Faking it: Manipulated Photography Before Photoshop (Hardback)

MIA Fineman

Edité par Yale University Press, 2012
ISBN 10: 0300185014 / ISBN 13: 9780300185010
Ancien(s) ou d'occasion / Hardback / Quantité : 0
Disponible auprès d'autres vendeurs
Afficher tous les  exemplaires de ce livre

Au sujet du livre

Ce livre n'est malheureusement plus disponible. AbeBooks dispose cependant de millions de livres. Ci-dessous, nous vous proposons une liste de livres pouvant correspondre à votre recherche.

Description :

Language: English . Brand New Book. Photographic manipulation is a familiar phenomenon in the digital era. What will come as a revelation to readers of this captivating, wide-ranging book is that nearly every type of manipulation we associate with Adobe s now-ubiquitous Photoshop software was also part of photography s predigital repertoire, from slimming waistlines and smoothing away wrinkles to adding people to (or removing them from) pictures, not to mention fabricating events that never took place. Indeed, the desire and determination to modify the camera image are as old as photography itself-only the methods have changed. By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography s development, in which champions of photographic purity, such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation, including Henry Peach Robinson, Edward Steichen, and John Heartfield, are treated as conspicuous anomalies. Among the techniques discussed on these pages-abundantly illustrated with works from an international array of public and private collections-are multiple exposure, combination printing, photomontage, composite portraiture, over-painting, hand coloring, and retouching. The resulting images are as diverse in style and motivation as they are in technique. Taking her argument beyond fine art into the realms of politics, journalism, fashion, entertainment, and advertising, Fineman demonstrates that the old adage the camera does not lie is one of photography s great fictions. N° de réf. du libraire

A propos du livre :

Book ratings provided by Goodreads) :
4,33 note moyenne
(36 avis)

Synopsis :

Photographic manipulation is a familiar phenomenon in the digital era. What will come as a revelation to readers of this captivating, wide-ranging book is that nearly every type of manipulation we associate with Adobe’s now-ubiquitous Photoshop software was also part of photography’s predigital repertoire, from slimming waistlines and smoothing away wrinkles to adding people to (or removing them from) pictures, not to mention fabricating events that never took place. Indeed, the desire and determination to modify the camera image are as old as photography itself—only the methods have changed.

By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography’s development, in which champions of photographic “purity,” such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation, including Henry Peach Robinson, Edward Steichen, and John Heartfield, are treated as conspicuous anomalies. Among the techniques discussed on these pages—abundantly illustrated with works from an international array of public and private collections—are multiple exposure, combination printing, photomontage, composite portraiture, over-painting, hand coloring, and retouching. The resulting images are as diverse in style and motivation as they are in technique. Taking her argument beyond fine art into the realms of politics, journalism, fashion, entertainment, and advertising, Fineman demonstrates that the old adage “the camera does not lie” is one of photography’s great fictions.

About the Author:

Mia Fineman is Assistant Curator in the Department of Photographs at The Metropolitan Museum of Art, New York. She has been a regular contributor to the New York Times, Slate, the Village Voice, and numerous other publications.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Détails bibliographiques

Titre : Faking it: Manipulated Photography Before ...
Éditeur : Yale University Press
Date d'édition : 2012
Reliure : Hardback
Etat du livre : New

Meilleurs résultats de recherche sur AbeBooks

1.

Fineman, Mia
ISBN 10 : 0300185014 ISBN 13 : 9780300185010
Neuf(s) Quantité : > 20
Vendeur
Paperbackshop-US
(Wood Dale, IL, Etats-Unis)
Evaluation vendeur
[?]

Description du livre 2012. HRD. État : New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. N° de réf. du libraire TY-9780300185010

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter neuf
EUR 32,41
Autre devise

Ajouter au panier

Frais de port : EUR 12,89
De Etats-Unis vers France
Destinations, frais et délais

2.

Fineman, Mia
Edité par YALE University Press
ISBN 10 : 0300185014 ISBN 13 : 9780300185010
Neuf(s) Quantité : > 20
Vendeur
INDOO
(Avenel, NJ, Etats-Unis)
Evaluation vendeur
[?]

