Composing Cultures: Modernism, American Literary Studies and the Problem of Culture (Hardback)

Eric Aronoff

Edité par University of Virginia Press, 2013
ISBN 10: 0813934834 / ISBN 13: 9780813934839
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Language: English Brand New Book. The term culture has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. The modernist concept of culture, he argues, arose out of an interdisciplinary dialogue about value, meaning, and form among social critics, artists, anthropologists, and literary critics, including figures as diverse as Van Wyck Brooks, Edward Sapir, Willa Cather, Lewis Mumford, John Crowe Ransom, Raymond Weaver, and Allen Tate. These figures proposed new ways to conceive of culture that intertwined theories of aesthetic and literary value with theories of national, racial, and regional identity. Through close readings, Aronoff shows that disciplines and approaches that are often thought of as opposed--cultural anthropology and aesthetics, American literary history and literary criticism, and multiculturalism and regionalism--are in fact engaged in common debate and proceed from shared arguments about culture and form. N° de réf. du libraire

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Synopsis : The term "culture" has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. The modernist concept of culture, he argues, arose out of an interdisciplinary dialogue about value, meaning, and form among social critics, artists, anthropologists, and literary critics, including figures as diverse as Van Wyck Brooks, Edward Sapir, Willa Cather, Lewis Mumford, John Crowe Ransom, Raymond Weaver, and Allen Tate. These figures proposed new ways to conceive of culture that intertwined theories of aesthetic and literary value with theories of national, racial, and regional identity. Through close readings, Aronoff shows that disciplines and approaches that are often thought of as opposed--cultural anthropology and aesthetics, American literary history and literary criticism, and multiculturalism and regionalism--are in fact engaged in common debate and proceed from shared arguments about culture and form.

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Titre : Composing Cultures: Modernism, American ...
Éditeur : University of Virginia Press
Date d'édition : 2013
Reliure : Hardback
Etat du livre : New

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Eric Aronoff
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Description du livre University of Virginia Press, 2013. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire CE-9780813934839

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Eric Aronoff
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Description du livre University of Virginia Press, United States, 2013. Hardback. État : New. 231 x 155 mm. Language: English . Brand New Book. The term culture has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. The modernist concept of culture, he argues, arose out of an interdisciplinary dialogue about value, meaning, and form among social critics, artists, anthropologists, and literary critics, including figures as diverse as Van Wyck Brooks, Edward Sapir, Willa Cather, Lewis Mumford, John Crowe Ransom, Raymond Weaver, and Allen Tate. These figures proposed new ways to conceive of culture that intertwined theories of aesthetic and literary value with theories of national, racial, and regional identity. Through close readings, Aronoff shows that disciplines and approaches that are often thought of as opposed--cultural anthropology and aesthetics, American literary history and literary criticism, and multiculturalism and regionalism--are in fact engaged in common debate and proceed from shared arguments about culture and form. N° de réf. du libraire AAC9780813934839

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Eric Aronoff
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Description du livre University of Virginia Press, United States, 2013. Hardback. État : New. 231 x 155 mm. Language: English . Brand New Book. The term culture has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. The modernist concept of culture, he argues, arose out of an interdisciplinary dialogue about value, meaning, and form among social critics, artists, anthropologists, and literary critics, including figures as diverse as Van Wyck Brooks, Edward Sapir, Willa Cather, Lewis Mumford, John Crowe Ransom, Raymond Weaver, and Allen Tate. These figures proposed new ways to conceive of culture that intertwined theories of aesthetic and literary value with theories of national, racial, and regional identity. Through close readings, Aronoff shows that disciplines and approaches that are often thought of as opposed--cultural anthropology and aesthetics, American literary history and literary criticism, and multiculturalism and regionalism--are in fact engaged in common debate and proceed from shared arguments about culture and form. N° de réf. du libraire AAC9780813934839

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Description du livre University of Virginia Press. Hardback. État : new. BRAND NEW, Composing Cultures: Modernism, American Literary Studies and the Problem of Culture, Eric Aronoff, The term "culture" has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. The modernist concept of culture, he argues, arose out of an interdisciplinary dialogue about value, meaning, and form among social critics, artists, anthropologists, and literary critics, including figures as diverse as Van Wyck Brooks, Edward Sapir, Willa Cather, Lewis Mumford, John Crowe Ransom, Raymond Weaver, and Allen Tate. These figures proposed new ways to conceive of culture that intertwined theories of aesthetic and literary value with theories of national, racial, and regional identity. Through close readings, Aronoff shows that disciplines and approaches that are often thought of as opposed--cultural anthropology and aesthetics, American literary history and literary criticism, and multiculturalism and regionalism--are in fact engaged in common debate and proceed from shared arguments about culture and form. N° de réf. du libraire B9780813934839

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Eric Aronoff
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Aronoff, Eric; Newman, Robert D. [Series Editor]
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