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Ford Madox Ford s Literary Contacts (Paperback)

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ISBN 10: 9042022485 / ISBN 13: 9789042022485
Edité par Brill, Netherlands, 2007
Neuf(s) Etat : New Couverture souple
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A propos de cet article

Language: English . Brand New Book. The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford s work, life, and contacts, to broader concerns of his time. The present book is part of a large-scale reassessment of his roles in literary history. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade s End, which Anthony Burgess described as the finest novel about the First World War ; and Samuel Hynes has called the greatest war novel ever written by an Englishman . But he was a prolific writer in many different modes, which include criticism of others writing, and reminiscences of the many writers he had known. One of the most striking features of his career is his close involvement with so many of the major international literary groupings of his time.In the South-East of England at the fin-de-siecle, he collaborated for a decade with Joseph Conrad, and befriended Henry James, and H. G. Wells. In Edwardian London he founded the English Review, publishing these writers alongside his new discoveries, Ezra Pound, D. H. Lawrence, and Wyndham Lewis. After the war he moved to France, founding the transatlantic review in Paris, taking on Hemingway as a sub-editor, discovering another generation of Modernists such as Jean Rhys and Basil Bunting, and publishing them alongside Joyce and Gertrude Stein. He spent more time in America from the later 1920s, spending time with Southern Agrarians, and poets such as William Carlos Williams, Charles Olson, and Robert Lowell. He was always a tireless promoter of younger writers, reading manuscripts and recommending them to publishers. This book takes Ford s literary contacts to include such creative friendships, editorial involvements, and influential biographical encounters; and they form the most substantial, central section on Contemporaries and Confreres , covering figures like Proust, Carlos Williams, Rebecca West, Herbert Read, and Hemingway.But it also explores contacts with literary texts. The first section on Predecessors considers the impact of Ford s reading of Trollope, George Eliot, and Turgenev. The final section discusses Successors : writers such as Graham Greene, Burgess, and A. S. Byatt, whose literary contacts with Ford have been as his admiring readers and eloquent critics. Ford has been described as a writer s writer . This volume reveals how true that has been, and in how many ways, as it sheds new light on his relationships with other writers, both familiar and surprising. It includes two pieces published here for the first time: one by Ford himself, on Turgenev; the other a memoir about Ford by his contemporary, Marie Belloc Lowndes (the sister of Hilaire Belloc). N° de réf. du libraire AAN9789042022485

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Détails bibliographiques

Titre : Ford Madox Ford s Literary Contacts (...

Éditeur : Brill, Netherlands

Date d'édition : 2007

Reliure : Paperback

Etat du livre :New

A propos de ce titre

Synopsis :

The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford's work, life, and contacts, to broader concerns of his time. The present book is part of a large-scale reassessment of his roles in literary history. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade's End, which Anthony Burgess described as 'the finest novel about the First World War'; and Samuel Hynes has called 'the greatest war novel ever written by an Englishman'. But he was a prolific writer in many different modes, which include criticism of others' writing, and reminiscences of the many writers he had known. One of the most striking features of his career is his close involvement with so many of the major international literary groupings of his time. In the South-East of England at the fin-de-siècle, he collaborated for a decade with Joseph Conrad, and befriended Henry James, and H. G. Wells. In Edwardian London he founded the English Review, publishing these writers alongside his new discoveries, Ezra Pound, D. H. Lawrence, and Wyndham Lewis. After the war he moved to France, founding the transatlantic review in Paris, taking on Hemingway as a sub-editor, discovering another generation of Modernists such as Jean Rhys and Basil Bunting, and publishing them alongside Joyce and Gertrude Stein. He spent more time in America from the later 1920s, spending time with Southern Agrarians, and poets such as William Carlos Williams, Charles Olson, and Robert Lowell. He was always a tireless promoter of younger writers, reading manuscripts and recommending them to publishers. This book takes Ford's 'literary contacts' to include such creative friendships, editorial involvements, and influential biographical encounters; and they form the most substantial, central section on 'Contemporaries and Confrères', covering figures like Proust, Carlos Williams, Rebecca West, Herbert Read, and Hemingway. But it also explores contacts with literary texts. The first section on 'Predecessors' considers the impact of Ford's reading of Trollope, George Eliot, and Turgenev. The final section discusses 'Successors': writers such as Graham Greene, Burgess, and A. S. Byatt, whose literary contacts with Ford have been as his admiring readers and eloquent critics. Ford has been described as 'a writer's writer'. This volume reveals how true that has been, and in how many ways, as it sheds new light on his relationships with other writers, both familiar and surprising. It includes two pieces published here for the first time: one by Ford himself, on Turgenev; the other a memoir about Ford by his contemporary, Marie Belloc Lowndes (the sister of Hilaire Belloc).

Review:

"Presents much that is novel while unobtrusively making a case for Ford's massive importance to his time ..." - J.H. Stape, in: English Literature in Transition 51/3 (2008), 330-333 "Skinner's collection demonstrates that one of the most arresting facets of Ford's career is his close involvement with many of the key international literary groupings, coteries and urgent causes of his time... Skinner's collection makes a compelling case for Ford's centrality on the literary scene during the Edwardian period and for a good twenty years after it." - Andrew Radford, in: Year's Work in English Studies (2009) "If leaving the reader wanting more is an indication of success, this collection undoubtedly succeeds." - in: Modernism/Modernity, 16/1 "The sixth volume in the excellent International Ford Madox Ford Studies series [...] there are some excellent essays here that strike out into the present ..." - Alan Munton, in: Lewisletter (2009), 16-17

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