Hardcover, inscribed by Robinson on front free endpaper, bookplate to front paste down, bound upside down, else text and binding clean and tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. Photos available upon request. N° de réf. du vendeur ZB1226380
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Vendeur : *bibliosophy*, Exeter, Royaume-Uni
Hardcover. Etat : Fine. 2002, hardback in printed board covers, 419 pages, illus. b&w plates | very lightly shelfworn copy appears unread | carefully packaged and dispatched from UK within two working days. N° de réf. du vendeur song2308
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Vendeur : Nauka Japan LLC, Tokyo, Japon
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. illustrated edition. 419 pages. 9.50x6.50x1.25 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __9004124535
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Vendeur : moluna, Greven, Allemagne
Etat : New. Über den AutorCynthia Robinson, Ph.D. (1995) in Art History, University of Pennsylvania, is Assistant Professor of Islamic and Medieval Art at the University of New Mexico. She has published on Andalusi art and literature, and toget. N° de réf. du vendeur 2797164264
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. Neuware - This volume offers a reconstruction of the court culture of the taifa kings of al-Andalus (11th century A.D.), using both visual and textual evidence. A focus of particular attention is the court of the Banu Hud at Zaragoza, and that dynasty's palace, the Aljafería. Principle written sources are not histories and chronicles, but the untranslated poetic anthologies of al-h?imyari and al-Fath? ibn Khaqan.The first part of the book addresses taifa visual and literary languages, with especial emphasis on connections between the literary and visual aspects of taifa aesthetics. The sections on the Aljafería's ornamental program will be of particular interest, not only to historians of Islamic art, but to students of all visual traditions with strong non-figural components.In addition, Part One also proposes that taifa court culture has been considered as a culture of 'courtly love,' and this argument also forms the point of departure for Part Two. The second part of the study uses luxury objects of Islamic and Limousine production as a point of departure for a detailed comparison of the thematics of taifa poetry in classical Arabic on the themes of courtly love and pleasures with those of the better-known Provençal tradition. N° de réf. du vendeur 9789004124530
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Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
hardcover. Etat : New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book. N° de réf. du vendeur ERICA82990041245356
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