Beethoven s Compositional Process (Hardback)

Edité par University of Nebraska Press, 1991
ISBN 10: 0803212224 / ISBN 13: 9780803212220
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Language: English . Brand New Book. Fresh perspectives on the symphonies and piano concertos of Ludwig van Beethoven are offered in the inaugural volume of North American Beethoven Studies . To be published under the joint auspices of the University of Nebraska Press and the Ira F. Brilliant Center for Beethoven Studies, the volumes in the new series will focus on the life and work, milieu and influence of the great composer. The first volume, edited by the noted music scholar and pianist William Kinderman, brings together recent studies by leading scholars on Beethoven s major orchestral, including the first two piano concertos, the Egmont overture, the Missa Solemnis, and several of the symphonies, especially the Third, Fifth, and Ninth. They devote special attention to Beethoven s creative process by analyzing, in some instances closely for the first time, his numerous surviving musical sketchbooks and loose sketch-leaves. The issues dealt with include Beethoven s reinterpretation of the composition models of Haydn and Mozart, his working methods in composition, the structural expansion of his symphonic forms, the design of variation movements in his symphonies, and Beethoven s musical symbolism.Four introductory essays probe the relation between Beethoven s sketches and the analysis of his finished works; it is a fascinating and controversial undertaking. The first volume of North American Beethoven Studies illuminates critical issues and challenges traditional interpretations of some of Beethoven s most celebrated works while avoiding the narrow specialization of some recent scholarship. Future volumes will focus on performance practices, composition, and recording history. N° de réf. du libraire

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Synopsis : Fresh perspectives on the symphonies and piano concertos of Ludwig van Beethoven are offered in the inaugural volume of North American Beethoven Studies. To be published under the joint auspices of the University of Nebraska Press and the Ira F. Brilliant Center for Beethoven Studies, the volumes in the new series will focus on the life and work, milieu and influence of the great composer.
The first volume, edited by the noted music scholar and pianist William Kinderman, brings together recent studies by leading scholars on Beethoven's major orchestral, including the first two piano concertos, the Egmont overture, the Missa Solemnis, and several of the symphonies, especially the Third, Fifth, and Ninth. They devote special attention to Beethoven?s creative process by analyzing, in some instances closely for the first time, his numerous surviving musical sketchbooks and loose sketch-leaves. The issues dealt with include Beethoven's reinterpretation of the composition models of Haydn and Mozart, his working methods in composition, the structural expansion of his symphonic forms, the design of variation movements in his symphonies, and Beethoven?s musical symbolism. Four introductory essays probe the relation between Beethoven?s sketches and the analysis of his finished works; it is a fascinating and controversial undertaking.
The first volume of North American Beethoven Studies illuminates critical issues and challenges traditional interpretations of some of Beethoven?s most celebrated works while avoiding the narrow specialization of some recent scholarship. Future volumes will focus on performance practices, composition, and recording history.

About the Author: William Kinderman, professor of music at the University of Victoria, is the author of Beethoven s Diabelli Variations (1987) and of numerous essays on music from Mozart to Wagner. The contributors are Geoffrey Block of the University of Puget Sound; William E. Caplin, McGill University; Barry Cooper, Manchester University; William Drabkin, University of Southampton; Richard Kramer, SUNY at Stony Brook; Lewis Lockwood, Harvard University; William Meredith, San Jose State University; and Kinderman.

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Titre : Beethoven s Compositional Process (Hardback)
Éditeur : University of Nebraska Press
Date d'édition : 1991
Reliure : Hardback
Etat du livre : New

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William Kinderman
Edité par UNIVERSITY OF NEBRASKA PRESS (1992)
ISBN 10 : 0803212224 ISBN 13 : 9780803212220
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Description du livre UNIVERSITY OF NEBRASKA PRESS, 1992. Trade Paperback. État : Good. TRADE PAPERBACK Legendary independent bookstore online since 1994. Reliable customer service and no-hassle return policy. General. Book: USED, Good. Bookseller Inventory # 01978080321222000. N° de réf. du libraire 01978080321222000

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William Kinderman
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Description du livre Boydell and Brewer, 1991. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire FW-9780803212220

