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Art as Politics: Re-crafting Identities, Tourism, and Power in Tana Toraja, Indonesia (Hardback)

Kathleen M. Adams

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ISBN 10: 0824829999 / ISBN 13: 9780824829995
Edité par University of Hawai i Press, United States, 2006
Neuf(s) Etat : New Couverture rigide
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A propos de cet article

Language: English . Brand New Book. Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa dan Toraja, a predominantly Christian minority group in the world s most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations. In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished traditional objects - as well as monumental displays, museums, UNESCO ideas about word heritage, and the World Wide Web - to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders - be they tourists, art collectors, members of rival ethnic groups, or government officials - have appropriated and reframed Toraja art objects for their own purposes.Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval. Ultimately, this insightful work prompts readers to rethink persistent and pernicious popular assumptions - that tourism invariably brings a loss of agency to local communities or that tourist art is a compromised form of expression. Art as Politics promises to be a favorite with students and scholars of anthropology, sociology, cultural studies, ethnic relations, art, and Asian studies. N° de réf. du libraire AAN9780824829995

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Détails bibliographiques

Titre : Art as Politics: Re-crafting Identities, ...

Éditeur : University of Hawai i Press, United States

Date d'édition : 2006

Reliure : Hardback

Etat du livre :New

A propos de ce titre

Synopsis :

Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa’dan Toraja, a predominantly Christian minority group in the world’s most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations.

In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished "traditional" objects―as well as monumental displays, museums, UNESCO ideas about "word heritage," and the World Wide Web―to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders―be they tourists, art collectors, members of rival ethnic groups, or government officials―have appropriated and reframed Toraja art objects for their own purposes. Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval.

Ultimately, this insightful work prompts readers to rethink persistent and pernicious popular assumptions―that tourism invariably brings a loss of agency to local communities or that tourist art is a compromised form of expression. Art as Politics promises to be a favorite with students and scholars of anthropology, sociology, cultural studies, ethnic relations, art, and Asian studies.

About the Author:

Kathleen M. Adams is professor of anthropology at Loyola University Chicago and adjunct curator at the Field Museum of Natural History.

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