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J. S. Bach s Leipzig Chorale Preludes: Music, Text, Theology (Hardback)

Anne Leahy

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ISBN 10: 0810881810 / ISBN 13: 9780810881815
Edité par Scarecrow Press, United States, 2011
Neuf(s) Etat : New Couverture rigide
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A propos de cet article

Language: English . Brand New Book. Originally composed in Weimar and later revised in Leipzig, J. S. Bach s chorale preludes have been a source of some puzzlement. However, Bach scholar Anne Leahy argues that through the careful examination of the links among the music, hymn texts, and theological sources some answers may be had. In her book, Leahy considers the critical relationship between the texts of the hymns and their relationship to the chorales, outlining a theological pattern vital to fully grasping the guiding philosophy of these compositions. J. S. Bach s Leipzig Chorale Preludes: Music, Text, Theology is ideally suited for Bach scholars and those with a general interest in the intricate relationship between text and music in the composition of religious music. N° de réf. du libraire ANB9780810881815

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Détails bibliographiques

Titre : J. S. Bach s Leipzig Chorale Preludes: Music...

Éditeur : Scarecrow Press, United States

Date d'édition : 2011

Reliure : Hardback

Etat du livre :New

A propos de ce titre

Synopsis :

In 2007, the great Bach scholar Anne Leahy died at the age of 46. She was a leading light in Bach studies and lecturer at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama. Posthumously edited by renowned Bach scholar Robin A. Leaver, Leahy's dissertation research forms the basis for this original study of the preludes to Bach's Leipzig chorales.

Originally composed in Weimar and later revised in Leipzig, Bach's compositions have been a source of some puzzlement. As Leahy notes, "the original intentions of Bach and the possible purpose of this collection might be regarded as speculative." Working from available sources, however, she argues that through the careful examination of the links among the music, hymn texts, and theological sources some answers may be had. From Bach's personal and deep interest in Lutheran theology to his enormous musical passion, Leahy considers closely a series of critical questions: does the original manuscript for the chorales simply reflect a random gathering of compositions or is there a common theme in setting? How critical is the order of the chorales and what is the theological significance of that order? Were the chorales a unified collection, and if so, which parts were to be included and which not? Indeed, were the chorales themselves part of a possibly larger corpus?

As Leahy makes evident, there are no simple answers, which is why she considers critical the relationship the texts of the hymns to the chorales and to one another, outlining a theological pattern that is vital to fully grasping the guiding philosophy of these compositions.

J. S. Bach's "Leipzig" Chorale Preludes: Music, Text, Theology is ideally suited for Bach scholars and those with a general interest in the intricate connections between text and music in the composition of religious music.

About the Author:

Anne Leahy (1961-2007) was a leading light in Bach studies and lecturer at the Dublin Institute of Technology Conservatory of Music and Drama. She was the first Gerhard Herz Visiting Professor of Bach Studies at Louisville University in the Fall of 2003.

Robin A. Leaver is a renowned musicologist and theologian. Leaver is the author of many works, including A Communion Sunday in Scotland ca. 1780: Liturgies and Sermons (Scarecrow, 2010). He is also series editor of Contextual Bach Studies from Scarecrow Press.

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