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Titre : THE DOOM OF MAMELONS: A LEGEND OF THE ...
Éditeur : Hubbard Brothers, Publishers, Philadelphia
Date d'édition : 1888
Reliure : Soft cover
Edition : 1st Edition
Octavo, pp. [1-4] i-iv 3-136 [note: text complete despite gap in pagination], original salmon wrappers printed in black. First edition, promotional issue. This variant printing differs from the other Hubbard version which is also dated 1888 on the title page. It adds a four page introduction (here called an "argument" by Murray which follows his one page "preface" dated 7 January 1888. We do not know which printing is the earliest. This copy is part of a promotional issue with "Compliments of F. A. Babcock & Co." printed at the top edge of the front cover and an advertisement for their carriages and carts on the inside rear cover. A romantic novella with supernatural incidents and a pervading mood of otherworldly gloom and glory, autumnal in its mix of the sweet and the bitter, an elegy to the Old World that was dying in the birth throes of the New. Set in the backwoods of Quebec in an indefinite past, perhaps the colonial period, this is the story of John Norton, the heroically noble and simple trapper who was a recurring character in Murray's tales, and Atla, the beautiful and cultured princess and last of her line of Basque royalty. It is her hope to marry the trapper and start a new and more vital branch of her race, but a doom overhangs her and her people and cuts off the consummation of their romance. The background of the story is told in retrospect, through the narration, "half-chanted," of Atla's dying uncle, whose summons has brought John to their island mansion; and through the poetic words of her dead mother, found on a manuscript and read aloud by Atla. The Basques of the Iberian peninsula are represented in the story as the oldest race of Europe and, indeed, of the world, long established by the time the Egyptians began hauling blocks of stone over desert sands, and frequent visitors to North America. It is hinted by Murray that they are related to the mound builders, that shadowy race of advanced pre-Indian civilization in America, and that they were in fact, a remnant of the civilization of Atlantis -- and even more anciently, of the crossbreeding of gods and men referred to in Genesis (6:2). At some time in the recent past, an epic battle was fought between rival Indian tribes at Mamelons, the mouth of the Saguenay river, whose waters ("purple-brown ? gloomy and grewsome") lead into the St. Lawrence. In the battle, the ghosts of slain warriors on both sides rose up and fought side by side with the living, and nature warred against itself with storm and earthquake, until God brought the battle to a halt with a sudden total darkness. Afterwards it was discovered that Atla's uncle, chief of his tribe, had inadvertently killed his own brother, the father of Atla. He marries the widow and raises Atla lovingly as his own, even after the subsequent and untimely death of her mother. She is only 20 when her uncle dies and she is left alone in the world, though the heiress of a great fortune and vastly learned in antique lore. Her proffer of marriage encounters resistance from the 40-year-old trapper, who considers himself unworthy of her, but she finally wins him over. On their way back to Mamelons to be wed by the Catholic priest, a warning from their old Indian servant, who has seen a supernatural omen, is ignored, leading to the death of Atla on the shores of the Stygian Saguenay. The story is a meditation on matters of race and fate, especially germane to the American experiment of embracing cultural heterogeneity. The plot hangs on some rather complicated taboos about breeding, which will seem esoteric to most modern readers. An individual of mixed breeding is said to "bear a cross." Yet the doom hanging over Atla's race, a divine punishment for crossbreeding, can be removed only by her crossbreeding with an individual of purebred stock (Norton being white without taint of any other strain). But the story bears no whiff of "racism" in its generally understood sense, and shows a deep knowledge of and respect for th. N° de réf. du libraire 151562
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