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The Cinema of Mike Leigh: Making Sense of the Real (Hardback)

Garry Watson

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ISBN 10: 1903364906 / ISBN 13: 9781903364901
Edité par WALLFLOWER PRESS, United Kingdom, 2004
Neuf(s) Etat : New Hardback
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A propos de cet article

Language: English . Brand New Book. A keen observer of manners and mores, Mike Leigh has been hailed as a celebrator of ordinary people, yet it wasn t until relatively recently that audiences have been able to appreciate the full body of his work. In discussing all his films from Bleak Moments and High Hopes through Naked, the Oscar-nominated Secrets and Lies and Topsy Turvy, to All or Nothing, Garry Watson considers this claim, examining the films influence and their effect. At the same time, he takes on the very concepts of the real and the ordinary in regard to Leigh s work, challenging much perceived thinking among critics and moviegoers alike. To what category does the director s work really belong? Is it British Realism? The avant garde? Through careful textual detail and wider social and literary comparison with the works of Charles Dickens and T. S. Eliot, he argues ultimately for the aritistic and cultural significance of Leigh s work as one of Britian s most respected filmmakers. N° de réf. du libraire AAH9781903364901

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Détails bibliographiques

Titre : The Cinema of Mike Leigh: Making Sense of ...

Éditeur : WALLFLOWER PRESS, United Kingdom

Date d'édition : 2004

Reliure : Hardback

Etat du livre :New

A propos de ce titre

Synopsis :

A keen observer of manners and mores, Mike Leigh has been hailed as a celebrator of "ordinary" people, yet it wasn't until relatively recently that audiences have been able to appreciate the full body of his work. In discussing all his films from Bleak Moments and High Hopes through Naked, the Oscar-nominated Secrets and Lies and Topsy Turvy, to All or Nothing, Garry Watson considers this claim, examining the films'influence and their effect.

At the same time, he takes on the very concepts of "the real" and "the ordinary" in regard to Leigh's work, challenging much perceived thinking among critics and moviegoers alike. To what category does the director's work really belong? Is it British Realism? The avant garde? Through careful textual detail and wider social and literary comparison with the works of Charles Dickens and T. S. Eliot, he argues ultimately for the aritistic and cultural significance of Leigh's work as one of Britian's most respected filmmakers.

A propos de l'auteur:

Garry Watson is professor of English at the University of Alberta and teaches English, American literature, and cinema. He is the coeditor of Approaches to Teaching the Works of D.H. Lawrence.

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