The End of Cinema?: A Medium in Crisis in the Digital Age (Hardback)

Andre Gaudreault, PHILIPPE MARION

Edité par Columbia University Press, 2015
ISBN 10: 0231173563 / ISBN 13: 9780231173568
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Language: English . Brand New Book. Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the double birth of media, Andre Gaudreault and Philippe Marion take a positive look at cinema s ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the digitalphobes who lament the implosion of cinema and the digitalphiles who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next. N° de réf. du libraire

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Synopsis : Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," Andre Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.

Critique: Anyone involved in the debates surrounding the shift from 35mm film stock to digital production practices and exhibition formats will need to confront Andr Gaudreault and Philippe Marion's arguments. A provocative and timely book, the authors remind viewers that the "cinema" has never been a static technology. -- Richard Neupert, University of Georgia Gaudreault and Marion make a nuanced argument for rethinking the very nature and impact of the digital revolution on cinema. Their book is an unusually thorough, balanced analysis as well as an original argument about the alleged "death of cinema." It should certainly be required reading. -- Richard Abel, University of Michigan

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Titre : The End of Cinema?: A Medium in Crisis in ...
Éditeur : Columbia University Press
Date d'édition : 2015
Reliure : Hardback
Etat du livre : New

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Gaudreault, André; Marion, Philippe
Edité par Columbia University Press
ISBN 10 : 0231173563 ISBN 13 : 9780231173568
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Gaudreault, André; Marion, Philippe
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Andre Gaudreault, PHILIPPE MARION
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Description du livre Columbia University Press, United States, 2015. Hardback. État : New. 216 x 146 mm. Language: English . Brand New Book. Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the double birth of media, Andre Gaudreault and Philippe Marion take a positive look at cinema s ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the digitalphobes who lament the implosion of cinema and the digitalphiles who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next. N° de réf. du libraire AAH9780231173568

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Andre Gaudreault, PHILIPPE MARION
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Description du livre Columbia University Press, United States, 2015. Hardback. État : New. 216 x 146 mm. Language: English . Brand New Book. Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the double birth of media, Andre Gaudreault and Philippe Marion take a positive look at cinema s ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the digitalphobes who lament the implosion of cinema and the digitalphiles who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next. N° de réf. du libraire AAH9780231173568

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Andre Gaudreault, Philippe Marion, Timothy Barnard
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Description du livre Columbia University Press. Hardback. État : new. BRAND NEW, The End of Cinema?: A Medium in Crisis in the Digital Age, Andre Gaudreault, Philippe Marion, Timothy Barnard, Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," Andr Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next. N° de réf. du libraire B9780231173568

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