The Historical Experience in German Drama: From Gryphius to Brecht (Hardback)

Alan Menhennet

Edité par Boydell Brewer Ltd, 2002
ISBN 10: 1571132554 / ISBN 13: 9781571132550
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Language: English Brand New Book. In what is still the standard survey of German historical drama, Das deutsche Geschichtsdrama (1952), Friedrich Sengle understands historical drama as that in which objective history is blended with an idea that is the basis of its dramatic coherence and force. This idea inevitably becomes the engine of a dramatic action, inclining the theatergoer to become wholly engaged with dramatic characters in a dramatic present, rather than with real figures in a historical past. Such plays (for instance Schiller s Maria Stuart ) may remain broadly true to history, but the experience they afford is often not historical; that is, it may be emotionally and intellectually compelling, but it will not be historical in the sense of causing us, in our present, to become engaged with our relationship with past figures and events and their continued relevance for us.Alan Menhennet identifies and analyzes examples of German drama that are historical in the stricter sense: not only in terms of the provenance of the material, but also in that, while remaining dramatic in nature, they do convey a historical experience. By means of a critical survey extending from the seventeenth century to the twentieth, in the contexts of literary history, the philosophy of history, and German history from the Thirty Years War to the Second World War, Menhennet provides a complement to Sengle s still-valuable study. Major figures treated include Gryphius, Lessing, Schiller, Goethe, Grillparzer, Hebbel, Schnitzler, and Brecht. There is no competing work in English. Alan Menhennet is Professor Emeritus of German at the University of Newcastle, Newcastle-upon-Tyne, UK. He is author of Grimmelshausen the Storyteller (Camden House, 1997). N° de réf. du libraire

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Synopsis : In what is still the standard survey of German historical drama, Das deutsche Geschichtsdrama (1952), Friedrich Sengle understands "historical drama" as that in which objective history is blended with an idea that is the basis of its dramatic coherence and force. This idea inevitably becomes the engine of a dramatic action, inclining the theatergoer to become wholly engaged with dramatic characters in a dramatic present, rather than with "real" figures in a historical past. Such plays (for instance Schiller's Maria Stuart) may remain broadly "true to history," but the experience they afford is often not historical; that is, it may be emotionally and intellectually compelling, but it will not be historical in the sense of causing us, in our present, to become engaged with our relationship with past figures and events and their continued relevance for us. Alan Menhennet identifies and analyzes examples of German drama that are historical in the stricter sense: not only in terms of the provenance of the material, but also in that, while remaining dramatic in nature, they do convey a historical experience. By means of a critical survey extending from the seventeenth century to the twentieth, in the contexts of literary history, the philosophy of history, and German history from the Thirty Years' War to the Second World War, Menhennet provides a complement to Sengle's still-valuable study. Major figures treated include Gryphius, Lessing, Schiller, Goethe, Grillparzer, Hebbel, Schnitzler, and Brecht. There is no competing work in English. Alan Menhennet is Professor Emeritus of German at the University of Newcastle, Newcastle-upon-Tyne, UK. He is author of Grimmelshausen the Storyteller (Camden House, 1997).

Critique: Well argued and well written, (t)his critical survey poses important questions about community, theater and history. GERMAN QUARTERLY

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Détails bibliographiques

Titre : The Historical Experience in German Drama: ...
Éditeur : Boydell Brewer Ltd
Date d'édition : 2002
Reliure : Hardback
Etat du livre : New

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Menhennet, Alan
Edité par Camden House (2002)
ISBN 10 : 1571132554 ISBN 13 : 9781571132550
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Description du livre Camden House, 2002. État : Good. N/A. Former Library book. Shows some signs of wear, and may have some markings on the inside. N° de réf. du libraire GRP85944219

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Alan Menhennet
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Description du livre État : Good. Book Condition: Good. N° de réf. du libraire 97815711325504.0

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Menhennet, Alan
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Description du livre Camden House, -, 2002. Hardcover. État : Very Good. No Jacket. 8.80 X 6.78 X 0.79 inches used hardcover, no dj. light shelfwear; corners/edges lightly bumped. binding and pages are solid. text is unmarked. boards and page edges are lightly scuffed but clean. N° de réf. du libraire 10000000095105

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Menhennet, Alan
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Description du livre Camden House, U.S.A., 2002. Hardcover. État : New. N° de réf. du libraire 002796

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Description du livre 2002. Hardcover. État : New. Camden House, 2003 Hardcover. First thus silver titles and title label to orig burgundy cloth 186 pages text in English no dj, Absolute minor shelfwear but this is A BRAND NEW BOOK UNUSED. Full refund if not satisfied. 24 hour despatch. If not pictured in this listing, a scan of the actual book is available on request. In a survey of German historical drama, "Das deutsche Geschichtsdrama" (1952), Friedrich Sengle understands "historical drama" as that in which objective history is blended with an idea that is the basis of its dramatic coherence and force. This book extends from the seventeenth century to the twentieth, providing a complement to Sengle's study. N° de réf. du libraire j176

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Alan Menhennet
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Description du livre John Wiley and#38; Sons, 2002. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire FW-9781571132550

