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The Ashgate Library of Essays in Opera Studies (Hardback)

ISBN 10: 0754629074 / ISBN 13: 9780754629078
Edité par Taylor Francis Ltd, United Kingdom, 2011
Neuf(s) Etat : New Hardback
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A propos de cet article

Language: English . Brand New Book. New perspectives on opera scholarship have emerged in recent years and have changed the course of the genre s study in significant ways. This series brings together selected articles and essays which reflect the new scholarship: the papers address sources, works, audiences, performers, creators, culture, and theory and deal with operatic works as historical and contemporary entities with aesthetic, theoretical, and ideological complexities. The articles display a rich variety of approaches and styles and come from a range of disciplines, both musical and non-musical. Each volume in the series is edited by a recognized authority in the area, and features a detailed introduction which surveys the current state of the field, gives an overview of important issues and new discoveries, and explains the significance of the texts in the collection. There is also a select bibliography of the sources cited in each introduction. Because of the nature of the scholarship and the operatic repertory for different times and places, volumes are organized in differing ways designed to serve readers needs and to embrace various topics and approaches as appropriate to the repertory of diverse eras.This authoritative series of six volumes offers a selection of the most important and influential English-language scholarship in opera studies and is a valuable resource for scholars new to the area as well as for experienced scholars who may have overlooked an important essay published in a journal with limited circulation. N° de réf. du libraire AA69780754629078

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Détails bibliographiques

Titre : The Ashgate Library of Essays in Opera ...

Éditeur : Taylor Francis Ltd, United Kingdom

Date d'édition : 2011

Reliure : Hardback

Etat du livre :New

Edition : New edition.

A propos de ce titre

Synopsis :

New perspectives on opera scholarship have emerged in recent years and have changed the course of the genre's study in significant ways. This series brings together selected articles and essays which reflect the new scholarship: the papers address sources, works, audiences, performers, creators, culture, and theory and deal with operatic works as historical and contemporary entities with aesthetic, theoretical, and ideological complexities. The articles display a rich variety of approaches and style and come from a range of disciplines, both musical and non-musical. Each volume in the series is edited by a recognized authority in the area, and features a detailed introduction which surveys the current state of the field, gives an overview of important issues and new discoveries, and explains the significance of the texts in the collection. There is also a select bibliography of the sources cited in each introduction. Because of the nature of the scholarship and the operatic repertory for different times and places, volumes are organized in differing ways designed to serve readers' needs and to embrace various topics and approaches as appropriate to the repertory of diverse eras. This authoritative series of six volumes offers a selection of the most important and influential English-language scholarship in opera studies and is a valuable resource for scholars new to the area as well as for experienced scholars who may have overlooked an important essay published in a journal with limited circulation.

A propos de l'auteur:

Roberta Montemorra Marvin, University of Iowa, USA.

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