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LaChapelle Land: Photographs

LaChapelle, David

114 avis par GoodReads
ISBN 10: 0684833026 / ISBN 13: 9780684833026
Edité par Simon & Schuster / Callaway, New York, 1996
Ancien(s) ou d'occasion Etat : Near Fine Hardcover
Vendeur Arundel Books (seattle, WA, Etats-Unis)

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Slight rubbing to covers (color pictorial boards; chiefly to edges); else a near fine copy internally. 152 pages. Series of celebrity photographs, plus 1 insert (the "LaChapelle Land Map"). Nearly new copy, enclosed in original publisher's color pictorial cardboard case (with upper cover split at two corners; lower cover not split). One of an unspecified number of copies (this copy is numbered "25513" on lower panel of case); number line from 10 to 1 on colophon (page 152). Best Photography Bibliography #101. Size: Folio - over 12" - 15" tall. N° de réf. du libraire L074450

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Détails bibliographiques

Titre : LaChapelle Land: Photographs

Éditeur : Simon & Schuster / Callaway, New York

Date d'édition : 1996

Reliure : Hardcover

Illustrateur : LaChapelle, David (photographer); Over 125 Color & b/w Photographs

Etat du livre :Near Fine

Etat de la jaquette : No Jacket (as issued)

Edition : First Edition.

A propos de ce titre

Synopsis :

Collected here for the first time in book form are works by the celebrity and fashion photographer David LaChapelle, the man American Photo magazine has called one of today's most successful breakthrough artists. Showcasing the full range of his unique talent, this beautiful volume incorporates LaChapelle's striking photographs of such subjects as Drew Barrymore, Jim Carrey, k.d. lang, and the Beastie Boys. 159 photos.

From Library Journal:

Exemplifying the blurring of lines between photojournalism, advertising, and art, these four collections of celebrity portraiture are less a record of high aesthetic achievement and more time capsules of the last decade's pop-culture infatuations. Observed side-by-side, the books highlight the photographers' individual styles and their strengths and weaknesses. Ritts's ability to capture his famous sitters' personalities at the height of expression reveal a self-consciousness in Corbijn's brooding, grainy portraits. But Ritts's Westonesque attempts at freezing the body as sculpture can seem pretentious next to LaChapelle's giddy, campy celebrations. Harkening back to the Hollywood photography of George Hurrell, Gorman's works stand apart for their simple elegance. The Gorman, LaChapelle, and Ritts books are all oversized and lavishly produced?perhaps a drawback, as the box LaChapelle is shipped in will be immediately discarded and the many fold-outs in Ritts will undoubtedly tear. Ultimately, these volumes will be of most interest to fans of the sitters. Art libraries should have the Ritts book?the official catalog of a controversial Museum of Fine Arts, Boston, retrospective?and the LaChapelle, whose vividly colorful works express the most individual style, if not depth. Public libraries that already have Ritts's last collection (Notorious, Bulfinch, 1992) can pass over this familiar work in favor of Gorman's genial portraits of today's stars.?Eric Bryant, "Library Journal"
Copyright 1997 Reed Business Information, Inc.

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