German Renaissance Prints 1490 - 1550.

Bartrum, Giulia.

Edité par British Museum Press, London. 1995.
ISBN 10: 0714126047 / ISBN 13: 9780714126043
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Description :

Black and White illustrations. VG, without dust jacket. From the library of MP Denis Healey, and signed by him. N° de réf. du libraire

A propos du livre :

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Synopsis : The Renaissance in Germany was one of the most important periods in the history of European printmaking. Largely through the singular efforts of Albrecht Durer, the woodcut was transformed from cheap book decoration into a medium of artistic merit in its own right. From the last quarter of the 15th century painters began to take up the technique and introduced many innovations. The first etching ever to be produced dates from the early 16th century. The collection held by the British Museum ranks with the greatest in the world and this catalogue includes some of its finest examples. Prints were used to propagate the ideas of the Reformation and the humanists, and were also favoured by the Holy Roman Emperor Maximilian I as a cheap means of glorifying his status. The stylistic diversity and historical context of German Renaissance prints is emphasized. There is a representative selection of the works of Albrecht Durer, and also his pupil Hans Baldung Grien. Artists from Augsburg include Hans Burgkmair, Hans Schaufelein and Jorg Breu, and Lucas Cranach, close friend of Martin Luther and specialist in elegant portraits and courtly subjects for the dukes of Saxony. Also represented are the earliest landscapes in German art, and prints designed by the court painter to Henry VIII, Hans Holbein the Younger. This catalogue is published to accompany an exhibition opening at the British Museum from 16 June to 10 September 1995.

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Détails bibliographiques

Titre : German Renaissance Prints 1490 - 1550.
Éditeur : British Museum Press, London. 1995.
Reliure : Paperback.

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Giulia Bartrum
Edité par British Museum Press (1995)
ISBN 10 : 0714126047 ISBN 13 : 9780714126043
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Description du livre British Museum Press, 1995. Paperback. État : Used; Very Good. N° de réf. du libraire 2366144

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Giulia Bartrum
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Description du livre Hardback. État : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du libraire GOR007481117

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Giulia Bartrum
Edité par British Museum Press 1995-06 (1995)
ISBN 10 : 0714126047 ISBN 13 : 9780714126043
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Description du livre British Museum Press 1995-06, 1995. Paperback. État : Very Good. Mild shelfwear, with gentle bending/creasing to extremities. Content in very good condition. Inscription to title page. Book. N° de réf. du libraire 135579-4

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Bartrum, Giulia
Edité par British Museum Pubns Ltd, London. (1995)
ISBN 10 : 0714126047 ISBN 13 : 9780714126043
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Description du livre British Museum Pubns Ltd, London., 1995. Soft cover. État : Very Good. 1st Edition. PAPERBACK. Condition: VG. Extra postage for overseas destinations due to weight. N° de réf. du libraire 018234

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Bartrum, Giulia & Antony Griffiths
Edité par British Museum Press, London (1995)
ISBN 10 : 0714126047 ISBN 13 : 9780714126043
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Description du livre British Museum Press, London, 1995. paperback. État : Very Good+. Illustrated stiff card wrappers; spine uncreased. Front foredges a trifle marked. B/w illustrations. Catalogue of exhibition. ; 4to (9" x 11"); 240 pages. N° de réf. du libraire 30567

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Giulia Bartrum
Edité par British Museum Press (1995)
ISBN 10 : 0714126047 ISBN 13 : 9780714126043
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Description du livre British Museum Press, 1995. Soft cover. État : Near Fine. Description This is a soft cover book. It measures 21.5x 27.5 x 2cm and has 240 pages. It s the catalogue of an exhibition of prints from the British Museum’s collections. As would be expected it contains around 280 illustration of which 8 are in colour. The printing is on gloss paper so it is a heavy book. It will require additional postage. The text accompanying each of the exhibits is both authoritative and thorough and by the curator of the German section of the Prints and Drawing department of the BM. The period covered is the significant one between 1490 and 1550. This was the time when mechanical printing was introduced and new techniques of engraving and etching were began. That influenced how the prints were produced. The political and religious changes simultaneously occurring influenced the choice of subjects. The artists include the obvious ones such as Durer, Cranach, Holbein but also many others whose names are less well known, but also produced outstanding work. This is an essential book . Condition The overall condition of this book is fine. The covers are free from any marks or stains tears and creases. The binding is firm and tight wit no bumping All text pages are present and free from any marks or stains tears and creases. N° de réf. du libraire 57

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Bartrum, Giulia
Edité par British Museum Press (1995)
ISBN 10 : 0714126047 ISBN 13 : 9780714126043
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Description du livre British Museum Press, 1995. Soft cover. État : Very Good. Image shows actual book for sale. Book Condition: Very Good; firm binding; contents very good. Soft Cover British Museum Press 1995 Art. N° de réf. du libraire 91744

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Bartrum, Giulia
Edité par British Museum Press 1995, London (1995)
ISBN 10 : 0714126047 ISBN 13 : 9780714126043
Ancien(s) ou d'occasion Soft Cover Quantité : 1
Vendeur
Evaluation vendeur
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Description du livre British Museum Press 1995, London, 1995. Soft Cover. État : Very Good. 240 pp., with 8 colour and 270 black and white illustrations. Crease in spine. The Renaissance in Germany was one of the most important periods in the history of European printmaking. Largely through the singular efforts of Albrecht Durer, the woodcut was transformed from cheap book decoration into a medium of artistic merit in its own right. From the last quarter of the 15th century painters began to take up the technique and introduced many innovations. The first etching ever to be produced dates from the early 16th century. The collection held by the British Museum ranks with the greatest in the world and this catalogue includes some of its finest examples. Prints were used to propagate the ideas of the Reformation and the humanists, and were also favoured by the Holy Roman Emperor Maximilian I as a cheap means of glorifying his status. The stylistic diversity and historical context of German Renaissance prints is emphasized. There is a representative selection of the works of Albrecht Durer, and also his pupil Hans Baldung Grien. Artists from Augsburg include Hans Burgkmair, Hans Schaufelein and Jorg Breu, and Lucas Cranach, close friend of Martin Luther and specialist in elegant portraits and courtly subjects for the dukes of Saxony. Also represented are the earliest landscapes in German art, and prints designed by the court painter to Henry VIII, Hans Holbein the Younger. This catalogue is published to accompany an exhibition opening at the British Museum from 16 June to 10 September 1995. N° de réf. du libraire 39866

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Bartrum, Giulia
Edité par British Museum Pubns Ltd (1995)
ISBN 10 : 0714126047 ISBN 13 : 9780714126043
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Description du livre British Museum Pubns Ltd, 1995. Paperback. État : New. N° de réf. du libraire P110714126047

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Bartrum, Giulia
Edité par British Museum Pubns Ltd, U.S.A. (1995)
ISBN 10 : 0714126047 ISBN 13 : 9780714126043
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Description du livre British Museum Pubns Ltd, U.S.A., 1995. Original Wraps. État : New. New copy in wraps Size: 4to - over 9¾" - 12" tall. N° de réf. du libraire 025801

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