The Eyes Have it: Cinema and the Reality Effect (Hardback)

Murray Pomerance

Edité par Rutgers University Press, 2013
ISBN 10: 0813560594 / ISBN 13: 9780813560595
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Language: English . Brand New Book. The Eyes Have It explores those rarefied screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Beginning with a penetrating study of five cornfield sequences--including The Wizard of Oz, Arizona Dream, and Signs--Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer s experience of reality is put in context, challenged, and wilfully engaged. Four meditations deal with reality effects from different philosophical and technical angles. Vivid Rivals assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma Louise, and more. The Two of Us considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. Being There discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm s Way, and other films. Fairy Land explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting. N° de réf. du libraire

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Synopsis : The Eyes Have It explores those rarefied screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive.

Beginning with a penetrating study of five cornfield sequences--including The Wizard of Oz, Arizona Dream, and Signs--Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer's experience of "reality" is put in context, challenged, and wilfully engaged.

Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma & Louise, and more. "The Two of Us" considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting.

Critique: "Real history and technology cling to Pomerance's boots in his delightful, instructive romp through acres of films in our 'Field of Dreams.' Enjoy this down-to-earth study of illusion."--Dudley Andrew"Yale University" (10/22/2012)

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Détails bibliographiques

Titre : The Eyes Have it: Cinema and the Reality ...
Éditeur : Rutgers University Press
Date d'édition : 2013
Reliure : Hardback
Etat du livre : New
Edition : New..

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Pomerance, Murray
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Description du livre Rutgers University Press, United States, 2013. Hardback. État : New. New.. 229 x 157 mm. Language: English . Brand New Book. The Eyes Have It explores those rarefied screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Beginning with a penetrating study of five cornfield sequences--including The Wizard of Oz, Arizona Dream, and Signs--Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer s experience of reality is put in context, challenged, and wilfully engaged. Four meditations deal with reality effects from different philosophical and technical angles. Vivid Rivals assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma Louise, and more. The Two of Us considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. Being There discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm s Way, and other films. Fairy Land explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting. N° de réf. du libraire AAN9780813560595

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Description du livre Rutgers University Press, United States, 2013. Hardback. État : New. New.. 229 x 157 mm. Language: English . Brand New Book. The Eyes Have It explores those rarefied screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Beginning with a penetrating study of five cornfield sequences--including The Wizard of Oz, Arizona Dream, and Signs--Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer s experience of reality is put in context, challenged, and wilfully engaged. Four meditations deal with reality effects from different philosophical and technical angles. Vivid Rivals assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma Louise, and more. The Two of Us considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. Being There discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm s Way, and other films. Fairy Land explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting. N° de réf. du libraire AAN9780813560595

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Description du livre Rutgers University Press. Hardcover. État : New. Hardcover. 288 pages. The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Beginning with a penetrating study of five cornfield sequencesincluding The Wizard of Oz, Arizona Dream, and SignsMurray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewers experience of reality is put in context, challenged, and willfully engaged. Four meditations deal with reality effects from different philosophical and technical angles. Vivid Rivals assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma and Louise, and more. The Two of Us considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. Being There discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harms Way, and other films. Fairy Land explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. N° de réf. du libraire 9780813560595

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