Impersonal Enunciation, or the Place of Film (Hardback)

Christian Metz

Edité par Columbia University Press, 2016
ISBN 10: 0231173660 / ISBN 13: 9780231173667
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Language: French,English . Brand New Book. Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud s psychology and Jacques Lacan s mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films speak and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Consulting a range of genres and national trends, Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in-and forces him to reassess-his work on authorship, film language, and the position of the spectator. Metz again takes up the linguistic and theoretical work of Benveniste, Genette, Casetti, and Bordwell, drawing surprising conclusions that presage current writings on digital media. Metz s analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz s findings and nascent digital-media theory, emphasizing Metz s keen awareness of the methodological and philosophical concerns we wrestle with today. N° de réf. du libraire

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Titre : Impersonal Enunciation, or the Place of Film...
Éditeur : Columbia University Press
Date d'édition : 2016
Reliure : Hardback
Etat du livre : New

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Christian Metz
Edité par Columbia University Press (2016)
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Description du livre Columbia University Press, 2016. HRD. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire WI-9780231173667

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Metz, Christian
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Description du livre Columbia University Press. Hardcover. État : Good. 0231173660 Bumped and creased book with tears to the extremities, but not affecting the text block - GOOD. N° de réf. du libraire Z0231173660Z3

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Christian Metz
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Description du livre Columbia University Press, United States, 2016. Hardback. État : New. 229 x 152 mm. Language: French,English . Brand New Book. Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud s psychology and Jacques Lacan s mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films speak and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Consulting a range of genres and national trends, Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in-and forces him to reassess-his work on authorship, film language, and the position of the spectator. Metz again takes up the linguistic and theoretical work of Benveniste, Genette, Casetti, and Bordwell, drawing surprising conclusions that presage current writings on digital media. Metz s analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears.A critical introduction by Cormac Deane bolsters the connection between Metz s findings and nascent digital-media theory, emphasizing Metz s keen awareness of the methodological and philosophical concerns we wrestle with today. N° de réf. du libraire AAH9780231173667

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Christian Metz
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Description du livre Columbia University Press, United States, 2016. Hardback. État : New. 229 x 152 mm. Language: French,English . Brand New Book. Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud s psychology and Jacques Lacan s mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films speak and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Consulting a range of genres and national trends, Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in-and forces him to reassess-his work on authorship, film language, and the position of the spectator. Metz again takes up the linguistic and theoretical work of Benveniste, Genette, Casetti, and Bordwell, drawing surprising conclusions that presage current writings on digital media. Metz s analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz s findings and nascent digital-media theory, emphasizing Metz s keen awareness of the methodological and philosophical concerns we wrestle with today. N° de réf. du libraire AAH9780231173667

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Christian Metz, Cormac Deane, Dana Polan
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Description du livre Columbia University Press. Hardback. État : new. BRAND NEW, Impersonal Enunciation, or the Place of Film, Christian Metz, Cormac Deane, Dana Polan, Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Consulting a range of genres and national trends, Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in--and forces him to reassess--his work on authorship, film language, and the position of the spectator. Metz again takes up the linguistic and theoretical work of Benveniste, Genette, Casetti, and Bordwell, drawing surprising conclusions that presage current writings on digital media. Metz's analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz's findings and nascent digital-media theory, emphasizing Metz's keen awareness of the methodological and philosophical concerns we wrestle with today. N° de réf. du libraire B9780231173667

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Metz, Christian/ Deane, Cormac (Translator)/ Polan, Dana (Afterword)
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