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The Cinema of Michael Haneke: Europe Utopia (Hardback)

Dr. Ben McCann

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ISBN 10: 1906660301 / ISBN 13: 9781906660307
Edité par WALLFLOWER PRESS, United Kingdom, 2012
Neuf(s) Etat : New Hardback
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A propos de cet article

Language: English . Brand New Book. Michael Haneke is one of the most important directors working in Europe today, with films such as Funny Games (1997), Code Unknown (2000), and Hidden (2005) interrogating modern ethical dilemmas with forensic clarity and merciless insight. Haneke s films frequently implicate both the protagonists and the audience in the making of their misfortunes, yet even in the barren nihilism of The Seventh Continent (1989) and Time of the Wolf (2003) a dark strain of optimism emerges, releasing each from its terrible and inescapable guilt. It is this contingent and unlikely possibility that we find in Haneke s cinema: a utopian Europe. This collection celebrates, explicates, and sometimes challenges the worldview of Haneke s films. It examines the director s central themes and preoccupations--bourgeois alienation, modes and critiques of spectatorship, the role of the media--and analyzes otherwise marginalized aspects of his work, such as the function of performance and stardom, early Austrian television productions, the romanticism of The Piano Teacher (2001), and the 2007 shot-for-shot remake of Funny Games. N° de réf. du libraire AAH9781906660307

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Détails bibliographiques

Titre : The Cinema of Michael Haneke: Europe Utopia ...

Éditeur : WALLFLOWER PRESS, United Kingdom

Date d'édition : 2012

Reliure : Hardback

Etat du livre :New

Edition : New..

A propos de ce titre

Synopsis :

Michael Haneke is one of the most important directors working in Europe today, with films such as Funny Games (1997), Code Unknown (2000), and Hidden (2005) interrogating modern ethical dilemmas with forensic clarity and merciless insight. Haneke's films frequently implicate both the protagonists and the audience in the making of their misfortunes, yet even in the barren nihilism of The Seventh Continent (1989) and Time of the Wolf (2003) a dark strain of optimism emerges, releasing each from its terrible and inescapable guilt. It is this contingent and unlikely possibility that we find in Haneke's cinema: a utopian Europe. This collection celebrates, explicates, and sometimes challenges the worldview of Haneke's films. It examines the director's central themes and preoccupations--bourgeois alienation, modes and critiques of spectatorship, the role of the media--and analyzes otherwise marginalized aspects of his work, such as the function of performance and stardom, early Austrian television productions, the romanticism of The Piano Teacher (2001), and the 2007 shot-for-shot remake of Funny Games.

A propos de l'auteur:

Ben McCann is lecturer in French studies at the University of Adelaide. David Sorfa is senior lecturer in film studies at Liverpool John Moores University and managing editor of the journal, Film-Philosophy.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

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