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A Century of Progress through Service: The Centennial History of the International Association of Fire Chiefs 1873 - 1973

Smith, Peter Moore

ISBN 10: 0316442178 / ISBN 13: 9780316442176
Edité par Little Brown & Co, Boston, Massachusetts, U.S.A., 2000
Etat : Collectible Couverture rigide
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FINE. Black leatherette Silver and blind embossed boards - large. Pictorial endpapers. History of American fire fighters, the National Association of Fire Engineers, International Association of Fire Engineers, and International Association of Fire Chiefs. LARGE. Media Mail USA delivery only. [B66-167]. N° de réf. du libraire 011233

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Détails bibliographiques

Titre : A Century of Progress through Service: The ...

Éditeur : Little Brown & Co, Boston, Massachusetts, U.S.A.

Date d'édition : 2000

Reliure : Hardcover

Etat du livre :Collectible

Edition : FIRST.

A propos de ce titre

Synopsis :

Raveling is a brilliant thriller about two brothers, their mother, and the sad fact of their little sisters unsolved disappearance twenty years earlier. One of the brothers, Pilot, has come back home to take care of his aging mother, but his own mental state has not been stable since his sister vanished. He is determined at last to find out the truthbut for every step he takes nearer the facts of that long-ago night, the less he trusts reality. And by the time he finds one incontrovertible piece of evidence, even Pilot cannot be sure what it really means. Peter Moore Smith is a multitalented author. He writes television ads for BBDO, he plays bass, and an independent film he wrote is in preproduction. Smith is a suspense novelist with literary credentials. His short fiction has won a Pushcart Prize.

Review:

"Things fall apart, the center cannot hold." Yeats's words seem fitting for the slowly disintegrating Airie family and their son Pilot, a schizophrenic. Twenty years ago, Pilot's little sister, Fiona, disappeared. In the aftermath, the Airie family fell apart--"unraveled," Pilot observes. Old sins have long shadows, and Pilot both welcomes and fears the darkness those shadows offer. His memories of Fiona's disappearance haunt him, but they are also an anchor to a past that seems more authentic than the present.

Pilot's schizophrenia is all the more poignant contrasted with the poise of his older brother Eric, a prominent neurosurgeon. Eric is the one who comes to his mother's rescue when she is stranded on the highway, unable to see to drive home after Pilot's attempt to help her devolves into a terrifying, emotional paralysis:

Did they know that things had become transparent again, clear as a blue sky seen through blue water? That I could actually see the cancer forming like a tulip bulb at the base of my mother's optical nerve? I could look through the trees all the way to the highway, through her car, and through her hair and skin and cartilage and bone into the folds of tissue around her eyes, to see the muscles dilating, the tendrils of nerves and vessels of blood, and the radical cells dividing there, and dividing again.
Division also lies at the core of the relationship between Pilot and Eric. Drifting between past and present, the narrative reveals a long history of cruelty and abuse, which, after festering for years, erupts into what Eric's therapist dryly terms "a major psychotic episode." What could be crazier than accusing your brother of murdering your sister? Pilot's struggle to remember the truth of his family's history calls into question the very natures of truth, memory, individuality, and complicity.

The novel's strength lies in the deftness with which author Peter Moore Smith captures Pilot's schizophrenia. The reader follows Pilot in each unsteady attempt to negotiate the ever-fluctuating boundary between reality and illusion: "Eyes closed, I was in a bed upstairs, my arms under the covers so they wouldn't float away. Outside the window a single branch was reaching toward the room, unfurling itself to tap against the glass, warning me." Raveling weaves the fragile threads that bind families and selves into a tapestry that both cloaks its characters and leaves them starkly vulnerable. --Kelly Flynn

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