Laughter Between Two Revolutions: Opera Buffa in Italy, 1831-1848 (Hardback)

Francesco Izzo (Mu

Edité par Boydell Brewer Ltd, 2013
ISBN 10: 1580462936 / ISBN 13: 9781580462938
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Language: English . Brand New Book. This study represents the first substantial assessment of Italian comic operas composed during the central years of the Risorgimento -- the period during which upheavals, revolutions, and wars ultimately led to the liberation and unification of Italy. Music historians often view the period as one during which serious Romantic opera flourished in Italy while opera buffa inexorably declined. Laughter between Two Revolutions revises this widespread notion by viewing well-known comic masterpieces -- such as Donizetti s L elisir d amore (1832) and Don Pasquale (1843) -- as part of a still-thriving tradition. Also examined are opere buffe by Luigi Ricci, Lauro Rossi, Verdi (Un giorno di regno), and others, many of which circulated widely at the time. Francesco Izzo s pathbreaking study argues that in the realm of seriousness of mid-nineteenth-century Italy, comedy was not an anachronistic intruder, but a significant and vital cultural presence. This important volume offers new insights into opera history and theories of comedy in the arts. It will be of interest to opera lovers everywhere and to students in music, philosophy, comparative literature, and Italian cultural studies. Francesco Izzo is senior lecturer in music at the University of Southampton. N° de réf. du libraire

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Synopsis : This study represents the first substantial assessment of Italian comic operas composed during the central years of the Risorgimento -- the period during which upheavals, revolutions, and wars ultimately led to the liberation and unification of Italy. Music historians often view the period as one during which serious Romantic opera flourished in Italy while opera buffa inexorably declined. Laughter between Two Revolutions revises this widespread notion by viewing well-known comic masterpieces -- such as Donizetti's L'elisir d'amore (1832) and Don Pasquale (1843) -- as part of a still-thriving tradition. Also examined are opere buffe by Luigi Ricci, Lauro Rossi, Verdi (Un giorno di regno), and others, many of which circulated widely at the time. Francesco Izzo's pathbreaking study argues that in the "realm of seriousness" of mid-nineteenth-century Italy, comedy was not an anachronistic intruder, but a significant and vital cultural presence. This important volume offers new insights into opera history and theories of comedy in the arts. It will be of interest to opera lovers everywhere and to students in music, philosophy, comparative literature, and Italian cultural studies. Francesco Izzo is senior lecturer in music at the University of Southampton.

Critique: Shed(s) light on some of the possible implications of such works within the larger political context. A refreshingly multifaceted picture of post-Rossinian opera buffa . . . that emerges as complex and tension-imbued as it could be. (Historical accounts need to consider) the lively, anti-defeatist voices and vital operatic tradition (that) Izzo has recovered and delivered to us. MUSIC & LETTERS (Frances Vella) Izzo provides an enlightening, often entertaining corrective to the common notion that the music of the early Romantic period in Italy was exclusively dour, serious, and grim, with exceedingly few new works of brilliant light comedy. At the same time, he provides an informative overview of the nuanced changes in style and structure of the comic genre and of the broader political and social context. --Gabriele Dotto, co-general editor, Le Opere di Gaetano Donizetti

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Titre : Laughter Between Two Revolutions: Opera ...
Éditeur : Boydell Brewer Ltd
Date d'édition : 2013
Reliure : Hardback
Etat du livre : New

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Izzo, Francesco
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Description du livre University of Rochester Press. État : Like New. Minimal wear to cover. Pages clean and binding tight. Hardcover. N° de réf. du libraire JN4-00443

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Description du livre Boydell Brewer Ltd, United States, 2013. Hardback. État : New. 236 x 152 mm. Language: English . Brand New Book. This study represents the first substantial assessment of Italian comic operas composed during the central years of the Risorgimento -- the period during which upheavals, revolutions, and wars ultimately led to the liberation and unification of Italy. Music historians often view the period as one during which serious Romantic opera flourished in Italy while opera buffa inexorably declined. Laughter between Two Revolutions revises this widespread notion by viewing well-known comic masterpieces -- such as Donizetti s L elisir d amore (1832) and Don Pasquale (1843) -- as part of a still-thriving tradition. Also examined are opere buffe by Luigi Ricci, Lauro Rossi, Verdi (Un giorno di regno), and others, many of which circulated widely at the time. Francesco Izzo s pathbreaking study argues that in the realm of seriousness of mid-nineteenth-century Italy, comedy was not an anachronistic intruder, but a significant and vital cultural presence. This important volume offers new insights into opera history and theories of comedy in the arts. It will be of interest to opera lovers everywhere and to students in music, philosophy, comparative literature, and Italian cultural studies. Francesco Izzo is senior lecturer in music at the University of Southampton. N° de réf. du libraire AAH9781580462938

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Description du livre Boydell Brewer Ltd, United States, 2013. Hardback. État : New. 236 x 152 mm. Language: English . Brand New Book. This study represents the first substantial assessment of Italian comic operas composed during the central years of the Risorgimento -- the period during which upheavals, revolutions, and wars ultimately led to the liberation and unification of Italy. Music historians often view the period as one during which serious Romantic opera flourished in Italy while opera buffa inexorably declined. Laughter between Two Revolutions revises this widespread notion by viewing well-known comic masterpieces -- such as Donizetti s L elisir d amore (1832) and Don Pasquale (1843) -- as part of a still-thriving tradition. Also examined are opere buffe by Luigi Ricci, Lauro Rossi, Verdi (Un giorno di regno), and others, many of which circulated widely at the time. Francesco Izzo s pathbreaking study argues that in the realm of seriousness of mid-nineteenth-century Italy, comedy was not an anachronistic intruder, but a significant and vital cultural presence. This important volume offers new insights into opera history and theories of comedy in the arts. It will be of interest to opera lovers everywhere and to students in music, philosophy, comparative literature, and Italian cultural studies.Francesco Izzo is senior lecturer in music at the University of Southampton. N° de réf. du libraire AAH9781580462938

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Description du livre University of Rochester Press. Hardcover. État : New. Hardcover. 318 pages. Dimensions: 9.3in. x 6.0in. x 0.8in.This study represents the first substantial assessment of Italian comic operas composed during the central years of the Risorgimento -- the period during which upheavals, revolutions, and wars ultimately led to the liberation and unification of Italy. Music historians often view the period as one during which serious Romantic opera flourished in Italy while opera buffa inexorably declined. Laughter between Two Revolutions revises this widespread notion by viewing well-known comic masterpieces -- such as Donizettis Lelisir damore (1832) and Don Pasquale (1843) -- as part of a still-thriving tradition. Also examined are opere buffe by Luigi Ricci, Lauro Rossi, Verdi (Un giorno di regno), and others, many of which circulated widely at the time. Francesco Izzos pathbreaking study argues that in the realm of seriousness of mid-nineteenth-century Italy, comedy was not an anachronistic intruder, but a significant and vital cultural presence. This important volume offers new insights into opera history and theories of comedy in the arts. It will be of interest to opera lovers everywhere and to students in music, philosophy, comparative literature, and Italian cultural studies. Francesco Izzo is senior lecturer in music at the University of Southampton. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. N° de réf. du libraire 9781580462938

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