Description du livre YALE University Press. État : New. Brand New. N° de réf. du libraire 0300185014

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter neuf
EUR 33,16
Autre devise

Ajouter au panier

Frais de port : EUR 15,47
De Etats-Unis vers France
Destinations, frais et délais

3.

Mia Fineman
ISBN 10 : 0300185014 ISBN 13 : 9780300185010
Ancien(s) ou d'occasion Quantité : 1
Vendeur
Castle Rock
(Pittsford, NY, Etats-Unis)
Evaluation vendeur
[?]

Description du livre État : Good. Book Condition: Good. N° de réf. du libraire 97803001850104.0

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter D'occasion
EUR 33,09
Autre devise

Ajouter au panier

Frais de port : EUR 21,48
De Etats-Unis vers France
Destinations, frais et délais

4.

Mia Fineman
ISBN 10 : 0300185014 ISBN 13 : 9780300185010
Ancien(s) ou d'occasion Quantité : 1
Vendeur
Castle Rock
(Pittsford, NY, Etats-Unis)
Evaluation vendeur
[?]

Description du livre État : Very Good. Book Condition: Very Good. N° de réf. du libraire 97803001850103.0

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter D'occasion
EUR 33,41
Autre devise

Ajouter au panier

Frais de port : EUR 21,48
De Etats-Unis vers France
Destinations, frais et délais

5.

Mia Fineman
Edité par Metropolitan Museum of Art (2012)
ISBN 10 : 0300185014 ISBN 13 : 9780300185010
Ancien(s) ou d'occasion Couverture rigide Quantité : 1
Vendeur
Strand Book Store, ABAA
(New York, NY, Etats-Unis)
Evaluation vendeur
[?]

Description du livre Metropolitan Museum of Art, 2012. Hardcover. État : Good. N° de réf. du libraire 2450202

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter D'occasion
EUR 31,86
Autre devise

Ajouter au panier

Frais de port : EUR 15,46
De Etats-Unis vers France
Destinations, frais et délais

6.

Fineman, Mia
Edité par The Metropolitan Museum of Art / Yale University Press, New York (2012)
ISBN 10 : 0300185014 ISBN 13 : 9780300185010
Ancien(s) ou d'occasion Couverture rigide Quantité : 1
Vendeur
Mullen Books, ABAA
(Marietta, PA, Etats-Unis)
Evaluation vendeur
[?]

Description du livre The Metropolitan Museum of Art / Yale University Press, New York, 2012. Hardcover. État : VG. Rust-colored cloth, olive & illus. dust jacket, 280 pp., many color illus. Issued in conjunction with several 2012-2013 exhibitions on the topic. "Nearly every type of manipulation we associate with Adobe's now-ubiquitous Photoshop software was also part of photography's predigital repertoire, from slimming waistlines and smoothing away wrinkles to adding people to (or removing them from) pictures, not to mention fabricating events that never took place. Indeed, the desire and determination to modify the camera image are as old as photography itself -- only the methods have changed." (dj) A browser's delight. N° de réf. du libraire 138485

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter D'occasion
EUR 30,98
Autre devise

Ajouter au panier

Frais de port : EUR 36,95
De Etats-Unis vers France
Destinations, frais et délais

7.

Fineman, Mia
Edité par Yale University Press (2012)
ISBN 10 : 0300185014 ISBN 13 : 9780300185010
Neuf(s) Quantité : 13
Vendeur
Books2Anywhere
(Fairford, GLOS, Royaume-Uni)
Evaluation vendeur
[?]

Description du livre Yale University Press, 2012. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire WY-9780300185010

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter neuf
EUR 36,13
Autre devise

Ajouter au panier

Frais de port : EUR 11,19
De Royaume-Uni vers France
Destinations, frais et délais

8.

Fineman, Mia
Edité par Metropolitan Museum of Art (2013)
ISBN 10 : 0300185014 ISBN 13 : 9780300185010
Ancien(s) ou d'occasion Couverture rigide Quantité : 1
Vendeur
Black Cat Books
(Shelter Island, NY, Etats-Unis)
Evaluation vendeur
[?]

