The Bayeux Tapestry and its Contexts: A Reassessment (Hardback)

Elizabeth Carson Pastan, Stephen D. White, Kate Gilbert

Edité par Boydell Brewer Ltd, 2014
ISBN 10: 1843839415 / ISBN 13: 9781843839415
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Language: English Brand New Book. Aspects of the Bayeux Tapestry (in fact an embroidered hanging) have always remained mysterious, despite much scholarly investigation, not least its design and patron. Here, in the first full-length interdisciplinary approach to the subject, the authors (an art historian and a historian) consider these and other issues. Rejecting the prevalent view that it was commissioned by Odo, the bishop of Bayeux and half-brother of William the Conqueror, or by some other comparable patron, they bring new evidence to bear on the question of its relationship to the abbey of St Augustine s, Canterbury. From the study of art-historical, archeological, literary, historical and documentary materials, they conclude that the monks of St Augustine s designed the hanging for display in their abbey church to tell their own story of how England was invaded and conquered in 1066. Elizabeth Carson Pastan is a Professor of Art History at Emory University; Stephen D. White is Asa G. Candler Professor of Medieval History (emeritus), Emory University, and an Honorary Professor of Mediaeval History at the University of St Andrews. N° de réf. du libraire

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Synopsis : Aspects of the Bayeux Tapestry (in fact an embroidered hanging) have always remained mysterious, despite much scholarly investigation, not least its design and patron. Here, in the first full-length interdisciplinary approach to the subject, the authors (an art historian and a historian) consider these and other issues. Rejecting the prevalent view that it was commissioned by Odo, the bishop of Bayeux and half-brother of William the Conqueror, or by some other comparable patron, they bring new evidence to bear on the question of its relationship to the abbey of St Augustine's, Canterbury. From the study of art-historical, archeological, literary, historical and documentary materials, they conclude that the monks of St Augustine's designed the hanging for display in their abbey church to tell their own story of how England was invaded and conquered in 1066. Elizabeth Carson Pastan is a Professor of Art History at Emory University; Stephen D. White is Asa G. Candler Professor of Medieval History (emeritus), Emory University, and an Honorary Professor of Mediaeval History at the University of St Andrews.

A propos de l'auteur: Elizabeth Carson Pastan is a Professor of Art History at Emory University; Stephen D. White is Asa G. Candler Professor of Medieval History (emeritus), Emory University, and an Honorary Professor of Mediaeval History at the University of St Andrews.

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Titre : The Bayeux Tapestry and its Contexts: A ...
Éditeur : Boydell Brewer Ltd
Date d'édition : 2014
Reliure : Hardback
Etat du livre : New

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Elizabeth Carso Pastan
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ISBN 10 : 1843839415 ISBN 13 : 9781843839415
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Description du livre John Wiley and#38; Sons, 2014. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire FW-9781843839415

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Pastan, Elizabeth Carson; White, Stephen D.
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Description du livre Boydell & Brewer Ltd, 2014. État : Brand new. Aspects of the Bayeux Tapestry (in fact an embroidered hanging) have always remained mysterious, despite much scholarly investigation, not least its design and patron. Here, in the first full-length interdisciplinary approach to t he subject, the authors (an art historian and a historian) consider these and other issues. Rejecting the prevalent view that it was commissioned by Odo, the bishop of Bayeux and half-brother of William the Conqueror, or by some o ther comparable patron, they bring new evidence to bear on the question of its relationship to the abbey of St Augustine's, Canterbury. From the study of art-historical, archeological, literary, historical and documentary material s, they conclude that the monks of St Augustine's designed the hanging for display in their abbey church to tell their own story of how England was invaded and conquered in 1066. Elizabeth Carson Pastan is a Professor o f Art History at Emory University; Stephen D. White is Asa G. Candler Professor of Medieval History ( emeritus ), Emory University, and an Honorary Professor of Mediaeval History at the University of St Andrews. N° de réf. du libraire 9573

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Carson Pastan, Elizabeth
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Elizabeth Carson Pastan, Stephen D. White, Kate Gilbert
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Description du livre Boydell Brewer Ltd, United Kingdom, 2014. Hardback. État : New. 246 x 174 mm. Language: English . Brand New Book. Aspects of the Bayeux Tapestry (in fact an embroidered hanging) have always remained mysterious, despite much scholarly investigation, not least its design and patron. Here, in the first full-length interdisciplinary approach to the subject, the authors (an art historian and a historian) consider these and other issues. Rejecting the prevalent view that it was commissioned by Odo, the bishop of Bayeux and half-brother of William the Conqueror, or by some other comparable patron, they bring new evidence to bear on the question of its relationship to the abbey of St Augustine s, Canterbury. From the study of art-historical, archeological, literary, historical and documentary materials, they conclude that the monks of St Augustine s designed the hanging for display in their abbey church to tell their own story of how England was invaded and conquered in 1066. Elizabeth Carson Pastan is a Professor of Art History at Emory University; Stephen D. White is Asa G. Candler Professor of Medieval History (emeritus), Emory University, and an Honorary Professor of Mediaeval History at the University of St Andrews. N° de réf. du libraire AAH9781843839415

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Elizabeth Carson Pastan, Stephen D. White, Kate Gilbert
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Description du livre Boydell Brewer Ltd, United Kingdom, 2014. Hardback. État : New. 246 x 174 mm. Language: English . Brand New Book. Aspects of the Bayeux Tapestry (in fact an embroidered hanging) have always remained mysterious, despite much scholarly investigation, not least its design and patron. Here, in the first full-length interdisciplinary approach to the subject, the authors (an art historian and a historian) consider these and other issues. Rejecting the prevalent view that it was commissioned by Odo, the bishop of Bayeux and half-brother of William the Conqueror, or by some other comparable patron, they bring new evidence to bear on the question of its relationship to the abbey of St Augustine s, Canterbury. From the study of art-historical, archeological, literary, historical and documentary materials, they conclude that the monks of St Augustine s designed the hanging for display in their abbey church to tell their own story of how England was invaded and conquered in 1066. Elizabeth Carson Pastan is a Professor of Art History at Emory University; Stephen D. White is Asa G. Candler Professor of Medieval History (emeritus), Emory University, and an Honorary Professor of Mediaeval History at the University of St Andrews. N° de réf. du libraire AAH9781843839415

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Pastan, Elizabeth Carson; White, Stephen D.; Gilbert, Kate
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Description du livre 2014. État : New. 180mm x 253mm x 37mm. Aspects of the Bayeux Tapestry (in fact an embroidered hanging) have always remained mysterious, despite much scholarly investigation, not least its design and patron. Here, in the first.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 476 pages. 1.391. N° de réf. du libraire 9781843839415

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