The Angel s Cry: Beyond the Pleasure Principle in Opera (Hardback)

Michel Poizat

Edité par Cornell University Press, 2013
ISBN 10: 0801423880 / ISBN 13: 9780801423888
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Language: English . Brand New Book. Is passion too strong a word to describe what drives people to stand outdoors for a dozen hours or more, regardless of the weather, to purchase fold-out seats behind the upper-tier boxes for a performance of Tristan und Isolde? Not at all, says Michel Poizat, who here guides his readers on a voyage to discover why opera rewards its devotees with such profound pleasure, mingled with equally powerful feelings of horror and loss. His fascinating book, first published in French in 1986, is now available in Arthur Denner s fluid and sensitive English translation. Predictably, Poizat s route is not at all a conventional one. Rather than taking as his point of departure the intentions of composers and librettists, he is primarily concerned with the expectations and desires of the audience. He reports on an informal group interview with overnight standees on the Paris Opera House steps as they compare notes on how opera became an addiction. They are there for a fix, they agree. How, Poizat asks, does this monstrous phenomenon, which stretches its interpreters to their absolute limits, captivate its audience, making them oblivious of hard seats or overheated halls and eliciting copious and unashamed tears? Poizat sees the history of opera in terms of the evolution of the voice from song to cry, from verbal expressions of emotion to such wordless outbursts as Lulu s final scream at the end of Alban Berg s opera. Calling on the insights and methods of Lacanian psychoanalysis, he distinguishes mere pleasure from jouissance--pleasure being the joy experienced when one s expectations are satisfied, and jouissance, the climactic high beyond self-control. For Poizat, the quarrel between Gluckist and Piccinists, the disputes among composers as to which is more important, le parole or la musica, become examples that demonstrate or underscore the differences between pleasure and jouissance. What is the sound of the angel s cry? Poizat believes that the voice-object sta. N° de réf. du libraire

A propos du livre :

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Synopsis : What is it about opera that can bring unashamed tears to the eyes of adoring fans? In this book, fir....

Quatrième de couverture: Is "passion" too strong a word to describe what drives people to stand outdoors for a dozen hours or more, regardless of the weather, to purchase fold-out seats behind the upper-tier boxes for a performance of Tristan und Isolde? Not at all, says Michel Poizat, who here guides his readers on a voyage to discover why opera rewards its devotees with such profound pleasure, mingled with equally powerful feelings of horror and loss. His fascinating book, first published in French in 1986, is now available in Arthur Denner's fluid and sensitive English translation. Predictably, Poizat's route is not at all a conventional one. Rather than taking as his point of departure the intentions of composers and librettists, he is primarily concerned with the expectations and desires of the audience. He reports on an informal group interview with overnight standees on the Paris Opera House steps as they compare notes on how opera became an addiction. They are there for a "fix", they agree. How, Poizat asks, does this "monstrous phenomenon", which stretches its interpreters to their absolute limits, captivate its audience, making them oblivious of hard seats or overheated halls and eliciting copious and unashamed tears? Poizat sees the history of opera in terms of the evolution of the voice from song to cry, from verbal expressions of emotion to such wordless outbursts as Lulu's final scream at the end of Alban Berg's opera. Calling on the insights and methods of Lacanian psychoanalysis, he distinguishes mere pleasure from jouissance--pleasure being the joy experienced when one's expectations are satisfied, and jouissance, the climactic high beyond self-control. For Poizat, the quarrel between Gluckistsand Piccinists, the disputes among composers as to which is more important, "le parole" or "la musica", become examples that demonstrate or underscore the differences between pleasure and jouissance. What is the sound of the angel's cry? Poizat believes that the voice-object stands for that which is irrevocably lost. Hence our fascination with castrati, whose voice-type will never again be heard. He discusses the role of this high, sexless "angel" voice in the Mozarabic church, as well as the gender confusions of baroque opera and the shift, originating with Mozart, of the angel-voice from male to female performers. Startling in its observations, The Angel's Cry is both daring and playful. It will surprise and delight any opera aficionado, and other lovers of music will also find it wonderfully enlightening.

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Détails bibliographiques

Titre : The Angel s Cry: Beyond the Pleasure ...
Éditeur : Cornell University Press
Date d'édition : 2013
Reliure : Hardback
Etat du livre : New

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Poizat, Michel
Edité par Cornell University Press (1992)
ISBN 10 : 0801423880 ISBN 13 : 9780801423888
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Description du livre Cornell University Press, 1992. État : Very Good. 1st Edition. N/A. Former Library book. Great condition for a used book! Minimal wear. N° de réf. du libraire GRP71367975

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Description du livre Cornell University Press. Hardcover. État : VERY GOOD. little to no wear, pages are clean. The cover and binding are crisp with next no creases. N° de réf. du libraire 2758312874

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Michel Poizat
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Description du livre Cornell University Press, 1992. Hardcover. État : Acceptable. Some shelf wear. Satisfaction 100% guaranteed. N° de réf. du libraire mon0001695210

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Description du livre U.S.A.: Cornell University Press, 1992. Hardcover. État : Very Good. Etat de la jaquette : Very Good. 1st Edition. 1992 Cornell hardcover 1st US edition. Soil/tanning and slight edgewear on dj, small stain on top of some pages in the back else text clean, binding tight. Language: eng. N° de réf. du libraire ABE-8575642519718494176

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Michel Poizat; Translator-Arthur Denner
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Description du livre Cornell University Press. Hardcover. État : Very Good. Dust Jacket Included. 1st Edition. First edition / printing. Jacket is present with just a touch of shelfwear - very minimal. Text clean and unmarked. 06/01/92. N° de réf. du libraire mon0000093229

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Description du livre Cornell University Press. Hardcover. État : Very Good. 0801423880 Cornell University Press hardcover with dust jacket, 1992, 1st U.S. edition, clean/tight, No marks/tears or signs of use, light foxing on page edges else Fine/Fine (like New); We will add a custom fitted new mylar cover, bubble-wrap the book and ship it in a BOX with free delivery confirmation/tracking. N° de réf. du libraire 69303P

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