Description du livre Metropolitan Museum of Art, 2013. Hardcover. État : Near Fine. Etat de la jaquette : Near Fine. Hard bound with dust jacket. A nice copy, bright and clean. 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, Faking It provides an essential counter history of photography as an inspired blend of fabricated truths and artful falsehoods. [Heavy please contact for overseas shipping quote]. N° de réf. du libraire 32027

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter D'occasion
EUR 35,40
Autre devise

Ajouter au panier

Frais de port : EUR 24,92
De Etats-Unis vers France
Destinations, frais et délais

9.

MIA Fineman
Edité par Yale University Press, United States (2012)
ISBN 10 : 0300185014 ISBN 13 : 9780300185010
Neuf(s) Couverture rigide Quantité : 10
Vendeur
The Book Depository
(London, Royaume-Uni)
Evaluation vendeur
[?]

Description du livre Yale University Press, United States, 2012. Hardback. État : New. Language: English . Brand New Book. Photographic manipulation is a familiar phenomenon in the digital era. What will come as a revelation to readers of this captivating, wide-ranging book is that nearly every type of manipulation we associate with Adobe s now-ubiquitous Photoshop software was also part of photography s predigital repertoire, from slimming waistlines and smoothing away wrinkles to adding people to (or removing them from) pictures, not to mention fabricating events that never took place. Indeed, the desire and determination to modify the camera image are as old as photography itself-only the methods have changed. By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography s development, in which champions of photographic purity, such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation, including Henry Peach Robinson, Edward Steichen, and John Heartfield, are treated as conspicuous anomalies.Among the techniques discussed on these pages-abundantly illustrated with works from an international array of public and private collections-are multiple exposure, combination printing, photomontage, composite portraiture, over-painting, hand coloring, and retouching. The resulting images are as diverse in style and motivation as they are in technique. Taking her argument beyond fine art into the realms of politics, journalism, fashion, entertainment, and advertising, Fineman demonstrates that the old adage the camera does not lie is one of photography s great fictions. N° de réf. du libraire AAH9780300185010

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter neuf
EUR 45,72
Autre devise

Ajouter au panier

Frais de port : EUR 1,34
De Royaume-Uni vers France
Destinations, frais et délais

10.

MIA Fineman
Edité par Yale University Press, United States (2012)
ISBN 10 : 0300185014 ISBN 13 : 9780300185010
Neuf(s) Couverture rigide Quantité : 10
Vendeur
The Book Depository US
(London, Royaume-Uni)
Evaluation vendeur
[?]

Description du livre Yale University Press, United States, 2012. Hardback. État : New. Language: English . Brand New Book. Photographic manipulation is a familiar phenomenon in the digital era. What will come as a revelation to readers of this captivating, wide-ranging book is that nearly every type of manipulation we associate with Adobe s now-ubiquitous Photoshop software was also part of photography s predigital repertoire, from slimming waistlines and smoothing away wrinkles to adding people to (or removing them from) pictures, not to mention fabricating events that never took place. Indeed, the desire and determination to modify the camera image are as old as photography itself-only the methods have changed. By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography s development, in which champions of photographic purity, such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation, including Henry Peach Robinson, Edward Steichen, and John Heartfield, are treated as conspicuous anomalies. Among the techniques discussed on these pages-abundantly illustrated with works from an international array of public and private collections-are multiple exposure, combination printing, photomontage, composite portraiture, over-painting, hand coloring, and retouching. The resulting images are as diverse in style and motivation as they are in technique. Taking her argument beyond fine art into the realms of politics, journalism, fashion, entertainment, and advertising, Fineman demonstrates that the old adage the camera does not lie is one of photography s great fictions. N° de réf. du libraire AAH9780300185010

Plus d'informations sur ce vendeur | Poser une question au libraire

Acheter neuf
EUR 45,72
Autre devise

Ajouter au panier

Frais de port : EUR 1,34
De Royaume-Uni vers France
Destinations, frais et délais

17 autres exemplaires de ce livre sont disponibles

Afficher tous les résultats pour ce livre