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Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military (Hardback)

Alice Lovejoy

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ISBN 10: 0253014832 / ISBN 13: 9780253014832
Edité par Indiana University Press, United States, 2014
Neuf(s) Etat : New Couverture rigide
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Language: English . Brand New Book. During the 1968 Prague Spring and the Soviet-led invasion and occupation that followed, Czechoslovakia s Army Film studio was responsible for some of the most politically subversive and aesthetically innovative films of the period. Although the studio is remembered primarily as a producer of propaganda and training films, some notable New Wave directors began their careers there, making films that considerably enrich the history of that movement. Alice Lovejoy examines the institutional and governmental roots of postwar Czechoslovak cinema and provides evidence that links the Army Film studio to Czechoslovakia s art cinema. By tracing the studio s unique institutional dimensions and production culture, Lovejoy explores the ways in which the military avant-garde engaged in dialogue with a range of global film practices and cultures. (The print version of the book includes a DVD featuring 16 short films produced by the Czechoslovak Ministry of Defense. The additional media files are not available on the eBook.). N° de réf. du libraire AAJ9780253014832

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Détails bibliographiques

Titre : Army Film and the Avant Garde: Cinema and ...

Éditeur : Indiana University Press, United States

Date d'édition : 2014

Reliure : Hardback

Etat du livre :New

A propos de ce titre

Synopsis :

During the 1968 Prague Spring and the Soviet-led invasion and occupation that followed, Czechoslovakia's Army Film studio was responsible for some of the most politically subversive and aesthetically innovative films of the period. Although the studio is remembered primarily as a producer of propaganda and training films, some notable New Wave directors began their careers there, making films that considerably enrich the history of that movement. Alice Lovejoy examines the institutional and governmental roots of postwar Czechoslovak cinema and provides evidence that links the Army Film studio to Czechoslovakia’s art cinema. By tracing the studio's unique institutional dimensions and production culture, Lovejoy explores the ways in which the "military avant-garde" engaged in dialogue with a range of global film practices and cultures. (The print version of the book includes a DVD featuring 16 short films produced by the Czechoslovak Ministry of Defense. The additional media files are not available on the eBook.)

About the Author:

Alice Lovejoy is McKnight Land-Grant Assistant Professor in the Department of Cultural Studies and Comparative Literature and the Moving Image Studies program at the University of Minnesota.

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