After Wagner: Histories of Modernist Music Drama from Parsifal to Nono (Hardback)

Mark Berry

Edité par Boydell Brewer Ltd, 2014
ISBN 10: 1843839687 / ISBN 13: 9781843839682
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Language: English . Brand New Book. This book is both a telling of operatic histories after Richard Wagner, and a philosophical reflection upon the writing of those histories. Historical musicology reckons with intellectual and cultural history, and vice versa. The after of the title denotes chronology, but also harmony and antagonism within a Wagnerian tradition. Parsifal, in which Wagner attempted to go beyond his achievement in the Ring, to write after himself, is followed by two apparent antipodes: the strenuously modernist Arnold Schoenberg and the aestheticist Richard Strauss. Discussion of Strauss s Capriccio, partly in the light of Schoenberg s Moses und Aron, reveals a more political work than either first acquaintance or the composer s intention might suggest. Then come three composers from subsequent generations: Luigi Dallapiccola, Luigi Nono, and Hans Werner Henze. Geographical context is extended to take in Wagner s Italian successors; the problem of political emancipation in and through music drama takes another turn here, confronting challenges and opportunities in more avowedly politically engaged art. A final section explores the world of staging opera, of so-called Regietheater, as initiated by Wagner himself. Stefan Herheim s celebrated Bayreuth production of Parsifal, and various performances of Lohengrin are discussed, before looking back to Mozart (Don Giovanni) and forward to Alban Berg s Lulu and Nono s Al gran sole carico d amore. Throughout, the book invites us to consider how we might perceive the aesthetic and political integrity of the operatic work after Wagner . After Wagner will be invaluable to anyone interested in twentieth-century music drama and its intersection with politics and cultural history. It will also appeal to those interested in Richard Wagner s cultural impact on succeeding generations of composers. MARK BERRY is Lecturer in Music at Royal Holloway, University of London. N° de réf. du libraire

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Synopsis : This book is both a telling of operatic histories 'after' Richard Wagner, and a philosophical reflection upon the writing of those histories. Historical musicology reckons with intellectual and cultural history, and vice versa. The 'after' of the title denotes chronology, but also harmony and antagonism within a Wagnerian tradition. Parsifal, in which Wagner attempted to go beyond his achievement in the Ring, to write 'after' himself, is followed by two apparent antipodes: the strenuously modernist Arnold Schoenberg and the æstheticist Richard Strauss. Discussion of Strauss's Capriccio, partly in the light of Schoenberg's Moses und Aron, reveals a more 'political' work than either first acquaintance or the composer's 'intention' might suggest. Then come three composers from subsequent generations: Luigi Dallapiccola, Luigi Nono, and Hans Werner Henze. Geographical context is extended to take in Wagner's Italian successors; the problem of political emancipation in and through music drama takes another turn here, confronting challenges and opportunities in more avowedly 'politically engaged' art. A final section explores the world of staging opera, of so-called Regietheater, as initiated by Wagner himself. Stefan Herheim's celebrated Bayreuth production of Parsifal, and various performances of Lohengrin are discussed, before looking back to Mozart (Don Giovanni) and forward to Alban Berg's Lulu and Nono's Al gran sole carico d'amore. Throughout, the book invites us to consider how we might perceive the æsthetic and political integrity of the operatic work 'after Wagner'. After Wagner will be invaluable to anyone interested in twentieth-century music drama and its intersection with politics and cultural history. It will also appeal to those interested in Richard Wagner's cultural impact on succeeding generations of composers. MARK BERRY is Senior Lecturer in Music at Royal Holloway, University of London.

A propos de l'auteur: MARK BERRY is Lecturer in Music at Royal Holloway, University of London.

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Détails bibliographiques

Titre : After Wagner: Histories of Modernist Music ...
Éditeur : Boydell Brewer Ltd
Date d'édition : 2014
Reliure : Hardback
Etat du livre : New

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Description du livre Boydell Brewer Ltd, United Kingdom, 2014. Hardback. État : New. 236 x 165 mm. Language: English . Brand New Book. This book is both a telling of operatic histories after Richard Wagner, and a philosophical reflection upon the writing of those histories. Historical musicology reckons with intellectual and cultural history, and vice versa. The after of the title denotes chronology, but also harmony and antagonism within a Wagnerian tradition. Parsifal, in which Wagner attempted to go beyond his achievement in the Ring, to write after himself, is followed by two apparent antipodes: the strenuously modernist Arnold Schoenberg and the aestheticist Richard Strauss. Discussion of Strauss s Capriccio, partly in the light of Schoenberg s Moses und Aron, reveals a more political work than either first acquaintance or the composer s intention might suggest. Then come three composers from subsequent generations: Luigi Dallapiccola, Luigi Nono, and Hans Werner Henze. Geographical context is extended to take in Wagner s Italian successors; the problem of political emancipation in and through music drama takes another turn here, confronting challenges and opportunities in more avowedly politically engaged art.A final section explores the world of staging opera, of so-called Regietheater, as initiated by Wagner himself. Stefan Herheim s celebrated Bayreuth production of Parsifal, and various performances of Lohengrin are discussed, before looking back to Mozart (Don Giovanni) and forward to Alban Berg s Lulu and Nono s Al gran sole carico d amore. Throughout, the book invites us to consider how we might perceive the aesthetic and political integrity of the operatic work after Wagner . After Wagner will be invaluable to anyone interested in twentieth-century music drama and its intersection with politics and cultural history. It will also appeal to those interested in Richard Wagner s cultural impact on succeeding generations of composers. MARK BERRY is Lecturer in Music at Royal Holloway, University of London. N° de réf. du libraire AAZ9781843839682