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Alan Menhennet
Edité par Boydell Brewer Ltd, United States (2002)
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Description du livre Boydell Brewer Ltd, United States, 2002. Hardback. État : New. 223 x 172 mm. Language: English . Brand New Book. In what is still the standard survey of German historical drama, Das deutsche Geschichtsdrama (1952), Friedrich Sengle understands historical drama as that in which objective history is blended with an idea that is the basis of its dramatic coherence and force. This idea inevitably becomes the engine of a dramatic action, inclining the theatergoer to become wholly engaged with dramatic characters in a dramatic present, rather than with real figures in a historical past. Such plays (for instance Schiller s Maria Stuart ) may remain broadly true to history, but the experience they afford is often not historical; that is, it may be emotionally and intellectually compelling, but it will not be historical in the sense of causing us, in our present, to become engaged with our relationship with past figures and events and their continued relevance for us.Alan Menhennet identifies and analyzes examples of German drama that are historical in the stricter sense: not only in terms of the provenance of the material, but also in that, while remaining dramatic in nature, they do convey a historical experience.By means of a critical survey extending from the seventeenth century to the twentieth, in the contexts of literary history, the philosophy of history, and German history from the Thirty Years War to the Second World War, Menhennet provides a complement to Sengle s still-valuable study. Major figures treated include Gryphius, Lessing, Schiller, Goethe, Grillparzer, Hebbel, Schnitzler, and Brecht. There is no competing work in English. Alan Menhennet is Professor Emeritus of German at the University of Newcastle, Newcastle-upon-Tyne, UK. He is author of Grimmelshausen the Storyteller (Camden House, 1997). N° de réf. du libraire AAH9781571132550

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Alan Menhennet
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Description du livre Boydell Brewer Ltd, United States, 2002. Hardback. État : New. 223 x 172 mm. Language: English . Brand New Book. In what is still the standard survey of German historical drama, Das deutsche Geschichtsdrama (1952), Friedrich Sengle understands historical drama as that in which objective history is blended with an idea that is the basis of its dramatic coherence and force. This idea inevitably becomes the engine of a dramatic action, inclining the theatergoer to become wholly engaged with dramatic characters in a dramatic present, rather than with real figures in a historical past. Such plays (for instance Schiller s Maria Stuart ) may remain broadly true to history, but the experience they afford is often not historical; that is, it may be emotionally and intellectually compelling, but it will not be historical in the sense of causing us, in our present, to become engaged with our relationship with past figures and events and their continued relevance for us.Alan Menhennet identifies and analyzes examples of German drama that are historical in the stricter sense: not only in terms of the provenance of the material, but also in that, while remaining dramatic in nature, they do convey a historical experience. By means of a critical survey extending from the seventeenth century to the twentieth, in the contexts of literary history, the philosophy of history, and German history from the Thirty Years War to the Second World War, Menhennet provides a complement to Sengle s still-valuable study. Major figures treated include Gryphius, Lessing, Schiller, Goethe, Grillparzer, Hebbel, Schnitzler, and Brecht. There is no competing work in English. Alan Menhennet is Professor Emeritus of German at the University of Newcastle, Newcastle-upon-Tyne, UK. He is author of Grimmelshausen the Storyteller (Camden House, 1997). N° de réf. du libraire AAH9781571132550

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Edité par Boydell & Brewer Ltd (2002)
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Description du livre Boydell & Brewer Ltd, 2002. État : Brand new. In what is still the standard survey of German historical drama, Das deutsche Geschichtsdrama (1952), Friedrich Sengle understands "historical drama" as that in which objective history is blended with an idea that is the basis of its dramatic coherence and force. This idea inevitably becomes the engine of a dramatic action, inclining the theatergoer to become wholly engaged with dramatic characters in a dramatic present, rather than with "rea l" figures in a historical past. Such plays (for instance Schiller's Maria Stuart ) may remain broadly "true to history," but the experience they afford is often not historical; that is, it may be emotionally and inte llectually compelling, but it will not be historical in the sense of causing us, in our present, to become engaged with our relationship with past figures and events and their continued relevance for us. Alan Menhennet identifies and analyzes examples of German drama that are historical in the stricter sense: not only in terms of the provenance of the material, but also in that, while remaining dramatic in nature, they do convey a historical experience. By means of a critical survey extending from the seventeenth century to the twentieth, in the contexts of literary history, the philosophy of history, and German history from the Thirty Years' War to the Second World War, Menhennet provides a complement to Sengle's still-valuable study. Major figures treated include Gryphius, Lessing, Schiller, Goethe, Grillparzer, Hebbel, Schnitzler, and Brecht. There is no competing work in English. Alan Menhenn et is Professor Emeritus of German at the University of Newcastle, Newcastle-upon-Tyne, UK. He is author of Grimmelshausen the Storyteller (Camden House, 1997). N° de réf. du libraire 9229

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Alan Menhennet
Edité par Camden House (2002)
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Description du livre Camden House, 2002. Hardcover. État : New. book. N° de réf. du libraire 1571132554

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