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Edité par University of Nebraska Press, United States (1991)
ISBN 10 : 0803212224 ISBN 13 : 9780803212220
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Description du livre University of Nebraska Press, United States, 1991. Hardback. État : New. Language: English . Brand New Book. Fresh perspectives on the symphonies and piano concertos of Ludwig van Beethoven are offered in the inaugural volume of North American Beethoven Studies . To be published under the joint auspices of the University of Nebraska Press and the Ira F. Brilliant Center for Beethoven Studies, the volumes in the new series will focus on the life and work, milieu and influence of the great composer. The first volume, edited by the noted music scholar and pianist William Kinderman, brings together recent studies by leading scholars on Beethoven s major orchestral, including the first two piano concertos, the Egmont overture, the Missa Solemnis, and several of the symphonies, especially the Third, Fifth, and Ninth. They devote special attention to Beethoven s creative process by analyzing, in some instances closely for the first time, his numerous surviving musical sketchbooks and loose sketch-leaves. The issues dealt with include Beethoven s reinterpretation of the composition models of Haydn and Mozart, his working methods in composition, the structural expansion of his symphonic forms, the design of variation movements in his symphonies, and Beethoven s musical symbolism.Four introductory essays probe the relation between Beethoven s sketches and the analysis of his finished works; it is a fascinating and controversial undertaking. The first volume of North American Beethoven Studies illuminates critical issues and challenges traditional interpretations of some of Beethoven s most celebrated works while avoiding the narrow specialization of some recent scholarship. Future volumes will focus on performance practices, composition, and recording history. N° de réf. du libraire AAH9780803212220

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William Kinderman
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Description du livre University of Nebraska Press, United States, 1991. Hardback. État : New. Language: English . Brand New Book. Fresh perspectives on the symphonies and piano concertos of Ludwig van Beethoven are offered in the inaugural volume of North American Beethoven Studies. To be published under the joint auspices of the University of Nebraska Press and the Ira F. Brilliant Center for Beethoven Studies, the volumes in the new series will focus on the life and work, milieu and influence of the great composer. The first volume, edited by the noted music scholar and pianist William Kinderman, brings together recent studies by leading scholars on Beethoven?s major orchestral, including the first two piano concertos, the Egmont overture, the Missa Solemnis, and several of the symphonies, especially the Third, Fifth, and Ninth. They devote special attention to Beethoven?s creative process by analyzing, in some instances closely for the first time, his numerous surviving musical sketchbooks and loose sketch-leaves. The issues dealt with include Beethoven?s reinterpretation of the composition models of Haydn and Mozart, his working methods in composition, the structural expansion of his symphonic forms, the design of variation movements in his symphonies, and Beethoven?s musical symbolism. Four introductory essays probe the relation between Beethoven?s sketches and the analysis of his finished works; it is a fascinating and controversial undertaking. The first volume of North American Beethoven Studies illuminates critical issues and challenges traditional interpretations of some of Beethoven?s most celebrated works while avoiding the narrow specialization of some recent scholarship. Future volumes will focus on performance practices, composition, and recording history. N° de réf. du libraire AAH9780803212220

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Kinderman, William
Edité par Boydell & Brewer Ltd (1991)
ISBN 10 : 0803212224 ISBN 13 : 9780803212220
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Description du livre Boydell & Brewer Ltd, 1991. État : Brand new. Fresh perspectives on the symphonies and piano concertos of Ludwig van Beethoven are offered in the inaugural volume of North American Beethoven Studies. To be published under the joint auspices of the University of Nebraska Press and the Ira F. Brilliant Center for Beethoven Studies, the volumes in the new series will focus on the life and work, milieu and influence of the great composer. The first volume, edited by the noted music scholar and pianis t William Kinderman, brings together recent studies by leading scholars on Beethoven?s major orchestral, including the first two piano concertos, the Egmont overture, the Missa Solemnis, and several of the symphonies, especially t he Third, Fifth, and Ninth. They devote special attention to Beethoven?s creative process by analyzing, in some instances closely for the first time, his numerous surviving musical sketchbooks and loose sketch-leaves. The issues d ealt with include Beethoven?s reinterpretation of the composition models of Haydn and Mozart, his working methods in composition, the structural expansion of his symphonic forms, the design of variation movements in his symphonies , and Beethoven?s musical symbolism. Four introductory essays probe the relation between Beethoven?s sketches and the analysis of his finished works; it is a fascinating and controversial undertaking. The first volume of Nort h American Beethoven Studies illuminates critical issues and challenges traditional interpretations of some of Beethoven?s most celebrated works while avoiding the narrow specialization of some recent scholarship. Future volumes w ill focus on performance practices, composition, and recording history. N° de réf. du libraire 10951

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Kinderman, William (ed)
Edité par Univ of Nebraska Pr (1991)
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Description du livre Univ of Nebraska Pr, 1991. État : Very Good. 0803212224 0803212224 Very Good. (Binding: Cloth, Jacket: Very Good) Remainder stamp on bottom edge. N° de réf. du libraire 1087547

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Description du livre Pendragon Pr, 1992. Hardcover. État : New. N° de réf. du libraire DADAX0803212224

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Edité par Pendragon Press (1991)
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Description du livre Pendragon Press, 1991. Hardcover. État : Very Good. N° de réf. du libraire P020803212224

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Edité par Pendragon Press (1991)
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