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Description du livre Boydell & Brewer Ltd. Hardback. État : new. BRAND NEW, After Wagner: Histories of Modernist Music Drama from Parsifal to Nono, Mark Berry, This book is both a telling of operatic histories 'after' Richard Wagner, and a philosophical reflection upon the writing of those histories. Historical musicology reckons with intellectual and cultural history, and vice versa. The 'after' of the title denotes chronology, but also harmony and antagonism within a Wagnerian tradition. Parsifal, in which Wagner attempted to go beyond his achievement in the Ring, to write 'after' himself, is followed by two apparent antipodes: the strenuously modernist Arnold Schoenberg and the aestheticist Richard Strauss. Discussion of Strauss's Capriccio, partly in the light of Schoenberg's Moses und Aron, reveals a more 'political' work than either first acquaintance or the composer's 'intention' might suggest. Then come three composers from subsequent generations: Luigi Dallapiccola, Luigi Nono, and Hans Werner Henze. Geographical context is extended to take in Wagner's Italian successors; the problem of political emancipation in and through music drama takes another turn here, confronting challenges and opportunities in more avowedly 'politically engaged' art. A final section explores the world of staging opera, of so-called Regietheater, as initiated by Wagner himself. Stefan Herheim's celebrated Bayreuth production of Parsifal, and various performances of Lohengrin are discussed, before looking back to Mozart (Don Giovanni) and forward to Alban Berg's Lulu and Nono's Al gran sole carico d'amore. Throughout, the book invites us to consider how we might perceive the aesthetic and political integrity of the operatic work 'after Wagner'. After Wagner will be invaluable to anyone interested in twentieth-century music drama and its intersection with politics and cultural history. It will also appeal to those interested in Richard Wagner's cultural impact on succeeding generations of composers. MARK BERRY is Lecturer in Music at Royal Holloway, University of London. N° de réf. du libraire B9781843839682

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Description du livre Boydell Brewer Ltd, United Kingdom, 2014. Hardback. État : New. 236 x 165 mm. Language: English . Brand New Book. This book is both a telling of operatic histories after Richard Wagner, and a philosophical reflection upon the writing of those histories. Historical musicology reckons with intellectual and cultural history, and vice versa. The after of the title denotes chronology, but also harmony and antagonism within a Wagnerian tradition. Parsifal, in which Wagner attempted to go beyond his achievement in the Ring, to write after himself, is followed by two apparent antipodes: the strenuously modernist Arnold Schoenberg and the aestheticist Richard Strauss. Discussion of Strauss s Capriccio, partly in the light of Schoenberg s Moses und Aron, reveals a more political work than either first acquaintance or the composer s intention might suggest. Then come three composers from subsequent generations: Luigi Dallapiccola, Luigi Nono, and Hans Werner Henze. Geographical context is extended to take in Wagner s Italian successors; the problem of political emancipation in and through music drama takes another turn here, confronting challenges and opportunities in more avowedly politically engaged art. A final section explores the world of staging opera, of so-called Regietheater, as initiated by Wagner himself. Stefan Herheim s celebrated Bayreuth production of Parsifal, and various performances of Lohengrin are discussed, before looking back to Mozart (Don Giovanni) and forward to Alban Berg s Lulu and Nono s Al gran sole carico d amore. Throughout, the book invites us to consider how we might perceive the aesthetic and political integrity of the operatic work after Wagner . After Wagner will be invaluable to anyone interested in twentieth-century music drama and its intersection with politics and cultural history. It will also appeal to those interested in Richard Wagner s cultural impact on succeeding generations of composers. MARK BERRY is Lecturer in Music at Royal Holloway, University of London. N° de réf. du libraire AAZ9781843839682

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Description du livre Boydell & Brewer Ltd, 2014. État : Brand new. This book is both a telling of operatic histories 'after' Richard Wagner, and a philosophical reflection upon the writing of those histories. Historical musicology reckons with intellectual and cultural history, and vice versa. The 'after' of the title denotes chronology, but also harmony and antagonism within a Wagnerian tradition. Parsifal , in which Wagner attempted to go beyond his achievement in the Ring , to write 'after' himself, is followed by two apparent antipodes: the strenuously modernist Arnold Schoenberg and the æstheticist Richard Strauss. Discussion of Strauss's Capriccio , partly in the light of Schoenberg's Moses und Aron , reveals a more 'political' work than either first acquaintance or the composer's 'intention' might suggest. Then come three composers from subsequent generations: Luigi Dallapiccola, Luigi Nono, and Hans Werner Henze. Geographical co ntext is extended to take in Wagner's Italian successors; the problem of political emancipation in and through music drama takes another turn here, confronting challenges and opportunities in more avowedly 'politically engaged' ar t. A final section explores the world of staging opera, of so-called Regietheater , as initiated by Wagner himself. Stefan Herheim's celebrated Bayreuth production of Parsifal , and various performances of Lohengrin are discussed, before looking back to Mozart ( Don Giovanni ) and forward to Alban Berg's Lulu and Nono's Al gran sole carico d'amore . Throughout, the book invites us to consider how we might perceive the æ sthetic and political integrity of the operatic work 'after Wagner'. After Wagner will be invaluable to anyone interested in twentieth-century music drama and its intersection with politics and cultural history. It wil l also appeal to those interested in Richard Wagner's cultural impact on succeeding generations of composers. MARK BERRY is Senior Lecturer in Music at Royal Holloway, University of London. N° de réf. du libraire 6723

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Description du livre Boydell Press, 2014. Hardcover. État : Very Good+. Lightly crimped corners, otherwise text clean and tight; no dust jacket; 9.30 X 6.50 X 1 inches; 325 pages. N° de réf. du libraire 162967

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