Chinese Architecture and the Beaux-arts (Hardback)

Edité par University of Hawai i Press, 2011
ISBN 10: 0824834569 / ISBN 13: 9780824834562
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Language: English . Brand New Book. Examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today many of which have global ramifications. N° de réf. du libraire

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Synopsis : Examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today many of which have global ramifications.

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Titre : Chinese Architecture and the Beaux-arts (...
Éditeur : University of Hawai i Press
Date d'édition : 2011
Reliure : Hardback
Etat du livre : New
Edition : New..

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Edité par University of Hawaii Press
ISBN 10 : 0824834569 ISBN 13 : 9780824834562
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Description du livre University of Hawaii Press. État : Used - Like New. Fine. Cloth, D-j. 2011. Originally published at $52. N° de réf. du libraire W89795

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Edité par University of Hawaii Press
ISBN 10 : 0824834569 ISBN 13 : 9780824834562
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Description du livre University of Hawaii Press. Hardcover. État : New. 0824834569 New. N° de réf. du libraire Z0824834569ZN

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Edité par University of Hawaii Press
ISBN 10 : 0824834569 ISBN 13 : 9780824834562
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Description du livre University of Hawaii Press. Hardcover. État : Fine. 0824834569 Like New. N° de réf. du libraire Z0824834569Z1

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Edité par University of Hawai i Press, United States (2011)
ISBN 10 : 0824834569 ISBN 13 : 9780824834562
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Description du livre University of Hawai i Press, United States, 2011. Hardback. État : New. New.. 264 x 198 mm. Language: English . Brand New Book. In the early twentieth century, Chinese traditional architecture and the French-derived methods of the Ecole des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events. Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today--many of which have global ramifications. This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the Ecole des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two met in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history. Contributors: Tony Atkin, Peter J. Carroll, Yung Ho Chang, Jeffrey W. Cody, Kerry Sizheng Fan, Fu Chao-Ching, Gu Daqing, Seng Kuan, Delin Lai, Xing Ruan, Joseph Rykwert, Nancy S. Steinhardt, David VanZanten, Rudolf Wagner, Zhang Jie, Zhao Chen. N° de réf. du libraire POW9780824834562

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Editor-Jeffrey W. Cody; Editor-Nancy S. Steinhardt; Editor-Tony Atkin
Edité par University of Hawaii Press (2011)
ISBN 10 : 0824834569 ISBN 13 : 9780824834562
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Description du livre University of Hawaii Press, 2011. Hardcover. État : New. N° de réf. du libraire SONG0824834569

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Edité par University of Hawaii Press (2011)
ISBN 10 : 0824834569 ISBN 13 : 9780824834562
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Description du livre University of Hawaii Press, 2011. Hardcover. État : New. book. N° de réf. du libraire 0824834569

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Edité par University of Hawai i Press, United States (2011)
ISBN 10 : 0824834569 ISBN 13 : 9780824834562
Neuf(s) Couverture rigide Quantité : 10
Vendeur
The Book Depository
(London, Royaume-Uni)
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Description du livre University of Hawai i Press, United States, 2011. Hardback. État : New. New.. 264 x 198 mm. Language: English . Brand New Book. In the early twentieth century, Chinese traditional architecture and the French-derived methods of the Ecole des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events. Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today--many of which have global ramifications. This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the Ecole des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two met in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history. Contributors: Tony Atkin, Peter J. Carroll, Yung Ho Chang, Jeffrey W. Cody, Kerry Sizheng Fan, Fu Chao-Ching, Gu Daqing, Seng Kuan, Delin Lai, Xing Ruan, Joseph Rykwert, Nancy S. Steinhardt, David VanZanten, Rudolf Wagner, Zhang Jie, Zhao Chen. N° de réf. du libraire POW9780824834562

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Jeffrey W. Cody
ISBN 10 : 0824834569 ISBN 13 : 9780824834562
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Description du livre État : Like New. Book Condition: Like New. N° de réf. du libraire 97808248345622.0

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Jeffrey W. Cody (Editor), Nancy S. Steinhardt (Editor), Tony Atkin (Editor)
Edité par University of Hawaii Press (2011)
ISBN 10 : 0824834569 ISBN 13 : 9780824834562
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Description du livre University of Hawaii Press, 2011. Hardcover. État : New. New. N° de réf. du libraire DADAX0824834569

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10.

Cody, Jeffrey W. Et al, Eds.
Edité par University of Hawai'i Press, Hong Kong University Press, Honolulu (2011)
ISBN 10 : 0824834569 ISBN 13 : 9780824834562
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Absaroka Asian Books
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Description du livre University of Hawai'i Press, Hong Kong University Press, Honolulu, 2011. Hard Cover. État : As New. Etat de la jaquette : As New. 1st Edition. 385 pp., much color. Series: Spatial habitus: Making and Meaning in Asia's Vernacular Architecture. Symposium volume; contributors: Jeffrey W. Cody, Nancy S. Steinhardt, David Van Zanten, Tony Atkin, Gu Daqing, K. Sizheng Fan, Fu Chao-Ching, Xing Ruan, Seng Kuan, Zhao Chen, Rudolph G. Wagner, Delin Lai, Yung Ho Chang, Peter J. Carroll. Zhang Jie, Joseph Rykwert. Size: 4to - over 9¾" - 12" tall. N° de réf. du libraire 004010

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