African Art in the Barnes Foundation: The Triumph of L Art Negre and the Harlem Renaissance (Hardback)

Christa Clarke

Edité par Rizzoli International Publications, 2015
ISBN 10: 0847845214 / ISBN 13: 9780847845217
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Language: English . Brand New Book. The first publication of the Barnes Foundation s important and extensive African art collection. The Barnes Foundation is renowned for its astonishing collection of Postimpressionist and early Modern art assembled by Albert C. Barnes, a Philadelphia pharmaceutical entrepreneur. Less known is the pioneering collection of African sculpture that Barnes acquired between 1922 and 1924, mainly from Paul Guillaume, the Paris-based dealer. The Barnes Foundation was one of the first permanent installations in the United States to present objects from Africa as fine art. Indeed, the African collection is central to understanding Barnes s socially progressive vision for his foundation. This comprehensive volume showcases all 123 objects, including reliquary figures, masks, and utensils, most of which originated in France s African colonies-Mali, Cote d Ivoire, Gabon, and the Congo-as well as in Sierra Leone, Republic of Benin, and Nigeria. Christa Clarke considers the significance of the collection and Barnes s role in the Harlem Renaissance and in fostering broader appreciation of African art in the twentieth century. In-depth catalogue entries by noted scholars in the field complete the volume. N° de réf. du libraire

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Synopsis : The first publication of the Barnes Foundation's important and extensive African art collection. The Barnes Foundation is renowned for its astonishing collection of Postimpressionist and early Modern art assembled by Albert C. Barnes, a Philadelphia pharmaceutical entrepreneur. Less known is the pioneering collection of African sculpture that Barnes acquired between 1922 and 1924, mainly from Paul Guillaume, the Paris-based dealer. The Barnes Foundation was one of the first permanent installations in the United States to present objects from Africa as fine art. Indeed, the African collection is central to understanding Barnes's socially progressive vision for his foundation.This comprehensive volume showcases all 123 objects, including reliquary figures, masks, and utensils, most of which originated in France's African colonies--Mali, Cote d'Ivoire, Gabon, and the Congo--as well as in Sierra Leone, Republic of Benin, and Nigeria. Christa Clarke considers the significance of the collection and Barnes's role in the Harlem Renaissance and in fostering broader appreciation of African art in the twentieth century. In-depth catalog entries by noted scholars in the field complete the volume.

A propos de l'auteur: Christa Clarke is senior curator of Arts of Global Africa at the Newark Museum, New Jersey. She is a specialist in historic and contemporary African art.

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Détails bibliographiques

Titre : African Art in the Barnes Foundation: The ...
Éditeur : Rizzoli International Publications
Date d'édition : 2015
Reliure : Hardback
Etat du livre : New

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Clarke, Christa
Edité par Skira Rizzoli 2015-06-16 (2015)
ISBN 10 : 0847845214 ISBN 13 : 9780847845217
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Description du livre Skira Rizzoli 2015-06-16, 2015. Hardcover. État : Good. 0847845214 Large tear to cover. Has a small black line on the bottom/exterior edge of pages. Tracking is not available for orders shipped outside of the United States. **Heavier books will require additional postage for International** PA Sales Tax is included in purchase price. N° de réf. du libraire RZ-HC-G-0847845214

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Description du livre Skira Rizzoli, New York, 2015. Hard Cover. État : As New. Etat de la jaquette : No Dust Jacket. 295 pages. with contributions by Arthur Bourgeois, Nichole Bridges, Kevin Dumouchelle, Kate Ezra, Sarah Fee, Till Forster, Christraud Geary, Kathryn Gunsch, Genevieve Hill-Thomas, Alisa LaGamma, Louis Perrois, Constantine Petridis, Mary Nooter Roberts, Monica Blackmum Visona, Susan Mullin Vogel. shipping will be extra for this large book please inquire. Size: 9 3/8 x 12 3/4 ". N° de réf. du libraire 78592

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Description du livre Skira Rizzoli, 2015. État : Used. This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: The first publication of the Barnes Foundation's important and extensive African art collection. The Barnes Foundation is renowned for its astonishing collection of Postimpressionist and early Modern art assembled by Albert C. Barnes, a Philadelphia pharmaceutical entrepreneur. Less known is the pioneering collection of African sculpture that Barnes acquired between 1922 and 1924, mainly from Paul Guillaume, the Paris-based dealer. The Barnes Foundation was one of the first permanent installations in the United States to present objects from Africa as fine art. Indeed, the African collection is central to understanding Barnes's socially progressive vision for his foundation.This comprehensive volume showcases all 123 objects, including reliquary figures, masks, and utensils, most of which originated in France's African coloniesMali, Cte d'Ivoire, Gabon, and the Congoas well as in Sierra Leone, Republic of Benin, and Nigeria. Christa Clarke considers the significance of the collection and Barnes's role in the Harlem Renaissance and in fostering broader appreciation of African art in the twentieth century. In-depth catalog entries by noted scholars in the field complete the volume. N° de réf. du libraire ABE_book_usedgood_0847845214

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Description du livre Skira Rizzoli, 2015. Oversized Hardcover. État : Very Good. N° de réf. du libraire 2830767

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Description du livre Skira Rizzoli, 2015. État : New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: The first publication of the Barnes Foundation's important and extensive African art collection. The Barnes Foundation is renowned for its astonishing collection of Postimpressionist and early Modern art assembled by Albert C. Barnes, a Philadelphia pharmaceutical entrepreneur. Less known is the pioneering collection of African sculpture that Barnes acquired between 1922 and 1924, mainly from Paul Guillaume, the Paris-based dealer. The Barnes Foundation was one of the first permanent installations in the United States to present objects from Africa as fine art. Indeed, the African collection is central to understanding Barnes's socially progressive vision for his foundation.This comprehensive volume showcases all 123 objects, including reliquary figures, masks, and utensils, most of which originated in France's African coloniesMali, Cte d'Ivoire, Gabon, and the Congoas well as in Sierra Leone, Republic of Benin, and Nigeria. Christa Clarke considers the significance of the collection and Barnes's role in the Harlem Renaissance and in fostering broader appreciation of African art in the twentieth century. In-depth catalog entries by noted scholars in the field complete the volume. N° de réf. du libraire ABE_book_new_0847845214

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