The Differentiation of Modernism: Postwar German Media Arts (Hardback)

Larson Powell

Edité par Boydell Brewer Ltd, 2013
ISBN 10: 1571135723 / ISBN 13: 9781571135728
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Language: English . Brand New Book. After 1945, the purist medium specificity of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a Verfransung, or fraying of boundaries, between the arts. The Differentiation of Modernism analyzes this phenomenon in German electronic media arts of the late modernist period (1945-80): in radio plays, film music, and electronic music. The first part of the book begins with a chapter on Adorno s theory of radio as an instrument of democratization, going on to analyze the relationship of the Horspiel or radio play to electronic music. In the second part, on film music, a chapter on Adorno and Eisler s Composing for the Film sets the parameters for chapters on the film Das Madchen Rosemarie (1957) and on the music films of Jean-Marie Straub and Daniele Huillet. The third part examines the music of Karlheinz Stockhausen and its relationship to radio, abstract painting, recording technology, and theatrical happenings. The book s central notion of the differentiation of culture suggests that late modernism, unlike high modernism, accepted the contingency of modern mass-media driven society and sought to find new forms for it. LARSON POWELL is Associate Professor of German at the University of Missouri, Kansas City. He is the author of The Technological Unconscious in German Modernist Literature (Camden House, 2008). N° de réf. du libraire

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Synopsis : After 1945, the purist "medium specificity" of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a "Verfransung," or "fraying of boundaries," between the arts. The Differentiation of Modernism analyzes this phenomenon in German electronic media arts of the late modernist period (1945-80): in radio plays, film music, and electronic music. The first part of the book begins with a chapter on Adorno's theory of radio as an instrument of democratization, going on to analyze the relationship of the Hörspiel or radio play to electronic music. In the second part, on film music, a chapter on Adorno and Eisler's Composing for the Film sets the parameters for chapters on the film Das Mädchen Rosemarie (1957) and on the music films of Jean-Marie Straub and Danièle Huillet. The third part examines the music of Karlheinz Stockhausen and its relationship to radio, abstract painting, recording technology, and theatrical happenings. The book's central notion of the "differentiation of culture" suggests that late modernism, unlike high modernism, accepted the contingency of modern mass-media driven society and sought to find new forms for it. Larson Powell is Associate Professor of German at the University of Missouri, Kansas City. He is the author of The Technological Unconscious in German Modernist Literature (Camden House, 2008).

Review: (D)ense and thought-provoking . . . . Powell's meta-formalist readings of his chosen canon (are) always thought-provoking and at times brilliant. MODERN LANGUAGE REVIEW

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Titre : The Differentiation of Modernism: Postwar ...
Éditeur : Boydell Brewer Ltd
Date d'édition : 2013
Reliure : Hardback
Etat du livre : New

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Powell, Larson
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Description du livre Boydell Brewer Ltd, United States, 2013. Hardback. État : New. Language: English . Brand New Book. After 1945, the purist medium specificity of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a Verfransung, or fraying of boundaries, between the arts. The Differentiation of Modernism analyzes this phenomenon in German electronic media arts of the late modernist period (1945-80): in radio plays, film music, and electronic music. The first part of the book begins with a chapter on Adorno s theory of radio as an instrument of democratization, going on to analyze the relationship of the Horspiel or radio play to electronic music. In the second part, on film music, a chapter on Adorno and Eisler s Composing for the Film sets the parameters for chapters on the film Das Madchen Rosemarie (1957) and on the music films of Jean-Marie Straub and Daniele Huillet. The third part examines the music of Karlheinz Stockhausen and its relationship to radio, abstract painting, recording technology, and theatrical happenings. The book s central notion of the differentiation of culture suggests that late modernism, unlike high modernism, accepted the contingency of modern mass-media driven society and sought to find new forms for it. Larson Powell is Associate Professor of German at the University of Missouri, Kansas City. He is the author of The Technological Unconscious in German Modernist Literature (Camden House, 2008). N° de réf. du libraire AAH9781571135728

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Larson Powell
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Description du livre Boydell Brewer Ltd, United States, 2013. Hardback. État : New. Language: English . Brand New Book. After 1945, the purist medium specificity of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a Verfransung, or fraying of boundaries, between the arts. The Differentiation of Modernism analyzes this phenomenon in German electronic media arts of the late modernist period (1945-80): in radio plays, film music, and electronic music. The first part of the book begins with a chapter on Adorno s theory of radio as an instrument of democratization, going on to analyze the relationship of the Horspiel or radio play to electronic music. In the second part, on film music, a chapter on Adorno and Eisler s Composing for the Film sets the parameters for chapters on the film Das Madchen Rosemarie (1957) and on the music films of Jean-Marie Straub and Daniele Huillet. The third part examines the music of Karlheinz Stockhausen and its relationship to radio, abstract painting, recording technology, and theatrical happenings.The book s central notion of the differentiation of culture suggests that late modernism, unlike high modernism, accepted the contingency of modern mass-media driven society and sought to find new forms for it. LARSON POWELL is Associate Professor of German at the University of Missouri, Kansas City. He is the author of The Technological Unconscious in German Modernist Literature (Camden House, 2008). N° de réf. du libraire AAH9781571135728

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Description du livre Boydell & Brewer Ltd, 2013. État : Brand new. After 1945, the purist "medium specificity" of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a "Verfransung," or "fraying of boundaries," between the arts. The Differentiation of Modernism analyzes this phenomenon in German electronic media arts of the late modernist period (1945-80): in radio plays, film music, and electronic music. The first part of the book begins with a chapter o n Adorno's theory of radio as an instrument of democratization, going on to analyze the relationship of the Hörspiel or radio play to electronic music. In the second part, on film music, a chapter on Adorno and Eisler's Composing for the Film sets the parameters for chapters on the film Das Mädchen Rosemarie (1957) and on the music films of Jean-Marie Straub and Danièle Huillet. The third part examines the music of Karlheinz Stockhause n and its relationship to radio, abstract painting, recording technology, and theatrical happenings. The book's central notion of the "differentiation of culture" suggests that late modernism, unlike high modernism, accepted the c ontingency of modern mass-media driven society and sought to find new forms for it. Larson Powell is Associate Professor of German at the University of Missouri, Kansas City. He is the author of The Technological Unc onscious in German Modernist Literature (Camden House, 2008). N° de réf. du libraire 9422

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