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Early Buddhist Art of China and Central Asia, Volume 2 The Eastern Chin and Sixteen Kingdoms Period in China and Tumshuk, Kucha and Karashahr in Central Asia (2 vols) (Hardback)

Marylin Martin Rhie

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ISBN 10: 9004114998 / ISBN 13: 9789004114999
Edité par Brill, Netherlands, 2002
Neuf(s) Etat : New Couverture rigide
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Language: English . Brand New Book. Volume two of Marylin Rhie s widely acclaimed and formative multi-volume work presents a comprehensive, scholarly and detailed study of the Buddhist art of China and Central Asia from 316-439 A.D. during the formative early periods of Buddhism in the Eastern Chin and Sixteen Kingdoms Period. Using texts translated from the Chinese together with stylistic and technical analyses, the chronology and sources of the art are more clearly defined than in previous studies for the regions of South and North China (other than Kansu) and the important sites of Tumshuk, Kucha and Karashahr on the Northern Silk Route in eastern Central Asia. Furthermore, by incorporating extensive religious and historical materials, this work not only contributes to clarifying the regional characteristics of the art, but also offers new insights into the broader, interregional relationships of this politically fragmented period. N° de réf. du libraire AAN9789004114999

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Détails bibliographiques

Titre : Early Buddhist Art of China and Central Asia...

Éditeur : Brill, Netherlands

Date d'édition : 2002

Reliure : Hardback

Etat du livre : New

A propos de ce titre

Synopsis :

Volume two of Marylin Rhie's widely acclaimed and formative multi-volume work presents a comprehensive, scholarly and detailed study of the Buddhist art of China and Central Asia from 316-439 A.D. during the formative early periods of Buddhism in the Eastern Chin and Sixteen Kingdoms Period. Using texts translated from the Chinese together with stylistic and technical analyses, the chronology and sources of the art are more clearly defined than in previous studies for the regions of South and North China (other than Kansu) and the important sites of Tumshuk, Kucha and Karashahr on the Northern Silk Route in eastern Central Asia. Furthermore, by incorporating extensive religious and historical materials, this work not only contributes to clarifying the regional characteristics of the art, but also offers new insights into the broader, interregional relationships of this politically fragmented period.

About the Author:

Marylin Martin Rhie, Ph.D. (1970) in Chinese Buddhist Art History, University of Chicago is Professor of Art and East Asian Studies at Smith College, Northampton. Her most recent publications are Early Buddhist Art of China and Central Asia (Vol. I) and Worlds of Transformation, the Sacred Art of Tibet (with R. Thurman).

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